Warner Bros.

The last time we checked in on Rocky Balboa was 2006. It was a bittersweet coda to a franchise that provided 30 years and six films of the life and times of Rocky Balboa. Some were truly great films. I'd count the first and last as in that category. Some were near misses like the third and fourth films, while the fifth was pretty much a total disaster. In those years and films we watched Rocky go from a hungry Philadelphia wannabe boxer to the champion several times over. Like the franchise, the character had his own highs and lows. There's no question that the Rocky franchise has gone the distance. And while it might have been a split decision, the Rocky films still stand as the champion of the film genre. It's no surprise that Hollywood would want to pump a little more cash out of this reliable franchise. With Sylvester Stallone not exactly in his peak shape, we enter the often disastrous territory of the reboot/reimagine/remake. Just like an athlete who doesn't know when it's time to hang it up, Hollywood is known for propping up a franchise long after its staying power has faded. In both cases somebody is going to get hurt. But don't call Rocky down for the count just yet. Writer/director Ryan Coogler just might have found a way to breathe new life into the old franchise. Rocky just might have been saved by the bell with the arrival of Creed. All of a sudden it's a whole new fight game.

Adonis Johnson (Jordan) has grown up a troubled youth. His mother is dead, and he doesn't even know who his father is. He ends up in and out of juvenile detention centers until he's rescued by a woman with a story of her own. Her name is Mary Anne Creed (Rashad), and she was married to the late fighter Apollo Creed. The fighter had an affair years ago with Adonis's mother, and now Mary wants to take the boy in and raise him as her own. Adonis finds himself with a new identity that explains a lot about why he is the way he is. It also explains why he'll eventually give up a high-paying career to fight. Up to now he's been completely self-taught and ripping up the Mexican underground fight circuits. Now he wants to go legit and understands that requires the training he never had. There's only one man who can give him that. He makes the exodus from L.A. to Philadelphia, where he approaches his father's best friend and fiercest rival ... Rocky Balboa (Stallone).

The Martian, which is about an astronaut stranded on Mars, is one of the biggest hit movies of the summer. By the end of the movie, the entire world is united in their hope that the astronaut will be saved. The Martian is not a true story. The 33 is. It is the true story of 33 miners trapped underground for 69 days in a Chilean gold mine in 2010. The world really does come together in their hopes and prayers for the trapped miners. Even though it is a true story, it also functions as a good old-fashioned disaster flick in the tradition of The Poseidon Adventure or The Towering Inferno. It also showcases Latino actors primarily, but some other big-name actors round out the cast as well. The two biggest are probably Academy Award-winning French actress, Juliette Binoche (The English Patient) and Irish actor Gabriel Byrne (The Usual Suspects). Antonio Banderas, Rodrigo Santoro, Lou Diamond Phillips, Jacob Vargas, Bob Gunton, and Oscar Nunez are just a few of the familiar faces known for playing Latin characters (Latino, Hispanic, and Latin are all technically politically correct according to various sources) who anchor this movie. One of the most familiar faces is Cote de Pablo, who was born in Chile but is best known for playing Israeli Mossad officer Ziva Davis in the monumentally successful TV show, NCIS. Kate del Castillo is a hugely popular Mexican actress who also had success in the United States on the Showtime series, Weeds. I could go on, but the point is that this is a product meant to appeal heavily to the Latin American population while still having a broad worldwide recognition factor. It succeeds mostly, but it has a greater responsibility than that. It also has to honor the story of the 33 men who were trapped in that mine.

The film includes footage from Anderson Cooper, Brian Williams, and other international journalists who covered the worldwide, potentially tragic event. It also has the active participation of Don Francisco, the host of Sabado Gigante, which just ended a 53-year run on the air. Don Francisco is a television personality in 185 countries (but is actually Mario Luis Kreutzberger Blumenfeld, the son of Jewish German immigrants who escaped to Chile fleeing the Nazi occupation). Clearly this is a film with international appeal. It is a well-known story the world over when we all held our breath wondering whether the miners would be saved. In case you don’t remember how the story concluded, I won’t spoil it for you here. The film definitely milks the suspense at every opportunity.