Posted in: Disc Reviews by Gino Sassani on March 29th, 2012
Bugs Bunny and his special Looney Tunes friends have been around for a long time. He first appeared in 1938 in his most familiar form. During the second World War he was a popular choice with the fighting men. Many of the cartoons of the era were patriotic, and some might even call them propaganda. They certainly pushed the war effort in a supportive way. When the war was over Bugs and his pals took on a wide range of subjects. Often movie stars were spoofed, and the series of shorts soon became a satire on the pop culture of the time. It's hard to really see it now, but Bugs and Looney Tunes were the South Park of their time, and no institution or celebrity was safe from being spoofed.
The cartoons have evolved over the years and have practically given Warner Brothers their identity for over 80 years. The characters still thrive. They do advertisements, and every now and then a new Looney Tunes cartoon show makes its debut. The Looney Tunes Show was one of those more recent entries in the franchise.
Posted in: Disc Reviews by William O'Donnell on March 28th, 2012
Frida Kahlo's life was tragic, romantic, epic, and inspiring. This film takes on the immense challenge of telling the story of such a complex life in the time frame of a stand-alone feature film. Frida is about art just as much as it is about an artist. Often stylized, but never unapproachable, Frida is a rare success by the way it managed to capture and display a part of Frida Kahlo's artistic soul.
Director Julie Taymor is widely known for her stylized approach to any production, be it on film (Titus, Across the Universe) or on stage (Lion King, Spiderman: Turn off the Dark). It is no small wonder that Taymor expresses her own artistic flair through her direction without comprising the work of her subject. Taymor uses dreams as her platform to inject the strangest visuals that are not the direct work of Frida. There is even one scene that is not the composition of Taymor or Frida, but the a dream sequence inspired by Mexico's day of the dead, created by the enigmatic animation duo, the Brothers Quay. As I suggested, the injection of other artist's unique style and creations into a film about an artist is not as disruptive as one may imagine. Both Taymor and the Brothers Quay honour Frida's life and work with their own contributions. Neither attempt to mimic Frida, save for one painting at the very end, but rather, they include something about Frida's life that she herself may not have expressed in her work. That is to say, not explicitly in any particular piece.
Posted in: Disc Reviews by Bob Ross on March 25th, 2012
The strangely compelling pop-rockers first played publicly in February 1977. Almost exactly 34 years later, the B-52s soared again into their hometown, delivering an exuberant, hit-filled set at the Classic Center in Athens, Ga. Fortunately for concert-party aficionados, the show was captured in high-def, widescreen glory for the Blu-ray winner, The B-52s With the Wild Crowd! Live in Athens, GA. If you’re already a fan of “the world’s greatest party band” (it says so right on the dust jacket), this 96-minute celebration is an obvious must-have. The old new-wavers haven’t lost a step as they crossed one at a time into AARP territory. But even first-time flyers will feel the power generated by the B-52s time-tested crew. This high-energy set kicks off with a driving kickoff of “Pump” and the ever-catchy hook of “Private Idaho.” The pace doesn’t seriously slacken for another 90 minutes of bouncy dance-rock, lively melodies and irresistible harmonies.
While lead singer Fred Schneider takes on key front-man duties, this expertly edited program shows that he’s the captain of a totally talented team. Schneider’s wit as a vocalist and emcee are charmingly apparent here, but we also get time to appreciate Kate Pierson’s far-ranging warble, Cindy Wilson’s rich vocal counterpoints, and Keith Strickland’s stinging guitar riffs. (Strickland was the band’s original drummer, who switched to guitar after the death of founding member Ricky Wilson, Cindy’s brother.)
Posted in: Disc Reviews by Gino Sassani on March 21st, 2012
“It’s time to play the music. It’s time to light the lights. It’s time to meet the Muppets on the Muppet Show tonight…”
What do the following huge stars all have in common: Elton John, George Burns, Peter Sellers, Don Knotts, Bob Hope, John Cleese, Madeline Kahn, and Milton Berle? They all were guests on The Muppet Show. It would be pretty hard to argue that the series didn’t became the in place for A-list entertainers to have a little fun. Like a neighborhood clubhouse, the top stars would come to the show and allow themselves to be often upstaged by Henson’s cute little creatures. They would place themselves in ridiculous situations and often allow themselves to be lampooned and ridiculed, and they always appeared to have a blast while they were doing it. Elton John singing his Kiki Dee duet, Don’t Go Breaking My Heart, with Miss Piggy has to be one of television’s most memorable moments. Not only do you have a guest list that would make Saturday Night Live envious, but you have something they never had, namely Kermit, Miss Piggy, Fozzie and Gonzo providing their special brand of Muppet madness.
