Posted in: Disc Reviews by Michael Durr on February 19th, 2012
Make no bones about it, Storage Wars is one of my favorite television shows of all time. Most people would refer to it as a modern day treasure hunt, but when it comes down to it, the cast of characters is what keeps me watching. Of course, the "what is behind Storage Locker #1?" is going to lure me to the dance though. Needless to say I was pretty excited to see a second volume of Storage Wars hit my door. Let us see what the boys (and girl) find this time around.
Since Storage Wars has not received a review on this site as of yet (Season One is readily available), I thought I would take some time and share the basics. Ever rent a storage locker? Sure, most of us have. We tend to throw just about everything in there, from absolute crap we can not bear to get rid of to perhaps something valuable that we are saving for a rainy day. Well, just like anything else that costs money, some people decide not to pay it. Well, unfortunately the owners have to do something about it to recoup their losses. Auction it off to the highest bidder.
Posted in: Disc Reviews by J C on February 16th, 2012
Despite their pop culture ubiquity these days, zombies are getting somewhat of a raw deal. To be clear, I'm talking about the old-school, George Romero-style creatures that slowly lumbered toward their victims and whose only ambition in life was to snack on human flesh. Nowadays, a lot of filmmakers seem to be more interested in making zombie movies that don't technically have "zombies" in them ("infected" is a popular alternative term) and who are almost fast enough to earn a spot on their country's track and field squad for this summer's Olympic games. Even The Walking Dead — fresh off setting a new ratings record for basic cable viewership earlier this week — has conspicuously avoided having any of its characters refer to the living dead as "zombies" over its two seasons. (Instead, they're "walkers" or, most recently, "lame-brains.")
The Dead strives to be a return to Romero-esque horror. Billing itself as “the first zombie road movie set against the spectacular scenery of Africa,” the film follows American Air Force Engineer Brian Murphy (Rob Freeman), who survives a plane crash in war-torn, zombie-infested West Africa only to find himself in a brutal, unforgiving landscape that is completely barren...except for the undead shuffling in his direction. Murphy eventually crosses path with Sgt. Daniel Dembele (Prince David Osei, a poor man's Djimon Hounsou), whose village has been ravaged by the reanimated dead and who is determined to find his missing son.
Posted in: Disc Reviews by William O'Donnell on February 15th, 2012
Mexico's most powerful crime lord, Julian Perez, wishes to redeem himself in his mother's eyes. Her wish is for him to find his estranged younger brother and return him home to Mexico. Julian agrees before knowing that his brother has been taken hostage while he was serving with the US Army in Iraq. A misfit team of mercenary types are assembled to infiltrate Iraq and fulfill Julian's vow to his mother.
The characters in this film all look like caricatures of 1970s cop movie characters merged with hipster cowboys. Obviously a team of warriors that look this unusual could only exist in a comedy. And indeed, this film is billed as an action-packed comedy. Though I fear that much of the more subtle humour is lost in translation for me as I found most of gags existed in the aforementioned costuming of the characters. Then again, not all was lost on me. Some of the gags, both physical and verbal, were effective. In fact, I am particularly partial to the reoccurring joke about their chosen war cry of “Tomatoes!”
Posted in: Disc Reviews by Gino Sassani on February 14th, 2012
"Millions of people around the world believe we have been visited in the past by extraterrestrial beings. What if it were true? Did ancient aliens really help to shape our history? And if so, what if there were clues left behind, something hiding in plain sight? What if we could find that evidence?"
Ever since Eric von Daniken released his speculative book and its subsequent 1970 film Chariots of the Gods, there has been an entire field of study created around something commonly called Ancient Astronaut Theory. The idea is that extraterrestrials have visited many of our ancient civilizations. The theory continues that these visitors had a hand in shaping our development, whether it be through technology or even manipulation of our very DNA. These believers point to a world of evidence to support their claims. There are tons of images from earlier civilizations that could certainly be interpreted as depicting modern devices, concepts, or even space men. There is plenty of speculation that some of the knowledge and accomplishments of these peoples could not have been possible without some outside interference. There are even those who believe that aliens best explain our religious beliefs and that God himself was/is an extraterrestrial being. Whatever your own beliefs on the subject, there are certainly some fascinating points to be made. There is no question that the speculations and observations bring up some interesting queries that deserve our attention. This series attempts to document much of this evidence and the beliefs these findings have inspired.
Posted in: Disc Reviews by William O'Donnell on February 8th, 2012
First was the play, then came the film, and now we're 140 episodes deep in Meet The Browns sitcom. Like a lot of Tyler Perry projects, the family dynamic can be a bit bamboozling at times. So...it's an elderly man living with his daughter and his niece and her husband and their adopted kids, with regular appearances by his neighbour who is also Aunt to...oh heck, let's just get on with the review...
