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If The Wire isn't the greatest television show of all time, it's certainly in the conversation. That landmark HBO series was created by David Simon, who took a journalistic and novelistic approach in telling the story of a decaying city (Baltimore) and its various institutions. Now, Simon has teamed up with crime novelist George Pelecanos for The Deuce, which takes a similarly 360-degree approach in examining Times Square in the early 1970s and the evolution of the porn industry. Capturing every facet of that time and place doesn't just mean that The Deuce depicts the lives of pimps, prostitutes, and police officers. It also means the show is alternately thought-provoking, tragic and darkly funny.

Stop me if you’ve heard this one before: single gal pals looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. The queens kweens of Comedy Central's Broad City have given that timeless story hook a funny, druggy and tremendously weird spin for the past four seasons. That includes this most recent batch of episodes, which is lighter on comedy than usual as it explores the origin of NYC besties Abbi and Ilana's relationship...and the way even the closest friends can inevitably drift apart.

New cartoon series these days are a hard watch for me. Gone are the days of classic shows like X-Men, Batman: The Animated Series and even newer favorites like Regular Show which ended about a year ago. Now we get shows where it seems like it is one cheap joke after another including Teen Titans Go and that show about some kid named Steven. So, I wasn't too thrilled to get the newest incarnation of Ben 10 on my review desk a couple of weeks ago. That's when I decided to employ the talents of my 2 year old son, Keaton and see if he can offer some insight.

The notion of having one of comics’ famous costumed detectives face Jack the Ripper is simply one of those ideas I can’t help but smile with geeky joy thinking about.  Batman: Gotham by Gaslight, takes the caped crusader back to the early turn of the 19th century, a time when Gotham City was in its early days, before skyscrapers flooded its landscape.  This unique take does offer up some fun twists on the legend of the character ,but also takes many liberties of historical events that actually took place.  This kind of revisionist history can be fun; take Inglorious Basterds for instance, but how much should you really play with actual history and set character mythology? This is definitely a new playground for the creators to play with, so how does the animated film shake out?

There was a guy on TV the other night. Had a theory that nearly a quarter of all so-called fatal accidents were actually murders. That's ridiculous...it's only about 10 percent.”

It's one of the more familiar action/thriller tropes: an apparent suicide or accidental death that actually turns out to be an elaborate murder. Usually that story is told from the perspective of the murder victim's loved one, who will stop at nothing to uncover the truth. What's cool about Accident Man — a stylish and rollicking action romp — is that it gives us an irreverent look at the cold-blooded killers who craftily carry out these cinematic crimes.

Kenji Kamiyama is a fairly known name in the anime world. His auspicious beginnings had him contributing backgrounds to shows like Duck Tales and movies like Akira. He then contributed scripts to a Wild Arms anime show and also did the screenplay for one of my favorite animes, Blood: The Last Vampire. His really big break occurred when he landed the director chair for the Ghost in the Shell: Stand Alone Complex films. After directing the TV show, Eden of the East, he came up with an idea for a new animated film called Ancien and the Magic Tablet. Unfortunately, that name didn't really stick and was renamed Napping Princess. Fast forward to 2018, and I have in my hands the Blu-Ray/DVD Combo set from Shout Factory. Let's check it out.

Never forget.”

The sight of Charlie Sheen in an earnest 9/11-themed drama is, to say the least, surprising. The controversial, tiger-blooded star has obviously drawn his share of headlines in recent years for reasons that have nothing to do with his acting. So you may or may not have forgotten that Sheen was also one of the most famous 9/11 truthers. But the most surprising thing about the ill-conceived 9/11 is that Sheen — delivering his first dramatic performance in years — isn't even the most tacky thing about this film.

When coming into this film you need to put aside any expectations of seeing your typical Pixar or Dreamworks animated film.  This is arthouse animation that is filled with originality while attacking the clichés we see in big-budget disaster films.  I didn’t really know what to expect from this film, but with a voice cast that includes Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolf, and Susan Sarandon it was such an odd mix that my curiosity couldn’t resist. So is the trippy animated film a success, or is it a dud destined to sink into obscurity?

Bad Robot, in my eyes, is simply the best at keeping things a secret.  In this day and age, to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is? 

It might be hard for me to admit, but there are certain instances where having an ultra-high-definition transfer of even a modern film is not necessarily a better thing. The UHD 4K release of Cloverfield is one such instance. There is no question that the transfer is about as sharp and clean as anything I’ve seen on Blu to date. The problem is that it only helps to accent the stylistic flaws inherent in this kind of film. The most noticeable improvement is in the first third of the film. Of course, that part of Cloverfield is about as entertaining as watching paint dry. I still don’t care about these characters and their party ramblings any more now than I did before. The fleeting shots of the creature do look better, but you still better hit the pause button if you want a good look.