Posted in: Disc Reviews by Michael Durr on March 16th, 2012
Sometimes you just know. As a movie reviewer, I always strive for an open mind. I work for the idea that even if the cover screams snorefest or if the movie has a star I can absolutely not stand, perhaps just perhaps there is a nugget of cinema goodness underneath. Then I received Tooth Fairy 2 on Blu-Ray. After I screamed at the heaven’s above and drank myself into a deep coma, I decided that an open mind was a terrible thing to waste.
We open up to the Boardwalk Bowl and apparently they run a weekly contest where some lucky guy or gal could bowl for the chance to win a new Camaro. Here at a bowling alley, I was expecting a Ford F150, but I digress. Larry Guthrie (played by Larry the Cable Guy) ogles the car but his girlfriend Brooke (played by Erin Beute) reminds him of her niece’s birthday party. BTW, for those scoring at home, Larry has played Larry quite a few times in his acting life.
Posted in: Disc Reviews by M. W. Phillips on March 14th, 2012
“You already started reading the evil words, didn't you? Then could you pass me my blood mop? I'm gonna need it later.”
Somehow I was never aware of Todd & The Book Of Pure Evil: The Complete First Season until I received the DVDs to review. Based on the 2003 short film of the same name, Todd & The Book Of Pure Evil debuted on Canada's Space Channel in September of 2010 and was picked up for broadcast in the United States by FearNet, which started showing the series in August of 2011.
Posted in: Disc Reviews by William O'Donnell on March 13th, 2012
A tragic accident after an uncannily choreographed dance party in the country leaves a carload of teens dead, and their hometown vows to ban all public displays of dancing and loud music. Big City hunk Ren MacCormack arrives in town to challenge this outlawing of music and dance by...mostly dancing to music.
This is a modern update of the 1984 hit film of the same name that starred Kevin Bacon in the role of Ren. Young actor Kenny Wormald steps into these dancing shoes and does a decent job being a youth who charms us through his rebellion. His look is much more James Dean-ish than Bacon's version, but still an acceptable doppelganger of the original Ren.
Posted in: Disc Reviews by M. W. Phillips on March 9th, 2012
“It has skin like silverfish.”
After suffering through the vast majority of low-budget indie horror films whose only motivation seems to be to make a quick buck on distribution deals, it is truly a delight when you stumble on to something wonderful like writer/director Mike Flanagan’s Absentia. Building on a cast of unknowns, with the exception of an incredibly creepy cameo by genre fave Doug Jones, Flanagan weaves a web of creepy, atmospheric horror in this effective low-budget chiller.
Posted in: Disc Reviews by William O'Donnell on March 8th, 2012
An infant chimp is taken out of his natural environment to be raised like a human by a family of curious, rich folk. Upon learning that this chimp, now named Nim, is capable of learning sign language, this family turns to professional educators to research and experiment with this concept further.
I promise to give praise to the filmmakers handling adept handling of their craft later in my review, but I cannot discuss the contents of this film without injecting my own personal opinion because this film, much to it's credit, stirred a very visceral reaction from me. The family that first adopted (adopted being an extremely delicate term, as many could easily argue that “nabbed” or “stole” would suite their actions better) Nim were a wealthy family, said wealth stemming partly from the father's success as a poet. They named him Nim Chimpsky (as a parody of Noam Chomsky, who theorized that language is inherit only in humans, and Nim was their attempt to disprove said thesis). This family dressed Nim in children's clothes and eventually tried communicating with it on a person to person level using American sign language. This experiment, albeit spurred some interesting results once true experts from Columbia University became involved, was born out of ignorance and arrogance. This family did what they did because they had the financial means to offer themselves the opportunity, without considering the unnaturalness of it. By unnatural I don't mean that their antithesis to Chomsky's idea is wrong or implausible. What I mean is the manner by which this animal was taken out of its mother (granted, not born in the wild but a facility) and treated like a human.
Posted in: Disc Reviews by M. W. Phillips on March 5th, 2012
“Exactly, you're a kid. So go and be a kid... go and, I don't know, go ahead and steal me something.”
The Tribe is a New Zealand/British post-apocalyptic, young adult soap opera, beloved around the world. So I had to put on my young adult glasses and watch it through those. In the near future, an unknown virus wiped out all the adults on Earth. Left to raise themselves, the kids form tribes in a Lord of the Flies type society. Now, being that the average viewer is probably between 12 – 17 years old, it is a very mild Lord of the Flies society.
