Posted in: Disc Reviews by Brent Lorentson on October 13th, 2016
When you have a title like Satanic, it’s kind of hard to not start to build up expectations right out of the gate. I like a horror film that isn’t afraid to go dark and play with the subject matter of the occult, because honestly it’s the only topic that can manage to get under my skin. The Exorcist in my opinion is hands down the best horror film of all time and manages to haunt me after a viewing simply because the boy I once was who went to Catholic mass every Sunday knew that it could happen. That’s the thing about films like Satanic; you have a built-in audience that you already will have hooked from the start and have a reason to be afraid, simply because of faith. So when a movie has so much momentum going for them and it delivers such a lackluster result, it shows that certain people just shouldn’t be playing in the horror sandbox.
Chloe (Sarah Hyland) is on a road trip to a music festival with her boyfriend David (Stephen Krueger), but along the way they’ve decided to make some stops at the locations of some famous occult murder sites. The decision to make these stops comes at the suggestion of Elise (Clara Mamet), her cousin, along with Elise’s boyfriend Seth (Justin Chon). If not for the blood relation between Chloe and Elise, it would be difficult to imagine these couples ever being together, since Chloe and David seem to be more traditional college students, while Elise and Seth seem to be nothing more than Goth kids who are trying so desperately to be “dark”. This is a problem I had from the start; I never bought into this Goth couple. We’ve seen this story played out before in Kalifornia, where two odd couples go on a reluctant road trip to visit murder sites, but what worked is they cast the roles and made it more believable. By making Elise and Seth a joke from the start it simply pulls away any chance for attachment to these two despite blood relation. Even trying to imagine people on a road trip to the Coachella but deciding to detour for this murder tour is a hard leap for me.
Posted in: Disc Reviews by Gino Sassani on October 12th, 2016
"...And then all light will end, and the world will live in darkness. The very air will be pestilence to mankind. And our brethren, the night creatures, will emerge and feed."
We could be talking about the end of the world. We could also be talking about the untimely demise of Penny Dreadful with just its third season at Showtime. It came with a suddenness, and not without controversy. John Logan originally planned for the series to go 6-7 years. Something abruptly changed, and he has stated rather forcefully that it is impossible to continue the show beyond this third season. The finale is marked with a solid The End to punctuate his feelings. Showtime did not want to part with the show so quickly. Neither did the fans, and quite frankly neither did I. I haven't been this disappointed in a creator since Calvin & Hobbes went away because Bill Watterson got tired. Hell, I get tired, too. John Logan might have been finished with Penny Dreadful, but I wasn't.
Posted in: Disc Reviews by John Delia on October 12th, 2016
If you are looking for action and adventure, then you will not want to miss X-Men: First Class, a top-notch production that thrills. The storyline under the able direction of Matthew Vaughn contains all the explosiveness you would expect from a prequel to Marvel Comics’ famous X-Men. It’s the beginning of the saga, and we find Magneto (Michael Fassbender) being haunted by the death of someone close him. Escaping the clutches of the evil Nazi war criminal Sebastian Shaw (Kevin Bacon), Magneto meets Charles Xavier (James McAvoy). The two make a pact of finding other mutants and helping them work for justice. When Shaw rears his ugly head with superpowers of his own, the world puts everything on hold in hopes for a miracle to protect them; enter the X-Men.
I love the screenwriting style of Ashley Miller (Thor) who brings so many dynamic characters to life with amazing superpowers, and in X-Men: First Class she presents some very realistic baddies along with her heroes. Directed by Matthew Vaughn who gave us the action-laden Layer Cake and Kick Ass, nothing’s held back on his radical style of introducing characters with pugilistic powers. Here he puts Lee’s characters to the test and comes up with a winner.
Posted in: No Huddle Reviews by J C on October 10th, 2016
“There can only be one queen.”
After navigating treachery at every turn in French court and having to cope with a deadly plague throughout the first two seasons of Reign — the CW's campy, compulsively watchable adaptation of the Mary, Queen of Scots saga — season 3 was meant to introduce Mary's most formidable foe yet. Queen Elizabeth I of England becomes a regular character on the show and Mary's chief rival from afar. But in telling the story of two warring queens (while trying to service the series' many established characters) the show stretches itself too thin and loses some of the fizz that made it a guilty pleasure.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2016
"Did I miss anything while I was gone?"
