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“That man brings hell with him wherever he goes.”

The “man” is supposed to be Paul Brennan (Jason Patric), a retired mob enforcer-turned-unassuming auto mechanic who reluctantly returns to his violent ways after his daughter goes missing. But the real culprit might be director Brian A. Miller. With The Prince and this year’s The Outsider, the director has made two consecutive sub-Taken crime dramas that lack the cohesion, refinement or energy to work even as satisfyingly junky action movies.

Imagine if you had a second chance to tell that loved one you lost how much you loved them, or were able to do the things you wished you had done the first time, but you hesitated because you didn’t take into account the fragility of life.   Life After Beth shows us the joys that can come with when getting that second chance while at the same time revealing the dark consequences that may come with this new opportunity.  There are numerous zombie films and series out in the market, but Life After Beth may be the most unique take on the genre in some time.

Zach (Dane DeHaan) is a grief-stricken young man who is suffering from the tragic loss of his girlfriend Beth (Aubrey Plaza).  All he can think about is how the two had last talked and it had been on bad terms and how losing her only seems to have made it clear how much he truly loved her.  Her parents (played by John C. Reilly and Molly Shannon) as you’d expect are taking the tragedy badly.  The parents take Zach in; after all, he seems to be the only one who can seem to understand the kind of pain they are going through.  Back home Zach’s family couldn’t be more opposite and border on insensitive; besides, to Zach no one can seem to understand the pain, loss and guilt that he is feeling.  But all this changes when by some miracle Beth returns from the grave.

“Kings are made, not born.”

It’s a provocative thesis for any story, especially since the same debate about kings has played out over centuries’ worth of world history. Unfortunately, filmmaker Lu Chuan largely decided to take a “tell, don’t show” approach with The Last Supper, which depicts the last gasp of China’s Qin dynasty and the rise of the Han dynasty and its commoner-turned-emperor.

It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action.  Duck Dynasty comes to Blu-ray on its sixth season, and I am just about certain it is time the quack pack has hung up their camo and walked away from their television careers.  The show has had a good run, but with this current season it is clear the show has run its course, and it is time the Robertson’s should make a graceful exit while their ratings are still strong.

The biggest problem with season six is that it fails to have the charm of what made the early seasons so much fun.  Dare I say it is because the Robertson clan has simply become too Hollywood, and it has become nothing more than one character to the next simply mugging for camera time, or perhaps the ridiculous nature of the “plots” for this season.

By John Delia

Most every child knows the story of Disney’s Sleeping Beauty from early video, books and DVD.  Unless you went to see the movie at a theater back in the 1959, however, you probably saw a version that was not crisp and colorful. Finally, after what seems forever, the family animated fantasy has been Blu-ray remastered and digitally restored in super widescreen. The Blu-ray, DVD and Digital HD have new bonus features and include the DVD release’s special extras as well.

“You know what you just did, don’t you? You jumped the shark.”

People have been mocking SyFy original films since the days when the network spelled its own name properly. But staying home on a Saturday night to “MST3K” your way through flicks with D-list actors and Z-grade visual effects has been replaced by Twitter, which practically blew up when the impossibly campy Sharknado premiered last year. SyFy recognized that social media has made it possible for anyone with Internet access to trade yuks and one-liners on a global scale; more importantly, it has allowed the network to be in on the joke in an unprecedented way.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true?

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory. The idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even spacemen. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.

When I was a young boy I loved playing with my toys. We didn't have Transformers in those days, but we did have Major Matt Mason, plastic dinosaurs, Hot Wheels and Creepy Crawlers Thingmaker sets. Yeah, in those days a toy could cause third-degree burns and no one really worried about getting sued. Kind of takes the fun out of being a kid today. You know who else, I bet, loved to play with his toys? MichaelBay. I bet he had the coolest toys in his neighborhood. He probably wasn't the best guy to be friends with, however. He didn't invite the kids over to play with his toys. He likely charged you a nickel to watch him play with them. It's many decades later, and Michael still has the coolest toys on the block. Only now you have to cough up twenty bucks if you want to watch him playing with them. Sadly, that is what the Transformers film franchise has been reduced to. We're all watching the rich kid playing with really cool toys.

Baseball is huge, and Bollywood is huge, so imagine if you put them together. In many ways, Million Dollar Arm is about Indian culture and what a separate world it is from ours. The film starts out in Los Angeles where J.B. Bernstein (Jon Hamm from Mad Men) is a sports agent who has broken off from a big agency to start his own firm. His partner, Aash (Aasif Mandvi of The Daily Show), is very nervous about where their next client is coming from, since they lost a big one right at the start of the film. Bernstein, thinking on his feet, decides to pursue an untapped market for baseball and the big-money stars who are big-league pitchers. He sees India as completely virgin territory for baseball. But the problem is there are no baseball players in India. Aash gives him the idea by talking about cricket on cable.

Clearly, cricket and baseball are totally different, but Bernstein is desperate. He pitches his idea to a big-shot money man. The money man, Chang (Tzi Ma), listens and agrees with big conditions. They are basically impossible conditions, but again, Bernstein is desperate. Bernstein had a great life once, and he still has the big expensive house and the Jaguar, but his time to make this big gamble work is running out. A nurse (Lake Bell) rents his guesthouse. She's a sweet person, but Bernstein usually has a different model girlfriend on a regular basis. Her washing machine is broken just as he is walking out the door to head halfway around the world. He gives her keys to the house and tells her to just use the machine and be careful.

In 1996 it was a brave new world for  Quentin Tarantino and Robert Rodriguez. Tarantino was still riding the wave of Pulp Fiction’s fame, while Rodriguez was going strong with his follow up to El Mariachi, Desperado (which went on to be a bigger hit).  The two had crossed paths at various film festivals, and through the course of their meetings they discussed various projects they could possibly do together.  The project that brought these two together would be horror/ crime genre mixer, From Dusk Till Dawn.  It was a movie that  would not only go on to be a cult hit but also be the film that launched George Clooney into movie stardom (because really, who remembers The Peacemaker?)

Almost twenty years later Rodriguez has established himself as a cinematic rebel who works outside of the Hollywood system.  One would think that it would be career suicide, but instead he’s become one of the most prolific filmmakers with a catalog of films to his credit that are uniquely his and untouched by studio heads.  Now Rodriguez has a new ambitious project to tackle: his own television network, the El Ray Network, which specializes in old grindhouse films and a new slate of genre-themed programming.  The first of its original programming is a television reboot of the 1996 film, From Dusk Till Dawn.