Sony Pictures

For the most part it seems the summer blockbusters tend to be sequels, superhero films, or CGI bonanzas that are simply eye candy to get us to the dark auditoriums to escape the heat. It’s rare that something comes along that is so clever and fresh as Baby Driver.  Personally I’ve been a fan of Edgar Wright from the moment I first saw Shaun of the Dead; he was a writer and director who I felt knew how to make films fun. When he was set to direct his dream project Ant-Man, I was excited to see him finally get a chance to do a giant tent-pole studio film, but weeks before filming was set to begin, he got pulled away and replaced.

"C'mon, you apes, you wanna live forever? I have only one rule. Everybody fights, no one quits. The bugs have breached Mars, and the Federation's fleet is too far to help. It's up to us to save the planet. On the bounce, Troopers! The only good bug is a dead bug! Oorah!"

Robert Heinlein wrote the Starship Troopers novel in 1959. Since that time it has taken on many forms from pulp fiction to comic books.

An action film with a running time of 89 minutes should mean that it’s going to be lean on the story and keep things moving at a fast pace.  S.W.A.T: Under Siege delivers just that, but unfortunately in the process delivers something that we’ve seen many times before.  The film is being branded as a sequel (by name only) to S.W.A.T (2003), the film with Colin Farrell which was an adaptation from the TV series from the 70’s.  S.W.A.T: Under Siege has nothing to do with any of the previous incarnations, and has relocated from sunny California to Seattle Washington. But is the film worth checking out?  Well I’m not a fan of sequels that go straight to DVD, but this film does dangle a wild card for the audience that convinced me to give this a shot, Michael Jai White (Spawn, Black Dynamite).

“First, there is an opportunity.  Then…there’s a betrayal.”

It’s been 20 years since the release of Trainspotting, and it’s fair to say a lot has changed in the past two decades.  I remember going out to the United Artists Mission Bell Cinemas to see Trainspotting the weekend it came out.  I was with my best friend at the time, and neither of us was old enough to buy tickets for the film, so we ended up having to sneak into the film.  We’d seen the trailers, and in a time before the internet there just wasn’t much we could find out about it aside from reading articles in the entertainment magazines.

It used to be when you had a straight-to-DVD release, you knew better than to set the bar too high.  From time to time you would find that occasional gem that slipped through the cracks and turned out to be something awesome, but this was a rare occurrence. With the way films are released now, the talent you are seeing in straight-to-DVD releases has improved, as have the budgets, since getting a film on the big screen has become a greater financial challenge.  I mention this only because I look at a title like Kill’em All and wonder if they even cared. The actors are here and doing their job, but it’s the figures behind the scenes that I’m calling out here.

The WWE is like a dog with a bone, refusing to let this franchise as well as its other one (12 rounds) go. I will give them this: they are maintaining some consistency with Mike “The Miz” Mizanin reprising his role of Jake Carter for the third time for The Marine 5: Battleground. This time around, however, the series won’t just star one WWE superstar, but six. That’s right you read correctly, six WWE superstars have come together for this action film. With the addition of The Mix come Bo Dallas, Heath Slater, Curtis Axel, Naomi, and Maryse Ouellet Mizanin. Didn’t recognize any of those names? Don’t worry; me neither, as my days of watching wrestling ended with the end of the attitude era.

Life's pretty simple, you know. It's long periods of waiting broken up by brief moments of change. That's it...that's all it is.”

100 Streets tells three barely-connected stories set in the same one-square-mile area of present-day London. (The neighborhoods of Chelsea and Battersea to be exact.) The stories are each quite compelling in their own right, and they're performed by a talented group of actors. Unfortunately, the movie is occasionally bogged down by distracting, pseudo-profound soliloquies like the one at the top of this review. I appreciate the stabs at thoughtfulness and depth, but they come off as forced here and are more likely to make you roll your eyes than inspire you.

“Anyone can betray anyone.”

The word “spy” tends to conjure images of international intrigue and attractive people getting into exotic adventures. But don't blame John le Carre. Despite being one of the most successful and prolific spy novelists of the past century, le Carre's stories tend to be aggressively un-sexy, morally murky tales that focus on the psychological toll of intelligence work. That's why it's interesting to find that The Night Manager — a British miniseries that also aired on AMC — manages to straddle both sides of the spy fiction fence.

James Spader is Raymond "Red" Reddington. If you have not yet watched an episode of The Blacklist I will tell you from the beginning that you just can't start here. Season 3 hits the ground running as the consequences of some major storylines from the previous year start to play out. I found myself having to take the time and catch up on Season 2 because we didn't get that year to review. It was clear to me from the start that there was no way to truly enjoy this release if I wasn't caught up. The trouble I go through to keep you guys informed. It's a tough job but someone has to do it. So, if you're not up to speed this is your chance to pick up all three seasons and do some serious binge watching.

“Who you gonna call?”

By now everyone knows the answer. Dan Aykroyd, Bill Murray, Harold Ramis, and Ernie Hudson are the Ghostbusters. As their ad proclaims, they’re ready to believe you. Ghostbusters was originally conceived by Aykroyd as a vehicle for John Belushi and himself. When Belushi died, reportedly from a drug overdose, the project sat on the shelf a few years. Harold Ramis would eventually team up with Aykroyd and finish the script. It’s been said that “Dying is easy. Comedy is hard