Posted in: Disc Reviews by Gino Sassani on August 31st, 2016
"The bad guys in this town are changing. They're not playing by the old rules, or any rules. We need every measure at our disposal, and I'm not just talking more guns..."
The first season of Gotham was pretty much a straight criminal story told in a film noir environment where just a hint of the future comic book heroics is uncovered. The bad guys were pretty much standard mob guys. Were they eccentric? Yes. There were really no meta-humans or gadgets to speak of. This season we get a flood of the more familiar kinds of villains you know so well from this universe.
Posted in: Disc Reviews by Brent Lorentson on August 31st, 2016
Writer/Director Shane Black (Lethal Weapon, Iron Man 3) has a way of writing flawed characters who manage to leave more lasting impressions than the films they populate. But where he shines is when he can thrust these flawed individuals into the confines of a detective story. Most people grew their fondness for Black and his quick-witted dialog when he first penned Lethal Weapon, but for me it goes back to The Monster Squad and The Last Boy Scout, where I found myself becoming a fan even in my early years of film watching. So is the fanboy in me excited to see what Black brings to the table this time around? You betcha. In a summer popcorn season filled with comic book movies, sequels, and other films targeting the teenage demographic, it’s nice to have an action film that harkens back to the good old days (the 80’s and early 90’s) for a fun comedy/action romp that has a foul-mouthed edge.
It’s 1977 Los Angeles, where the headlines at the time were filled with the dangers of all the smog in the air. This is the backdrop to the story that kicks off with the mysterious death of a famous porn star, Misty Mountains (Murielle Telio). Despite all the headlines, her mother refuses to believe she’s dead, so she’s hired Holland March (Ryan Gosling) to find out what really happened to her precious little girl. Working on a case of his own, Jackson Healy (Russel Crowe) is a muscle for hire who is put on a job to help a young girl, Amelia (Margaret Qualley) get rid of some men who are after her. It doesn’t take long before both March and Healy find themselves working together, as their cases seem to be connected.
Posted in: Disc Reviews by Gino Sassani on August 22nd, 2016
The Vampire Diaries is finally living up to its name. Elena is asleep until Bonnie dies, so the characters have promised to keep a record of all the goings on in Mystic Falls and with their lives. And there's a lot to write about. Mystic Falls has been evacuated so that Lily and her family of heretics won't kill everybody in town. They're living in the Salvatore mansion, and Carolyn is carrying twins that don't really belong to her. And Damon...he's just being...Damon. All of them are either trying to steal or running away from something called The Phoenix Stone. Elena's going to have a lot of catching up to do, and so do you if you haven't been watching all along.
What is Mystic Falls? Who the heck are Damon and Elena, you ask? Bonnie? You've got questions. We've got answers, but not here. You've heard me say this before, and it's become more and more true of television shows these days. If you don't know what I'm talking about, you're just not ready for Season 7 of The Vampire Diaries. But you are in luck. You can check out my reviews for the previous seasons here: Vampire Diaries Reviews. Then you can pick them up and start a mega-marathon session. Once you're up to speed, join us back here for the next thrilling installment.
Posted in: Disc Reviews by Gino Sassani on August 12th, 2016
"When people see that red cape, they expect to see a certain someone. Someone they know. But this isn't his story. It's mine."
Of course, that "someone" they know is Superman. This is the story of Supergirl. We've seen her story on both the big and small screen, as well. Helen Slater put on the tights and skirt in the Richard Donner film made during the Christopher Reeves Superman years and meant to tie into that filmactic universe. When television told the story of a young Clark Kent in Smallville, it was only natural that his famous cuz would show up there. This time it was Laura Vandervoort who played the Kryptonian. It's nice to see that the new version of Supergirl pays homage to both previous incarnations of the character. Both Slater and Vandervoort have roles in the series that rise a bit above the cameo level.
Posted in: Disc Reviews by Brent Lorentson on August 12th, 2016
What if you were given the chance to step back in time; would you take this opportunity to change the world, even if it meant having to kill someone for the “greater good”? This is the question that kicks off the story that is 11.22.63, from the novel written by Stephen King. Sure, merely mention Stephen King and many automatically people think of the man as the master of contemporary horror. Yet some of his prolific works that have made their way to the big screen and have gone on to be classic pieces of cinema are less about horror and more about friendship and the deepest bonds we can share with another. Stand By Me, The Shawshank Redemption, and The Green Mile are just a couple examples of King’s more profound works, and for a moment 11.22.63 could have stood right alongside these titles.
