1.78:1 Widescreen

"This ain't no place for a hero." 

Strike Back follows the exploits of an elite and secret British military team called Section 20. On paper they do not exist, but they've got all the best new high-tech toys, and they're going to need every one of them. They're going after the top terrorist threats. They combine the intelligence-gathering network of a CIA-type organization with the precision strike force impact of a top Navy Seals team.

Shout Factory has brought yet another 1980's Empire Pictures horror film to high definition on Blu-ray. This is another one of those Schlock-O-Rama films that are best viewed with a group of friends. While it's certainly a step ahead of some recent entries on this list, there's plenty of fun to be had in a gathering. This release also has the advantage of just one film on the disc. Of course, I'm talking about Ghost Town, directed by Richard Governor, but did you know that Mac Ahlberg of Ghoulies and Re-Animator fame was an uncredited assistant director on the film? The man's a pretty good cinematographer, and his eye lends itself to a better-looking shoot with more atmosphere than you might ordinarily find on these things.

Kate (Hickland) is driving through the desert in her red Mercedes Benz convertible, having the time of her life. A veil discarded to the winds tells us she's just left some poor sap waiting at the altar, and she's making her escape. Her flight of freedom is short-lived, as she finds herself in the middle of a terrible sandstorm that carries her away. Her car's found by the local sheriff with terrible damage.

“When you get four vampires in a flat, obviously there’s going to be a lot of tension.”

The set-up for What We Do in the Shadows makes it sound less like your typical vampire movie and more like some kind of twisted season of The Real World. (Well…slightly more twisted than usual.) But besides finding a funny way to skewer bratty roommates and the mundaneness of everyday life, the movie works as a cheeky celebration of the classical cinematic bloodsucker.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory, the idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even spacemen. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.

"The devil can touch you and leave his mark. Just so he doesn't steal your soul."

You might say that the devil made them do it. Shout Factory utilizes their Scream Factory moniker to deliver another doubleheader horror-fest from the 1980's. Many of us love to be touched by a little evil, so long as it's some harmless fun from a horror movie. While I'm not a huge fan of having two or more films on one disc, this pretty much amounts to the same as the standard four episodes on a disc that you'll find in many television releases in high definition. So, for the sake of a little nostalgia and the fact that these prints aren't what you would call pristine or high-budget, I'm going to get on board another Scream Factory ride.

At the end of 2013 Shout Factory released a horror marathon on DVD called Scream Factory All Night Marathon. OK, so it only had four films averaging about 90 minutes each, hardly all night. But it was a nice collection of more obscure 1980's horror that made a rather nice night in with the boys...or the girls. Two of those films have now found their way to a single Blu-ray disc and released by...you guessed it, Shout's Scream Factory division. While I'm not a huge fan of having two or more films on one disc, this pretty much amounts to the same as the standard four episodes on a disc that you'll find in many television releases in high definition. So, for the sake of a little nostalgia and the fact that these prints aren't what you would call pristine or high budget, I'm going to get on board this ride.

"Why don't you rub it?"

"This story is to be neither an accusation nor a confession, and least of all an adventure, for death is not an adventure to those who stand face to face with it. It will try simply to tell of a generation of men who, even though they may have escaped its shells, were destroyed by the war" - Erich Maria Remarque

Like most people from my generation, I suspect, I saw this version of All Quiet On The Western Front first in a high school history class. I can't for the moment recall if it had been a world history class or American history. It was a popular choice among both stripes of history teachers in its day. As a history teacher myself, I have to admit I have never used it. I would guess that's true of most teachers these days. Contemporary classrooms can ill afford to spare the three hours of running time. That's unfortunate. It's a powerful film that everyone ought to see at least once.

I wanna tell you something. I've been a bad man...I've been a very bad man most of my life. So, I decided I want to do one thing in my life. One good thing in my life before I die.”

Those words are spoken by elite contract killer John Alexander at the start of Absolution, a straight-to-DVD offering that is largely cobbled together from the spare parts of other junky action flicks. The film stars Steven Seagal, who was a very bad man on-screen during his early '90s heyday. John wants to do one good thing before his time is up; coincidentally, all I want is for Seagal to make one action movie that at least comes close to recapturing the spark that made him a star. Absolution is not that film.

“I'm not a scientist, although I do play one on TV occasionally. Ok...hell, more than occasionally.”

The “I'm not a _____, but I play one on TV” catchphrase transcended its humble origins to become the go-to, jokey line for anybody who feels empowered to speak outside their area of expertise. Merchants of Doubt, however, isn't concerned with soap opera actors trying to sell Vicks on television. Instead, this flashy, funny, well-researched documentary examines the select group of people who present themselves as scientific authorities to the public. It also argues that they purposefully create confusion with the goal of maintaining a very lucrative status quo.

Anybody can jump a motorcycle. The trouble begins when you try to land it.”

There's a segment in I Am Evel Knievel that features some of Knievel's contemporaries — along with a few of the younger extreme sports athletes he inspired — breaking down just how difficult it is to jump a motorcycle across vast distances. (Especially when you're using relatively primitive equipment the way Knievel was.) Long story short, the crucial components are guts and a mental makeup that doesn't allow you to overthink or dwell on the insanity of what you're about to do. This entertaining documentary succeeds in illustrating how Knievel had both of those qualities in spades.