Posted in: Disc Reviews by Brent Lorentson on December 15th, 2016
In the days leading up to the release of Suicide Squad, over the internet there has been one of the most vicious attacks on a film before its release that I can remember. Sure, we had all the negative talk about Ghostbusters, but that was before anyone had ever seen the film, and as screenings came along, opinions seemed to sway. Now I was lucky enough to attend a screening Monday for Suicide Squad, and there were up to 150 people turned away at the door because the auditorium was filled to capacity. I mean, the buzz for this was high, and we DC fans were giddy, because this film was our hope that WB would be turning things around. I mention all this because now this has managed to become one of the worst-reviewed films of the year, and I’m just sitting here like WTF happened, did they see some other cut of the film? I’ve held off on writing this, because I’ve struggled with the direction I wished to take to write it. There’s the comic fan in me that has so much to say, then there is the more critical side, and usually I fall somewhere in between. Then I decided the hell with it, I’m just going to come at this full-film-geek. My reasoning: it seems 90% of critics out there have forgotten how to have fun at the movies, and it’s a shame, because I know at some point all of them were film lovers, but at some point they decided to turn their noses up at the trashy and the cool popcorn flicks. So strap yourself in, and let me give you the real rundown on the film.
After the events of Man of Steel and Dawn of Justice, a government official, Amanda Waller (Viola Davis) has a plan to get a team of the world’s most dangerous villains to fight the battles the government may find too dangerous to openly confront. Among these villains are “meta-humans” who have special gifts that can be used as weapons against the “Supermans” of the world. It’s a dangerous prospect, but as she is pitching this idea, you can’t help but agree with where she is coming from. This leads us to our roll call to our soon-to-be anti-heroes.
Posted in: Disc Reviews by Jeremy Butler on December 8th, 2016
It was rumored from the very beginning that George Miller was considering a black & white format for the film. There are box office risks associated with such a brave choice. We're hearing some of the same thoughts coming out of the Logan shoot. The nice thing about the sophistication of home video today is that there is now an outlet for those kinds of artistic choices, and this is a pretty solid example of it. It's hoped more of these kinds of alternate ideas can make it to home video giving filmmakers the chance to unleash things that might just be too risky at the box office. You still get the original film as part of of this combo so you're not giving anything up.
It is one of the most anticipated movies of the summer and another subject in the category of “can Tom Hardy do no wrong?” Mad Max: Fury Road is the reimagining of the iconic film that helped launch Mel Gibson’s career decades earlier. This is not new territory in Hollywood by any stretch of the imagination; remakes have happened so often in recent years that they have practically become their own genre. However, I would like to point out something that will hopefully set this film apart in the eyes of the audience: how often do you see a remake that is overseen by the creator of the original film that you know and love?
Posted in: Disc Reviews by J C on October 23rd, 2016
“Everyone is afraid of the dark…and that’s what she feeds on.”
Despite rumors to the contrary, I am a full-grown adult. That means I can’t in good conscience admit to being afraid of the dark. The most I’ll concede is a sense of uneasiness if I’m in a dark space because I might bump into something. And if I hear a strange noise in the middle of the night, my mind might start creating sinister shapes out of shadows. (Hold on…am I afraid of the dark?!) Either way, that primal and unshakable fear of what could be hiding just out of sight is what powers Lights Out, one of the leaner, nimbler, and flat-out most enjoyable low-budget horror flicks in recent years.
Posted in: Disc Reviews by Brent Lorentson on October 19th, 2016
I’ve always been a fan of Tarzan; I loved the old series and the films basically because I just dug how he was this fearless character who lived in the jungles who fought the bad guys and a few wild animals as well. As I got older that was when I discovered the books of Edgar Rice Burroughs, and I just had a blast with all these pulp tales about the civilized Wildman and the beautiful Jane. I even remember how excited I was about seeing Greystoke: The Legend of Tarzan as a kid; even though this screen adaption bored me to tears, it was still exciting to see the character up on the screen. Now it’s 2016, and the character is swinging into action on the big screen again, and with a large budget to back it up. The trailers had me excited; everything seemed to look how I always hoped a Tarzan movie should be. Did the film manage to meet my expectations? Well, it came close, and the result is a film that shows how the wrong director can ruin a great story.
The casting of Alexander Skarsgard is just about as good as you can hope for in casting the role of Tarzan/ John Clayton. It’s absolutely vital how important it is to get the physical look of the character and make it believable that he can be stealthy, as well as a brute force who can fight giant apes and crocodiles but still look the part of a British lord. Sure, many audience-goers will enjoy the numerous shirtless scenes the film offers, but it makes it all the more believable when we see the character pull off some superhero-like scenes. When it comes to the casting of Margot Robbie as Jane, she is a knockout here. She plays this damsel (not so) in distress in such a charming loveable way that it’s clear that by the end of summer following the release of Suicide Squad she will be the A-list actress off Hollywood. She brings so much life to Jane that you can understand why Tarzan will do just about anything for this woman, and when they are together it’s a chemistry that has me hoping so much that we’ll get more adventures of Tarzan and Jane.
