Posted in: No Huddle Reviews by J C on December 15th, 2014
“Screw you, it's 'Merry Christmas!'”
A decent chunk of Jeff Dunham's Very Special Christmas Special is devoted to taking back the most wonderful time of the year from anyone who insists on saying “Happy Holidays” instead of daring to utter the C-word. The wildly successful comic certainly knows his audience, and the live crowd here eats up Dunham's assault on rampant political correctness. My feelings on this particular DVD release, on the other hand, are closer to “Bah, humbug!
Posted in: No Huddle Reviews by J C on December 11th, 2014
Stop me if you've heard this one before: single gal(s) looking for love — among other things — in the big city. On television, the trope dates back to the days of Laverne & Shirley and continues with more contemporary entries like Sex and the City and Girls. It's an effective, well-worn story hook that has now gotten a funny, tremendously weird spin thanks to Comedy Central's Broad City.
“I'm an adult, I'm gonna buy my own pot.”
Posted in: Disc Reviews by J C on November 28th, 2014
“How the hell did this happen? I mean, I’m on the other side of the planet, and people know who I am and they’re laughing at my jokes.”
Despite his status as one of the biggest draws in stand-up comedy, Jeff Dunham really does seem taken aback by his success. On one hand, you wouldn’t necessarily expect a ventriloquist to be one of the hottest names in comedy in 2014. Then again, the hard work and precision he has put into his act is evident every time he takes the stage. For his latest comedy special, Dunham packed up his puppets and took his show on the road like never before.
Posted in: Disc Reviews by Gino Sassani on September 18th, 2014
"Oh boy, zombie apocalypse!"
No, it's just South Park. But it has invaded pop culture as much as zombies have over its amazing 18-year run. Trey Parker and Matt Stone have been walking a tightrope for over 18 years now, and it just doesn’t get old. One of the reasons the show doesn’t grow stale is their ability to make such a quick turnaround on current events. Because the show takes literally days to write and produce, they are quite often always the first to address an issue. They had an election-night episode on literally the next day in last season. That means the ideas stay as fresh as the headlines.
Posted in: Disc Reviews by J C on August 28th, 2014
“You have just seen an authentic disclosure of conditions which unfortunately exist in some of our high schools today. The job of policemen will not be finished until this insidious menace to the schools of our country is exposed and destroyed.”
“Authentic” is probably a stretch, but High School Confidential! is certainly fascinating for a variety of reasons. Every generation has an alleged scourge that invades high schools and threatens to rip apart the very fabric of society. (Cue masterpiece eye roll.) In 1958, that menace went by the name “Mary Jane.”
Posted in: Disc Reviews by J C on July 30th, 2014
No matter how far removed you may be from Sunday school — or even if you never attended in the first place — chances are you know that God spoke to Noah. You also know He told him to build an ark in anticipation of a catastrophic flood meant to wipe out mankind. What you may not have realized (or remembered) is that, in the Bible, Noah himself doesn't speak at all until well after that rain starts. So in adapting the famous Book of Genesis story to the screen, any filmmaker is going to have to take a certain amount of liberties. And when that filmmaker is Darren Aronofsky, the result is a strange, uncommonly thoughtful blockbuster that is as flawed as the hero it presents.
“In the beginning, there was nothing...”
Posted in: Disc Reviews by William O'Donnell on July 19th, 2014
Here comes Volume four of this clip commentary comedy show (CCC could catch on as a sub-genre title couldn't it?). This time we get two seasons worth of episodes; the “Collas” and “Exposed Arms” entitled seasons, as it were. Very little is different as far as format or new segments are concerned since the last time I wrote about this show.
YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.
Posted in: Disc Reviews by William O'Donnell on June 25th, 2014
Detective Carrie Wells (played by Poppy Montgomery) and her former boyfriend/current crime fighting partner Al Burns (played by Dylan Walsh) have been noticed because of their uncanny crime solving percentage in the upper 90% (a fairly common thing in TV crime shows, but nearly unheard of in the real world) and get promoted to the NYPD's Major Crimes unit. With this move, and the fact that this program bounced in and out of cancellation quagmire between the first and second season, all of the supporting cast (except for Jane Curtain as Medical Examiner Joanne Webster) and we are offered a new team of token (read: stereotypical) character types filling the void; including a sassy black female cop, an asian tech guy, and uptight yet quirky boss.