Did you ever. Banshee came to an end with this, the fourth season, and it did not go quietly, to be sure. But it's not how it ends, but how this final season begins that's a bit of a mystery. There is a time jump of a little over 18 months that will cause you to feel like you might have missed something. If that doesn't confuse you, the season's constant tripping around in time will turn this season into a show very different from the Banshee we've come to know and love. It's not just one or two timelines that are presented here. The time can shift by any number of days, weeks, or months. Still the "current" story takes place nearly two years in the future. Fans appear to be divided on the season's dramatic departure from the show's style. The question has to be whether the team knew it was their final season from the beginning and felt the need to cover more ground to tell what story they had left to tell.
Posted in: Disc Reviews by Brent Lorentson on October 6th, 2016
“Are you food or are you sex?”
When it comes to director Nicholas Winding Refn, he’s a director from whom I’m never all too sure what to expect. For me Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it.. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should. Even reading about its debut at Cannes, it was met with a mix of boos as well as applause, which was all I really needed to get interested in this film after seeing the visually impressive trailer. At a glance it appears to be nothing more than the story of Black Swan (2010), only instead of following dancers, this is a film that thrusts the viewer into the world of modeling. Just where do I stand on this film? Well, it’s stuck with me since our screening days ago, and I’m still processing everything.
Posted in: Disc Reviews by Jeremy Butler on October 5th, 2016
“Be the hero of your own story.”
Not the funniest addition to Kevin Hart’s reign as the king of comedy, but still a welcome sight. This time around, Hart teams with Dwayne “The Rock” Johnson for Central Intelligence. I’ve been anticipating this movie since behind-the-scenes footage leaked earlier this year, and the official trailer did nothing but fuel the flames of my excitement. After watching it, I can say that despite a few predictable plot twists, I still found the overall product to be extremely funny and worthwhile.
Posted in: Disc Reviews by J C on October 3rd, 2016
“Warning! The truly unusual motion picture you are about to see contains many scenes of graphic violence. It is not intended for the faint of heart, nor the young and impressionable.”
Anyone who makes it all the way through 1987's Blood Diner — a gleeful, inspired exercise in bad taste — can't say they weren't warned. That being said, the tongue-in-cheek disclaimer that precedes the film still may not be enough to prepare you for the utter silliness and depravity that follows.
Posted in: Disc Reviews by Brent Lorentson on October 1st, 2016
“I guess I’m just not used to being chased around a mall in the middle of the night by killer robots.”
It’s October, and that means it’s the start of 31 Nights of Terror, and this year we’re kicking things off with one of my guilty pleasures growing up, Chopping Mall. This came out at a time when slashers were pretty much a dying genre, but there was still a demand to have horror films up on the big screen. I never got to see this in theaters, but I remember the VHS box art from my local mom-and-pop video store. The idea of the robotic hand clutching a shopping bag with a head on it was something that gripped the teenager in me. Sure, the film is nothing like what the box art teases, and the original title Killbots is a far more accurate title, but from a promotional standpoint, in the vein of the old Roger Corman films, I get why they did this. So what’s it all about? Well, grab your keys, grab your wallet, because we’re about to take a trip to Park Plaza Mall and see what it’s all about.
Posted in: Disc Reviews by J C on September 30th, 2016
“A creature that gestates inside a living human host…and has concentrated acid for blood.”
If you're a fan of sci-fi, horror, or action films, chances are you're also intimately familiar with the creature at the center of the Alien franchise. Ridley Scott's 1979 original is a masterpiece of space horror, so it would've been foolish for any follow-up to try and replicate the same formula. Instead, James Cameron's classic sequel succeeds by transplanting an entirely new genre into the series (Aliens is basically a war movie) while maintaining the sense of terror that made its predecessor a classic. You can get a fresh look for yourself now that Fox has released a 30th Anniversary Edition.