Posted in: No Huddle Reviews by J C on October 10th, 2016
“There can only be one queen.”
After navigating treachery at every turn in French court and having to cope with a deadly plague throughout the first two seasons of Reign — the CW's campy, compulsively watchable adaptation of the Mary, Queen of Scots saga — season 3 was meant to introduce Mary's most formidable foe yet. Queen Elizabeth I of England becomes a regular character on the show and Mary's chief rival from afar. But in telling the story of two warring queens (while trying to service the series' many established characters) the show stretches itself too thin and loses some of the fizz that made it a guilty pleasure.
Posted in: Disc Reviews by Jeremy Butler on October 5th, 2016
“Be the hero of your own story.”
Not the funniest addition to Kevin Hart’s reign as the king of comedy, but still a welcome sight. This time around, Hart teams with Dwayne “The Rock” Johnson for Central Intelligence. I’ve been anticipating this movie since behind-the-scenes footage leaked earlier this year, and the official trailer did nothing but fuel the flames of my excitement. After watching it, I can say that despite a few predictable plot twists, I still found the overall product to be extremely funny and worthwhile.
Posted in: Disc Reviews by Gino Sassani on September 15th, 2016
"This is encouraging."
For the first time in a long while, the Winchester Brothers end and begin a season together. Dean's just had the Sign of Cain removed, and the cost is the approaching darkness. I'm not talking a little storm blowing through. Here in Florida we know all about that kind of darkness. No. This is The Darkness, and it's the big bad for season 11 of Supernatural. You heard that correctly. We're talking 11 years with number 12 arriving any day now. Once again it's "end of days" kind of stakes, and we have another season to save the universe.
Posted in: Disc Reviews by Gino Sassani on September 12th, 2016
"My name is Barry Allen, and I am the fastest man alive. When I was a child, I saw my mother killed by something impossible. My father went to prison for her murder. Then an accident made me the impossible, and I became the Flash. I used my powers to find the man responsible for my mother's death. I thought I would finally get justice for my family, but I failed. It's been six months since the Singularity. I'm on my own now. Decided it's better that way. Keeps the people I care about safe. There's only one thing I can do now. I run…"
The Flash is CSI with a twist. Barry Allen (Gustin) is a police scientist working in the CSI lab of Central City. In fact, he appears to be the only staff of that unit, having pretty much the run of the lab. When he was 11 he witnessed his mother's murder amid red and yellow streaks of lightning. Within the streaks he saw a man dressed in yellow. No one believed what he saw, and his father (Shipp) has been doing time for the murder he did not commit. Young Barry was taken in by their family friend Detective Joe West, played by Law & Order's Jesse L. Martin, and daughter Iris West (Patton). When a particle accelerator at Starr Labs explodes, the dark matter wave that spreads across Central City combines with a lab accident, and Barry is bestowed with incredible speed. Unfortunately, he was not the only one affected. Other people received various other powers and are referred to here as Meta Humans.
Posted in: Disc Reviews by Gino Sassani on September 8th, 2016
"Six months ago The Arrow died. But what he stood for didn't. It lived on in the heroes who took up his mantle. People who believe that this city should never descend into hopelessness. Who believe although life is full of darkness, that darkness can be defeated by light. And tonight I am declaring my intention to fight with them for this city. To be a symbol of hope that The Arrow never was. I am the Green Arrow."
The first three seasons of Arrow have to almost be considered one large origin story. Oliver Queen finally takes the name that he's used in the comics for decades... The Green Arrow. Not to be confused with the same-colored Hornet or Lantern. Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first three seasons. It'll be worth the effort, and I can get you started with those reviews found Here.
Posted in: Disc Reviews by Gino Sassani on September 1st, 2016
"In 2166 an immortal tyrant named Vandal Savage conquered the world and murdered my wife and child. I've assembled an elite team to hunt him throughout time and stop his rise to power. Unfortunately, my plan was opposed by the body I had sworn my allegiance to: The Time Masters. In the future my friends might not be heroes, but if we succeed, they will be remembered as legends."
Marvel may have beaten DC to the superhero team-up film. But while Marvel continues to blow away the DC filmatic universe, DC has had its best and most brilliant successes here on television. DC Legends of Tomorrow is pretty much the first television comic book team-up, and it's a direct spinoff from both Arrow and The Flash shows. In fact, Warner should have delayed this release until after those shows showed up at your video store. It's in the early episodes of The Flash, and particularly Arrow, that this show has its setup. That works out even more crucially as the end of this 16-episode season leads directly into the season finale for Arrow, creating a bit of a spoiler alert if you haven't watched those shows.
