Posted in: Disc Reviews by Michael Durr on March 4th, 2012
Most people that regularly read my work can probably see my love for the Transformers. We are not talking about the movies either (the first one was decent, the rest were abominations), but instead it is the cartoons that I enjoy so much. Generation One, Beast Wars, Cybertron all hold a special place in my heart. So, when my webmaster mentioned he had season one of Transformers Prime on Blu-ray for me, I think I literally jumped through the ceiling in anticipation. Let us take a look.
Before we begin, I must make mention that this Limited Edition Set includes a full length graphic novel (in digest size) that acts as a prequel to the show. It centers around two main Autobot characters, Arcee and Cliffjumper who start out on the planet of Cybertron but find their way to a strange planet thanks to Spacebridge technology. The main antagonist is Starscream and the story is actually really good. Recommended reading before one even throws in the first disc.
Posted in: Disc Reviews by J C on March 2nd, 2012
"As a boy, I came to understand that two things marked my family: distinctive names and extreme stubbornness."
In fact, it was Thurgood Marshall's "extreme stubbornness" in the face of racial inequality that led to his name becoming synonymous with the civil rights movement and to his 1967 appointment as the United States Supreme Court's first African-American justice. Marshall's remarkable life story is told in Thurgood, a sensational one-man show starring Laurence Fishburne that previously aired on HBO and was filmed before a live audience at the Kennedy Center's Eisenhower Theater in Washington, D.C.
Posted in: Disc Reviews by Brent Lorentson on March 2nd, 2012
With the release of the book written by Jack Ketchum (author of Offspring) to coincide with the theatrical release of the film, Jack Ketchum and Lucky McKee bring us a horror story not quite like anything we’ve seen for a while. The Woman is a continuation of the film/novel Offspring that followed a tribe of cannibals struggling to survive. The Woman is not a story about cannibal, but instead a story about a family being ripped apart by the many secrets they try at all costs to keep hidden.
Chris Cleek (Sean Bridgers) is a small-town lawyer who embraces the role of the alpha male. He runs his household with an iron fist alongside his timid wife Belle (Angela Bettis) and their three children. Chris is an avid hunter, and it is on one of his hunts that he discovers a feral woman. His discovery does more than excite him as he quickly has his family clear out the cellar for a surprise he plans to share with his family. Following another trip to the woods Chris captures the woman and secures her ‘safely’ down in the cellar. It’s down in the cellar where Chris decides that it is his duty to help rehabilitate this woman.
Posted in: Disc Reviews by M. W. Phillips on February 29th, 2012
“Remember... Winter is coming.”
Very rarely, the stars align and a media magic event happens, creating a flawless television series. Such an event happened last year with the premiere of HBO’s Game of Thrones based on the novels from George R.R. Martin’s best selling and ongoing series A Song of Ice and Fire. HBO was so pleased with the series, it green-lit the second season only hours after the pilot premiered. Co-President Richard Plepler said, “We told George (R.R. Martin) we’d go as long as he kept writing.” The network projects topping $1 billion in international revenue and at $2.5 million an episode; it’s already double what they made on The Sopranos.
Posted in: Disc Reviews by William O'Donnell on February 28th, 2012
Josephine Baker was an international sensation who faced adversity all her career because of the colour of her skin. Terrified and sickened by the treatment of black people in the US, Baker fled to France where she found joy, fame and fair treatment as an entertainer. As her career exploded into super-stardom, she was more than just an exotic singer/dancer, she became a war hero and civil rights defender.
After being teased during the opening credits with visions of Baker performing an intimidatingly sexualized dance, we are shown her traumatic childhood experience of witnessing race riots in St. Louis; riots that cost the lives of many black people and helped to enforce Baker's decision to flee the US as soon as she could. Before her exodus, she made a name for herself as a vaudeville comedienne, often performing in black-face. Stifled by the racist laws of the early American 1900s, Baker did not hesitate to tour Paris with a band of performers. Said tour would turn into her permanent residence in France.
