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“Nothing...no one...will ever separate us. We are one.”

Four young siblings take this vow shortly after arriving in America from Great Britain, having just experienced their latest tragedy. Unfortunately for them, these words are spoken less than 10 minutes into Marrowbone, so you just know their vow is bound to be severely tested. But while the movie looks and sounds like a typical horror flick on the surface — and is even largely set in what seems like a classic haunted house — Marrowbone is much more of a soulful, spooky family drama than it is a bloody good time.

"Thanos Is Coming..."

Whenever a filmmaker is doing a middle film in a trilogy, or merely a film that's intended to be a companion film in a series, they often talk about attempting to capture The Empire Strikes Back. For years it's been the standardbearer for anyone trying to end a blockbuster with a cliffhanger knowing it might be years before the ending is resolved for the audience. That's harder to do today than it was in the 1980's. I often say that the only thing wrong with instant gratification is that it simply takes too darn long. The Avengers: Infinity War is exactly that kind of film. It ends with huge elements left up in the air, but at least we'll only have to wait a year for its resolution. After watching how Anthony and Joe Russo have handled this nearly impossible task, I think the bar has now shifted. In Empire Strikes Back lexicon, let's just say the Russos just pulled out a huge chunk of carbonite, and future filmmakers will be using this as an example of how to pull of that herculean task in the future. The Avengers: Infinity War is finally here, and it pretty much lives up to all of my expectations. Now my expectations are going to need a bigger boat.

"My name is Oliver Queen. After five years in hell, I returned home with only one goal: to save my city. Today I fight that war on two fronts. By day, I lead Star City as its mayor. But by night, I am someone else. I am something else. I am the Green Arrow..."

Who the heck is this Green Arrow of whom you speak? If that's your first question, you need to go back a couple of grades and catch up with the rest of us. The comics are good place to begin, but the television universe is its own place and not tied so tightly to the DC comic book universe. Your best place to go to catch up would be the first five seasons. It'll be worth the effort, and I can get you started with those reviews found here. This review will not contain spoilers from the sixth season but very well must contain some from the previous year. So if you're not caught up, do that first.

"You know me, always saving the day."

After the disappointment that was the recent Suicide Squad animated feature, Warner and DC needed to save the day with the release of The Death Of Superman, and that's exactly what they did. The Death Of Superman was a major milestone in the history of The Man Of Steel in the comics. It all started in December of 1992. DC announced they were killing off their most iconic hero and ending the Superman run of comics. Of course, that was only partially true. Once Supes was "killed off", the comic split into four new branches, as the vacuum created by his death needed to be filled both in the fictional universe as well as the commercial side of ours. Eventually the lines were reunited, and Superman has been alive and well ever since. But this was a huge event in the world of comics. The Justice League and Batman vs. Superman films used aspects of the story in the recent film but this animated feature goes back to its comic roots and more faithfully brings that comic series to life.

This Melissa McCarthy film flew completely under the radar for me, with me only hearing a few whispers about it. Ironically, I expected to see her in more films following the conclusion of Mike and Molly. Oh well, Life of the Party will have to suffice. Though it was not as entertaining as The Heat or Spy, it had its moments, and exudes the charm that McCarthy has become famous for. I’m sure many of you are like: a movie about going back to college? it’s been done. Not by Melissa McCarthy.

Deanna Miles is a woman who has her world rock as her husband tells her he wants a divorce right after they drop their daughter off for her final year of college. Having dropped out of college in her last year due to becoming pregnant, Deanna is not left with any prospects for how she will support herself. Upon self-reflection about her regret of never finishing college, she decides to enroll at her daughter’s college, to her child’s chagrin.

My knee shall bow to none but to the king.”

In 1996, Aussie filmmaker Baz Luhrmann unleashed a star-studded, outrageously modernized version of “Romeo and Juliet” that retained William Shakespeare's original language while replacing the story's swords with gleeful gunplay. But five years earlier, Derek Jarman — an English director who left his mark on both stage and screen — beat Luhrmann to the Elizabethan punch with an even more provocative update of “Edward II,” a play written by Shakespeare contemporary Christopher Marlowe.

“The charm of this little escapade is rapidly wearing thin.”

Who doesn’t love a good heist comedy? The genre comes ready-made with stylish characters trading clever quips while trying to out-smart one another (and the audience). And with its surprisingly starry cast, The Con is On looked to be an especially promising entry into the heist comedy canon. So how did it go so wrong? Well for starters, the con artists here are just as (if not more) unlikable than the screwy suckers they are targeting.

"At the end of the bloody dog wars the vanquished mongrels became powerless house pets: tamed, mastered, scorned. But they survived and multiplied..."

Offbeat, heavy-handed characters, bleak outcast situations, and moody; it’s a marvelous adventure for those who like Wes Anderson movies.  This one, however, shows his range with an animated film that’s worthy of most Japanese greats. From the opening drum introduction of Isle of Dogs to the heartfelt finale, Anderson captures a cold, disturbing environment from which his characters can rise up.  If you like offbeat stories produced in stop-motion animation in the vein of Tim Burton’s Corpse Bride and Frankenweenie, then this film should not be missed.

I’m going to go ahead and say Super Troopers is without a doubt one of my favorite comedies of all time.  Sure, I know many will disagree with me, and that’s fine.  Since I first saw their film back in 2002 when I got the DVD, I was always excited to see what would come next from the Broken Lizard comedy troupe.  There was Club Dread, which induced a few chuckles as they tackled the slasher genre, and then they had Beerfest, which was pretty funny but simply didn’t hold up to their performances as Vermont’s Highway Patrolmen.  The antics from the first film are simply classic to me, and the film is something I manage to quote from on a weekly basis amongst friends, and when I hear that someone has managed to go all these years without experiencing the film, it’s something I feel the need to remedy immediately.  It’s more than just a simple stoner comedy, and rumblings about a sequel have been going on for years, but things seemed to always fall apart. Now after all these years, it’s finally happened.

In case you were wondering, just because the film releases on 4/20, this isn’t a movie that requires you to smoke the green dragon to enjoy. The Broken Lizard gang just knows their audience and simply wanted to be part of the joke. For those who saw the first film and couldn’t stand it, well, there’s no sense in even bothering to check out this entry. As for those who have managed to miss the first one, please check out the first before going in so you can enjoy the film for everything it has to offer.

“Every time a black woman gets mad, she's a stereotype.”

Taraji P. Henson has been a very good and versatile actress for a long time, but she didn’t become a star until she started getting very angry on screen. Her breakout role came in 2015 courtesy of Fox’s Empire, in which Henson’s Cookie Lyon has been known to get into some scraps. So it made sense for Henson to bring her talent for tantrums to the big screen with the help of a filmmaker who once directed a movie called Diary of a Mad Black Woman. Writer/director/producer Tyler Perry seems to be going for “trashy fun”…unfortunately, he only gets halfway there.