1.33:1 Fullscreen

Athena here. That’s right, I’m the Siberian Husky that kind of runs things here at Gino’s house. Since I did such a great job doing the review on Snow Dogs, I decided to step in when I saw Gino watching yet another dog film. This time it was Walt Disney’s classic 101 Dalmatians. Naturally the film would have been better if it had been called 101 Siberian Huskies, but unfortunately the film was based on a popular children’s book by Dodie Smith who happened to have Dalmatians herself, so let’s not blame her; she didn’t know any better. Walt Disney himself discovered the story and took a personal interest in having it made into an animated film. 

I’ve gotten to see a lot of these Disney classics, and the first thing that I noticed is the film was made in a dramatically different style than the previous Disney projects. The studio decided to abandon its smooth animation with fluid motion in exchange for a far more art-deco look. I don’t know about you humans, but this movie was a little harder on this doggie’s eyeballs. Lines jitter and move in such a way that there is always movement even if everything is standing still. You have to understand that this was not a studio getting cheap or failing in its own quality control. The animation style was a conscious choice by production head Bill Peet. Walt himself was publicly dissatisfied with the style. He was far more attached to the very fluid style his studio had become known for. The look had much to do with a new Xerox process that allowed the original artist drawings to, for the first time, be transferred directly to the transparent cel. This, of course, put a lot of artists out of work who used to do those transfers. The cruder character design was offset by a far more detailed background design. Using actual photographic plates of London locations, the animators created visually detailed backgrounds for the film. The movie is front-loaded with the credits in some clever dog-spot animation. It takes nearly four minutes to get to the story. Your human puppies might get a little impatient. By the way, look for Dodie Smith’s small credit size. It was the only thing she complained about in the film of her book.

I wish...”

There's no shortage of wishing (not to mention pining, longing, yearning, etc.) in some of our most beloved fairy tales. Into the Woods — the Tony-winning Broadway musical created by Stephen Sondheim and frequent collaborator James Lapine — illustrates what happens when certain characters get their storybook ending. Since there's a big, shiny Disney adaptation on the way, it made sense for Image Entertainment to offer a performance of the stage show on Blu-ray. However, I wish...some more effort had been put into this release.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

The sixth season of Star Trek: The Next Generation is arguable one of the best seasons in the history of the franchise. There are likely many reasons for this. I think the most likely has to do with Rick Berman. He had moved his attention over to Deep Space 9 and had left the day-to-day running of Next Generation to others. Most notable of the others was Jerri Taylor, who moved up to take control of both the writer's room and casting choices. Both showed remarkable improvement under her leadership. She's credited with the "graying" of Starfleet, insisting that there be more guest stars over 30. She also insisted that stories stop using some of the same gimmicks. As a result, this is the only year in Star Trek history where a starship malfunction did not lead to the crises of the week. She would hold brainstorming sessions at her home on Sundays and was more open to tie-ins with the original series. This, of course, led to Relics, in which James Doohan returns as Scotty, and it became the third highest rated episode of Star Trek in franchise history. The season was so successful in the ratings that it beat that year's World Series, which led to a two-page spread in the trades from Paramount with the tag line: "Baseball's World Series lost to our worlds series". The truth was Trek didn't just beat it. It was a blowout. Trek brought in 23% more viewers during that time period than the games. Trek was at an all-time high in popularity. The merchandising had just crossed the $2 billion mark, and the sky was literally the limit.

Here comes Volume four of this clip commentary comedy show (CCC could catch on as a sub-genre title couldn't it?). This time we get two seasons worth of episodes; the “Collas” and “Exposed Arms” entitled seasons, as it were. Very little is different as far as format or new segments are concerned since the last time I wrote about this show.

YouTube had all but killed off the idea of mailing silly home videos to the likes of America’s Funniest Home Videos. These days, people prefer to stream dozens of videos on their computers and save themselves from the watered down jokes of Bob Saget or current host Tom Bergeron. Tosh.O  takes a similar format of displaying such silly videos, but focuses on things that have gone “viral” online. Like AFHV, Tosh.O adds their own commentary and sketches to the presentation but in a much more crass, cable-savvy manner.

This song of the Man and his Wife is of no place; you might hear it anywhere at any time.”

The aching simplicity of the story in Sunrise is the reason the silent film remains thoroughly watchable almost 90 years after its release. It’s also why the movie will remain thoroughly watchable another 90 years from now. Then again, the reason F.W. Murnau’s 1927 effort goes beyond simply remaining watchable — and enters masterpiece territory — has less to do with what the story is and much more to do with how it’s told.

Futurama was the brainchild of Simpson veterans Matt Groening and David X Cohen. With the growing popularity of their iconic cartoon, it was no surprise that Fox would tap the team to bring another show to the network. When Futurama premiered in 1999, it was a combination of The Jetsons and The Simpsons. That would be ironic for those of us who think the Simpsons theme is a direct knockoff of The Jetsons. It was 1000 years in the future, and the joke was that no matter how much things changed, they hadn’t really changed at all. The space-age series would use many of the writing and art team from The Simpsons. That meant the character designs, at least the humans, would look exactly like the people in the other show. The writing would include that same subtle wit that implanted tons of references for the adults who were watching. The show never seemed to click with the kids, but it was not really meant to. The subject matter was considerably more adult in nature, and there really weren’t any cuddly characters. All of this likely led to Fox’s decision to cancel the show after four years. It wasn’t a quick and painless demise, either. The show suffered through months of purgatory. It was on, then off again. The final episodes were moved around and often rescheduled. In the end it was an uphill battle, and Futurama lost.

But the cancellation was not to be permanent. The show found new legs on cable and finally with a handful of home video movies. Interest was once again high, and Futurama was back from the grave. Unfortunately, the show really has reached the end now. This collection contains the show's last episodes.

"Homer Simpson, it's time you got what's coming to you."

What's been a long time coming is bringing television’s longest ongoing scripted series to high definition and Blu-ray. There's so many seasons that it's going to take some time to get there. While the recent years are now coming out on Blu-ray, Fox has been working hard to get some of the older seasons up to speed. It's time for season 16.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

Quality shows only get better with time, and by the time Star Trek: The Next Generation entered its 5th season it was already beating out most network shows in the ratings. First-run syndication was still quite new, and it was almost unheard of to expect to go up against the networks and survive...let alone win. The Next Generation went where no series had gone before, and it was just getting better all the time.

Nickelodeon has released a Holiday compilation DVD before(https://upcomingdiscs.com/2011/11/15/nickelodeon-favorites-merry-christmas/ which makes this particular release a sort of sequel to that. This time around only two shows are featured, and there is half the episodes featured than in the previous release.

The Bubble Guppies episode “Happy Holidays, Mr. Grumpfish” is the main features advertised on this release. The episode is all about making the grumpiest citizen of their underwater community feel the Christmas spirit. There are moments where the characters do lessons aimed at pre-schoolers (things like counting to 10 and such) and there is a ton of pop style songs. The latter of which I find 100x more grating on my nerves than the former. This may be an acceptable episode of the show, but it doesn't stand out as a memorable holiday special.