Hulu is the streaming company that set out to adapt 11.22.63 as their way to take their streaming service to the next level and begin to stream original content. When I first heard there was going to be adaptation of the book, I was far from excited; after all, most of the mini-series that had come before just turned out to be lackluster executions of the stories I loved. (Yes, even IT I felt missed the mark in several ways that had me hoping this next attempt will be better.) What gave me a little hope, though, was hearing about the involvement J.J. Abrams would have with the project, how his name alone would elevate this past Mick Garris mini-series we got throughout the 90’s. With eight episodes, would Hulu and Abrams be able to step up to the plate and deliver?
Posted in: Disc Reviews by Gino Sassani on August 9th, 2016
"Everything just feels so out of control. I don't remember who I am. Who I was. Whatever life I had is gone. Shattered into a million tiny pieces. Sometimes it's hard to breathe."
I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series. Unfortunately, by the time we saw the pilot that image was already ruined by the countless spots used to promote the show's premiere. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time. It could have been a nice iconic moment when he opens the bag to reveal a naked woman who is covered with tattoos. She is shivering as the camera pulls back to reveal the emptied Times Square. A wonderful moment that we already saw a thousand times before the pilot aired. NBC just couldn't help themselves, and they denied us that experience in context of the series premiere.
Posted in: Disc Reviews by Brent Lorentson on August 8th, 2016
When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen. With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples. But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there). Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.
Two ruthless assassins come into town, hired to take down members of a gang. In the midst of the gunfight, a little kitten manages to make an escape. The kitten finds his way to the doorstep of Rell’s apartment. Rell (Jordan Peele) has hit some rough times after a breakup, and Keanu (adorable kitten) seems to be what has brought Rell out of his rut. But things turn for the worse when Rell’s home is broken into and he discovers that Keanu has been catnapped. Rell’s cousin Clarence (Keegan-Michael Key) tags along to help Rell find his lost cat. Unfortunately it takes them deep into the street gang underground where they are mistaken for the two assassins. To rescue Keanu and to ensure they both don’t get killed, Rell and Clarence go ahead and pretend to play the role of the assassins.
Posted in: Disc Reviews by Gino Sassani on July 28th, 2016
"We were born in space. They told us the ground was uninhabited, but they were wrong, and we've been fighting for our lives since the moment we landed. Some of us have been broken by it, but most of us are still here, trying to build something real and lasting out of the wilderness... a home."
You should know the setup by now. If not, you can check out our previous reviews: Season 1 & Season 2. The show is based on a new series of books from writer Kass Morgan. The crew here has a little bit more room to operate than do most shows based on book series. The first book had not yet been released when they started filming the series. Series creator Jason Rothenberg had the fortune to preview the book's outline and first few chapters. It dovetailed in with an idea of his own which was quite similar but dealt with the survivors exploring an alien planet for sustainability. I think this is the better idea and certainly has great potential. Now it's all about the planet. Space is no longer a part of the landscape. We've gone away from Lord of the Flies and its do-whatever-you-want slogan. There is organization and unwritten rules now, but there's a certain savagery that is the necessary outcome for the things they’ve seen and done.
Posted in: Disc Reviews by Jeremy Butler on July 28th, 2016
"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham."
In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise. Now, albeit true, my resistance did waver upon watching the trailer. So as I sat in my seat, anxiously awaiting the lights to dim and the screen to illuminate, one question dawned (pun intended) on me: can the film live up to the hype?
Posted in: Disc Reviews by Brent Lorentson on July 27th, 2016
If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough. It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off. The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start. For those who have never seen the show, you are doing yourself a great disservice by not watching the show, and to step in during its fifth and final season, I believe it’s safe to say you’d be more than a little lost. So what does creator Jonathan Nolan have to offer us in these final 13 episodes? To get straight to the point, this might be one of the best final seasons for a show (at least since Justified) that I can recall seeing.
When we last saw John Reese (Jim Caviezel) and Harold Finch (Michael Emerson), they were struggling to compress and protect The Machine that they were able to code into a briefcase and onto several drives. All this is while Samaritan has become fully functional as an artificially intelligent program that seems to be able to track anyone, anywhere with the aid of a secret government task force. Not only does our team have to go underground, but now they are constantly in danger with targets on their back; their only protection is their manufactured identities The Machine created for them. (Still with me?)