Posted in: Disc Reviews by J C on February 27th, 2012
Carlos Santana is too cool for words. When I say that, I refer to both his widely-acknowledged status as a "Guitar God" and to the fact that he doesn't utter a single word until the 21-minute mark of his latest concert film, Santana — Live at Montreux 2011. Santana may not be chatty, but he and the rest of his eponymous band do a valiant job of holding your attention throughout most of this 167-minute concert in Montreux (which is in Switzerland, and I'm only a little ashamed to admit I had no idea where Montreux was located before I watched this disc).
The music starts almost immediately after you press play — following a short and sweet on-stage introduction by festival creator Claude Nobs — and what follows is a no-frills performance with minimal between-song banter that will nevertheless delight fans of salsa, jazz and rock and roll, genres that Santana has been masterfully fusing for decades. Santana performs his most popular hits — including "Black Magic Woman", "Oye Como Va", "Smooth" and "Maria, Maria" — a few personal favorites of mine (like the playful "Foo Foo") and more than a handful of instrumental numbers that seamlessly blend into one another. There were a couple of instances where I didn't even realize a new song had started until I checked the handy track list on the pop-up menu. (That 23-track song list also allows you to skip ahead to your favorite tunes.)
Posted in: Disc Reviews by M. W. Phillips on February 25th, 2012
“At this very moment, I have no desire to stab you in the neck.”
Between Weeds and Nurse Jackie, Showtime has the corner on shows about drugged up, ethically challenged women. The great Edie Falco somehow keeps Nurse Jackie relatable even though she is an unrepentant drug addict, thief and manipulative narcissist. It doesn’t hurt being surrounded by such a smart supporting cast and given lines that crackle with poignancy and humor.
Posted in: Disc Reviews by Michael Durr on February 23rd, 2012
Looking over my sports dvd library, one might notice a lot of contact type titles. From Wrestling to MMA to high intensity action films, I have my fill of male testosterone fueled viewing. The question remained what would I think of some bare knuckled fist fighting in the documentary that took over ten years to make: Knuckle. Would it be simply too barbaric or would I crave more?
We see a man punching a bag held by another man with his bare fists and then the same guy sparring later on the beach. This soon prompts a scene with a police cruiser where they have to explain themselves that not only are they shooting a documentary that has lasted the last ten years but this Irish man is preparing for an upcoming fight in London. This man is simply known by the name of James Quinn McDonagh. And the credits roll.
Posted in: Disc Reviews by Gino Sassani on February 22nd, 2012
"The darker picture is always the correct one. When you read the history of the world you are reading a saga of bloodshed and greed and folly the import of which is impossible to ignore. And yet we imagine that the future will somehow be different."
One thing that is absolutely different is HBO's The Sunset Limited. I can assure you that this film is unlike any movie you've ever seen before, or are likely to see again. There are a lot of reasons for this, of course. The most glaring difference is that the film is staged and performed very much like a live stage performance. You will get the feeling almost immediately that you are watching a play rather than a movie. It's a natural enough sensation when you consider the film has been written by Cormac McCarthy from his own stage play. The entire film takes place in a rather depressing and claustrophobic tenement apartment. The furniture is sparse and worn. The smell of poverty prevails in every inch of the small space. All of this brings us into more intimate contact with the players and enhances that feeling of watching a play.
Posted in: Disc Reviews by J C on February 21st, 2012
I completely understand if you bailed out on Weeds a long time ago. The fact is the current show bears little resemblance to the subversive, suburban sitcom that became one of Showtime's first comedy smashes. That's partly because the tone of the show took a dark turn into Mexican cartels and human trafficking after the end of season 3. Even worse, the once-fresh characters had become, at best, reliably annoying — think Kevin Nealon's Doug Wilson — or, at worst, completely unlikable (like Mary Louise Parker's Nancy Botwin, the leader in the clubhouse for the title of TV's Worst Mom.)
But here's why I'm actually ok with the way Weeds has played out (besides my immense crush on Mary Louise Parker): what else were creator Jenji Kohan and her team supposed to do? If season 7 rolled around, and Nancy was still dealing pot in Agrestic, the show would get crushed for never evolving. In fact, given Nancy's relentless ambition and reckless behavior, I think the show has progressed in a semi-realistic way. Well, except for the part where she always gets out of impossible jams.