My mind immediately wanted to draw comparisons between this and another Tyler Perry sitcom, House of Payne (a volume of which I have panned on this very site: https://upcomingdiscs.com/2011/07/23/house-of-payne-volume-8/). To my relief, this show is nowhere near as stereotype ridden nor aggravating as “Payne.” That being said, this is, by no means, a great comedy. The stories are rehashed (the season opener even uses the heavily treaded Flintstones gimmick of having someone become a new man after being bashed on the head), the character dynamics confusing (one of the adopted children looks nothing like his “family” and is interacted with so little at times that I thought his character might have been a ghost living in the house), and the laughter often only comes when they resort to some sort of slapstick when a punchline couldn't be conjured up.
Posted in: Disc Reviews by Michael Durr on February 8th, 2012
Some music due to my age and music exposure, I just do not quite get. Led Zeppelin, Eagles (once I got out of college) or Black Sabbath, I love. Rush? I can not stand them. Pink Floyd? Way over-exposed to the point where I just do not want to listen to them except one in a while and only to certain songs. The Doors? Hrmmm, well I do like some of their songs. As it just so happens, the Blu-Ray review I have for you today involves my favorite Doors song, L.A. Woman.
The Doors always envisioned themselves as a four man band, a modern jazz quartet of rock and roll. They were working on intellectual levels higher than a lot of bands. In 1970, they were working on their six studio album. Previous albums had been the same, an almost standard rock and roll band with guitarists, drummers, keyboards, and Jim Morrison. They want to try and do something different: bluesy, with horns and elements of jazz. Work started in the December of 1970 to produce: L.A. Woman.
Posted in: Disc Reviews by William O'Donnell on February 3rd, 2012
Owl City's popularity was born out of social networking websites such as Myspace. From the days of uploading songs while living in his parent's basement, to going #1 on Charts in an astounding 24 countries, Owl City (aka Adam Young) continues to ride his hysterical success into his inevitable, first concert film.
Young and his band of pretty 20-somethings don't seem to break a sweat while delivering a suspiciously polished sounding hour-and-a-half long performance. I say suspicious because, although the camera shows that everyone is playing these songs accurately (not that they're all that challenging mind you), it just sounds a lot like the studio versions. I'd start making accusations of playing partly to tapes or adding tracks in post-production because the guitar sounds a little too clean, some instruments and voices are mixed in and out mysteriously...but Young is such a polite young man in his in-between song banter that I shall not go into it any further. You're welcome Mr. Young.
Posted in: Disc Reviews by Gino Sassani on February 3rd, 2012
"It is generally thought that time travel is impossible. Tonight, however, we ask you to bravely go where no audience has gone before, back in time to the 1970's"
And that's exactly what you'll get to do if you're smart enough to take my advice and pick up Styx: The Grand Illusion & Pieces Of Eight Live on Blu-ray from Eagle Rock Entertainment. It doesn't matter if you're old enough to remember when these albums were first released in 1977 and 1978 or if you've newly discovered the band and the albums. In fact, it doesn't even matter if you're a Styx fan at all....yet.
Posted in: Disc Reviews by William O'Donnell on February 3rd, 2012
Forgive the impending fun-with-words but, hot on the TAIL of the theatrical release of Red Tails is the Blu Ray release of this 1995 interpretation of the same story. Based on the actual group of airmen who were the first African-American fighter pilots in the United States Army Air Corps. This film follows the first cadets through their training and onto their various combat and mission in North Africa and Italy during World War II.
The true story that this film is based on is fascinating in its historical context. It is a shame that this film resorts to using overly staged scenes of corny drama to tell it. The lead cast is loaded with great talents, such as Laurence Fishburne and Cuba Gooding Jr, who certainly give good performances, but are stifled by cliched catchphrases instead of being given some deeper, character building, dialogue to perform.
Posted in: Disc Reviews by William O'Donnell on February 2nd, 2012
Curtis “50 Cent” Jackson plays a hotshot college football player is at the cusp of making a big move to the NFL and riches when he collapses in the locker room due to a tumor growing in his chest, near his heart. Having to undergo cancer treatments, he loses his ability to play and must start again without all the advantages being a star came with.
It is sometimes hard to sympathize with a character he is so egotistical, and used his status to take advantage of other people, but he is undeniably a victim. Not only was he facing a lethal illness, but most of his family and friends treated him like a living lottery ticket. Of course, losing that ego is all a part of the all-too obvious character arc and life lesson's we are supposed to witness in this film. I spoil nothing by stating that he does indeed go through this crushing lesson in humility. While regaining strength after chemotherapy treatments, he just reconnect with his family members and find a way to earn a decent living. What unfolds would do the LIFETIME network proud. Tears are shed, fists open up for hugs, and the film lingers on at least 20 minutes longer than it should so that everyone can celebrate family for the sake of celebrating family.
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