1.78:1 Widescreen

“We don't have the trust of the public anymore.”

- “Get it back!”

Does it always have to end up in a big giant dance battle?”

If you've ever sat through a dance movie, then you know the answer is a resounding, “Yes!” Dance flicks are a somewhat different beast than movie musicals; they are less whimsical and tend to take themselves more seriously, which invariably makes them seem even sillier. Some of the movies in this genre — Dirty Dancing and Footloose — are beloved guilty pleasures. (And many people who love them don't even bother feeling guilty.) In recent years, the “dance flick” itch for moviegoers has been scratched by the Step Up franchise.

"It was the gang that ran amok. You have people who were being extorted, who talked of having a shotgun barrel stuck in their mouths or machine guns pointed at their groin. Body bags were shown by Bulger as he shakes them down. It was absolute terror."

It amazes me that I really had very little idea who James J. Bulger was before I watched this film by director Joe Berlinger. How could I have missed this guy? On the run for over 16 years, Bulger was once #2 on the FBI's most wanted list. Who was #1? That was Osama Bin Laden. So who was this man that came in second only to the world's most infamous terrorist? That's what I set out to discover, and Whitey: The United States of America vs. James J. Bulger filled in all of those blanks. When the film is finally over you'll be asking yourself, "How is it possible I didn't know this stuff?" One possible reason and the focus of this documentary lies in the fact that the FBI might not have wanted you to know much about this case. Joe Berlinger corrects that oversight with one of the more compelling documentary films I've seen in years. In the end, it asks as many questions as it answers. But those questions are powerful ones indeed.

It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action.  Duck Dynasty comes to Blu-ray on its sixth season, and I am just about certain it is time the quack pack has hung up their camo and walked away from their television careers.  The show has had a good run, but with this current season it is clear the show has run its course, and it is time the Robertson’s should make a graceful exit while their ratings are still strong.

The biggest problem with season six is that it fails to have the charm of what made the early seasons so much fun.  Dare I say it is because the Robertson clan has simply become too Hollywood, and it has become nothing more than one character to the next simply mugging for camera time, or perhaps the ridiculous nature of the “plots” for this season.

"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true?

Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory. The idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even spacemen. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.

In 1996 it was a brave new world for  Quentin Tarantino and Robert Rodriguez. Tarantino was still riding the wave of Pulp Fiction’s fame, while Rodriguez was going strong with his follow up to El Mariachi, Desperado (which went on to be a bigger hit).  The two had crossed paths at various film festivals, and through the course of their meetings they discussed various projects they could possibly do together.  The project that brought these two together would be horror/ crime genre mixer, From Dusk Till Dawn.  It was a movie that  would not only go on to be a cult hit but also be the film that launched George Clooney into movie stardom (because really, who remembers The Peacemaker?)

Almost twenty years later Rodriguez has established himself as a cinematic rebel who works outside of the Hollywood system.  One would think that it would be career suicide, but instead he’s become one of the most prolific filmmakers with a catalog of films to his credit that are uniquely his and untouched by studio heads.  Now Rodriguez has a new ambitious project to tackle: his own television network, the El Ray Network, which specializes in old grindhouse films and a new slate of genre-themed programming.  The first of its original programming is a television reboot of the 1996 film, From Dusk Till Dawn.

It’s been quite some time since The Chappelle Show went off the air, and it would appear Comedy Central has finally found its replacement.  I wouldn’t go so far as to say the show is on the same par, but what Keegan Michael Key and Jordan Peele bring to the small screen is something that has piqued my interest and shows some potential.  Both Key and Peele got their big break from working on the sketch comedy show MADtv, and it would seem they are taking their talents and what they learned to bring us something that is a little familiar but still fresh and keeps its audience laughing.

The biracial pair takes chances with their show which is a hybrid of live bits in front of an audience and filmed sketches.  Whether they are poking fun at Django Unchained, racial stereotypes or Latino gangsters, Key and Peele manage to keep it entertaining.

"Prisoners of the ARC, hear me now. You've been given a second chance, and as your Chancellor, it is my hope that you see this as not just a chance for you, but a chance for all of us, indeed for mankind itself. We have no idea what is waiting for you down there. If the odds of survival were better, we would've sent others. Frankly, we're sending you because your crimes have made you expendable."

It's 97 years ago and nuclear holocaust has made life on Earth unlivable... at least that's what most people believed. Fortunately, for humanity, several countries had space stations in orbit. These various stations eventually came together to pool resources hoping for a better chance at survival. The ragtag collection eventually became the ARC. Now, nearly a century later they have created a civilization ruled by the dire necessity of their situation.

"And I heard, as it were, the noise of thunder, one of the four beasts saying, "Come and see." Then, behold, a pale horse, and his name that sat on him was Death, and Hell followed with him."

No, this is not a Johnny Cash song or a bible study post. Believe it or not, we're talking Ichabod Crane from Washington Irving's famous story The Legend Of Sleepy Hollow. Fans of the tale will recall that Ichabod came to encounter the headless horseman in one of the first American horror tales ever written. Irving was a contemporary of our founding fathers, including another Washington who happened to play a big part in a little skirmish with the Brits that came to be known as the American Revolution here and the Great Colonial Rebellion over there. Thanks to the new series Sleepy Hollow, we discover that the British weren't the only ones we were fighting. It's a story of independence we hadn't heard before. It's a fresh take on an old idea that dates back to Kolchak: The Night Stalker. It's out on Blu-ray now, and I recommend you check it out. Just don't mix it up with that American history text. We history teachers frown on that kind of thing, you know.

"There is a town in Maine where every storybook character you've ever known is trapped between two worlds, victims of a powerful curse. Only one knows the truth, and only one can break her spell."

ABC has had a very important asset going for it for years. It's one that the network has seldom taken any advantage of. That asset is its parent company. You see, ABC is part of the Walt Disney family. With the rich history of stories the studio has in its arsenal going back to the 1920's, it was only a matter of time before some clever people decided to find a way to use that rich history into a television series. That time has arrived, and the result is Once Upon A Time. It's the most clever and original series to hit the tube in a long time.