I was coming into this series with no prerequisite viewings of the first season, nor any knowledge of the characters. This was a major annoyance for the first episode as would discover that they had removed the opening narration that explained that Wells has a very rare (and very high functioning apparently) condition called hyperthymesia which grants her the ability to recall everything she sees and hears since she was a teenager. This is both an incredibly convenient ability for someone gathering evidence at crime scene as well as an incredibly convenient gimmick for this show as it takes all of the tough solving out of the police procedures and turns it into Well having frequent pregnant pauses to lay out all of the minuet details she recalled. Said condition would be eventually explained as episodes progressed but it made me wonder what the show title was for a decent amount of time.
The opening episode I found very deterring and I'm glad I was obligated to power through the entire season. All of the characters where very smug in this season opener and it made the show very unattractive to me. Those that watch shows like NCIS or CSI may be more accepting of such cocky attitudes but I personally find those shows hacky and am never charmed by those that are flippant in the face of victim's deaths and would sooner puff up their egos or flirt than be aware of the fact that they are dealing with violent criminals.
As I mentioned before, the episodes do get progressively better and I credit much of this to the humbling of the lead characters when the story-lines get more personal. This is especially true by the episode entitled “Memory Kings” where Wells must deal with the murder of an academic who first therapeutically helped her deal with her condition, that may have driven her insane had he not done so. The plots of each episode are not exactly subtle. Our heroes deal with serial killers, nuclear bombs, hacker terrorists and globe trotting assassins. I can appreciate the almost campy level of how much is at stake in each tale. Though I should note that, although the stories do improve, there is still a lot left to be desired with some of the corny dialogue and character relationships throughout this season.
In my reviews I tend to send out kudos to any show that brings aboard certain actors and/or make reference to another program or film I enjoy. Here I'd like to said such kudos to Unforgettable for the episode “East of Islip” which featured guest appearance by Wayne Knight who works alongside his former 3rd Rock from the Sun cast mate Jane Curtain as a small town coroner/potential love interest. They have a playful energy and charm that stole the episode from the stars.
Posted in: Disc Reviews by Jeremy Butler on June 11th, 2014
“You’re not just an analyst anymore. You’re operational now.”
Witness the birth of -- actually make that rebirth of --one of the most popular action heroes in literature. Tom Clancy’s Jack Ryan has been a character of many jobs and many faces over the years. Baldwin, Ford, and Affleck have all stepped into the role of the man who has been a soldier, an analyst, an operative, and a president. Now Chris Pine looks to fill the shoes left behind by some of Hollywood’s heaviest hitters and try his hand at a retelling of the legendary character which also stars Kevin Costner and Keira Knightley, along with Kenneth Branagh who doubles as the film’s director. There are two clear differences between Pine’s circumstance and the others who have played Ryan: the story has been modernized to fit today’s setting, and Pine’s story is the only one not to be based on a popular Clancy novel.
Posted in: Disc Reviews by Gino Sassani on June 4th, 2014
We first came to know Paul Hogan as the "Shrimp On The Barbie" guy. He was doing television and radio ads for Australian tourism. A smart fellow, he saw that the ad character was popular and rode an enormous wave of an Australian fad that hit America in the 1980's.. Suddenly there were Australian bands like Men At Work teaching us about vegemite sandwiches on the top of the music charts. We got steak, not shrimp, on our barbie with a chain of Australian-themed steakhouses appropriately called Outback "no rules, just right" started up by a Florida group. Pop culture became inundated with catch phrases like "no worries" and "G'Day". Australia was cool, and we even had an "Australian" neighbor we all later found out was faking it for years. No doubt anything Aussie was considered cool. It was in that light that Hogan parlayed his tourism ads into an over-the-top Aussie character named Michael J. "Crocodile” Dundee.
The film was an almost instant hit. It pulled in a rather sweet $175 million at the domestic box office. Remember, this was a 1987 comedy with no real known American stars. Of course there was going to be a sequel. That film pulled in considerably less, but still a respectable $110 million. Those two films have now been brought to Blu-ray as a two-disc set from Paramount. The third film was called Crocodile Dundee In Los Angeles and tanked big time with an embarrassing $25 million box office total. That was 2001, and the Aussie fad has long since passed. It's no surprise that the collection only includes the first two films. These are absolutely worth watching and having.
