Posted in: Disc Reviews by Michael Durr on November 23rd, 2022
Many times when we watch films for the first time, we get distracted. Maybe it's a pretty girl, money issues, or perhaps you had something else on your mind that's hurting your focus. Whatever it is, it can really change your interpretation of a movie in a positive or negative way. One such movie for me is Mystery Men when I saw it in early 2000. Back when rentals were a thing, I remember renting this film and being distracted completely by someone who shall remain nameless. I barely liked the movie and didn't really watch it again until many years later only to realize I liked the film far more than originally thought. Four or five times later, I revisit the film again, this time in glorious 4K. Let's see how it does.
Posted in: Disc Reviews by Michael Durr on November 18th, 2022
Favorite movies are usually easy to come back to. It's a familiar song, stars you feel at home with, and even if you recite all the lines by heart, you can find something new to come back to. In the case of Planes, Trains, and Automobiles, even though I had seen the movie probably around a dozen times or more, I was lured by the promise of new deleted and extended scenes but also a 4K-quality picture. But as with life, you don't always get everything you want. Let's take a look.
Posted in: Disc Reviews by Michael Durr on October 3rd, 2022
In truth, I have never been a "Chuck Norris" type guy. I can get down with many martial artists as previously explained, from Van Damme to Seagal to Jeff Speakman and probably many others in between. Except when it came to the Texas Ranger. Sure, he was an amazing martial artist, but he never had the ability to draw me in, the charisma that could keep me interested when his punches and kicks could not. (But yet I liked Jeff Speakman; go figure.) Anyhow, I think after all this time I finally found the film that could change that. Enter The Octagon.
Posted in: Disc Reviews by Michael Durr on September 28th, 2022
Some of my favorite movies from the 80's and 90's consist of films where very little brain matter needs to be used to consume the action of what's going on the screen. The type of films I'm talking about are films like Bloodsport, Above the Law, the Perfect Weapon, and Rapid Fire. Now, from reading those titles, it might sound like I'm a little "man" heavy so to speak but I also heavily enjoy films like La Femme Nikita or Moon Lee films (Princess Madam or Devil Hunters for example). Today's film is Catch the Heat which stars Tiana Alexandra in a film where she cranks up the kick butt meter to ten. Let's see how it performs.
Posted in: No Huddle Reviews by Michael Durr on September 10th, 2022
A good erotic movie is actually harder than it sounds. Sure, you have to have skin, word play, arousal, and yes, that other kind of play. But the good erotic films like Basic Instinct, 9 1/2 Weeks, and Embrace of the Vampire (You thought I was going to say Fatal Attraction, didn't you?) are very entertaining and have a story that draws you in to keep you there even when the spicy bits aren't on the screen. Today's erotic film is Curiosa, which certainly hits all of the skin elements, but does it have a story that I would want to watch again and again? Let's check it out.
Posted in: Disc Reviews by Michael Durr on August 19th, 2022
When I am not writing reviews, playing games, having a family, oh, and also having a job (because writing reviews doesn't exactly pay), I do try to dabble in the occasional short story. Perhaps it's fantasy or science fiction, but I like spinning tales about a world that I want to be a part of even if its just for a few minutes. It's relaxing, and that's why when I saw the opportunity to review Wheel of Fortune and Fantasy, a collection of three tales steeped in chance, culture, and some wonderful word banter, I knew I'd enjoy my time. Let's take a look.
Posted in: Disc Reviews by Gino Sassani on June 3rd, 2022
"Let me speak to you directly and from the heart."
My first exposure to The Man Who Shot Liberty Valance wasn't the film at all. It was the song (The Man Who Shot) Liberty Valance, written by Burt Bacharach and Hal David. It was a 1962 hit song by Gene Pitney and was written to be included in the film. I wouldn't really be taken with the song until James Taylor would cover it and have his own hit with the song in 1985 with his album That's Why I'm Here. By then I'd seen the film but only on late-night television broadcasts which offered bad transfers and plenty of commercials that caused the film to be chopped by over 26 minutes. The funny thing about the song is that while it was written to be included in the film, it actually never appears. Director John Ford thought it sounded too modern and suggested it would only weaken the film and insisted it not be used
Posted in: Disc Reviews by Gino Sassani on May 20th, 2022
From the bouncing opening music by Glenn Fry to the final frame of Eddie Murphy's smile, Beverly Hills Cop had established itself as a classic. The movie had a complicated history, and it's a kind of miracle that the version we know ever happened at all. The movie was originally conceived as a straight action film with the plan to have either Al Pacino or Clint Eastwood in the title role. At that point the script was called Beverly Drive. When they couldn't get Al or Clint, they turned to Sylvester Stallone, and Sly took the role. He took the script and rewrote it to fit his own particular style. The main character's name went from Axel Foley to Cabretti so that he could be called The Cobra. The problem with Sly's version is that the cost was rising higher than the execs at Paramount were willing to put out. Sly was offered another film to drop Beverly Hills Cop. He took his rewrites with him, and they eventually formed the nucleus of his movie Cobra. The rest of the film had already been cast, so imagine their surprise when the action movie they thought they were making with Rocky turned into a comedy/drama starring the Saturday Night Live but unproven box office comedian Eddie Murphy.
Posted in: Disc Reviews by Gino Sassani on May 18th, 2022
"Susie, one of the longest borders on earth is right here between your country and mine. An open border. Fourteen hundred miles without a single machine gun in place. Yeah, I suppose that all sounds very corny to you."
Orson Welles was a huge personality in Hollywood both in his stature and his work. Taking a controversial poke at media giant Randolph Hearst, he struggled against fierce odds to direct a film that is often considered the best, or at least one of the best films ever made. Of course, I'm talking about Citizen Kane. I happen to believe the first two Godfather films are better, but there's little doubt that Citizen Kane was a masterpiece. Because it was so good and because Welles never functioned well in the Hollywood system of his age, his other films often get overlooked. Touch Of Evil is one of those films, and in many ways it's just as good or better than Citizen Kane. Like that film and pretty much everything Welles ever did, it came with plenty of controversy and behind-the-scenes drama. But Welles was used to that by 1958, so he should have known better.
Posted in: Disc Reviews by Brent Lorentson on May 16th, 2022
Director Ang Lee has come a long way since his 1991 debut film Pushing Hands. When you look at Ang Lee’s impressive resume, the only film that stands out is sadly his only major misstep as a director, and that’s the 2003 film Hulk, the movie I feel audiences have been trying to forget and comic fans simply want to pretend doesn’t exist. When you look at the rest of his resume, there are some impressive titles that have made a difference within the Hollywood cinema landscape. Crouching Tiger, Hidden Dragon, Brokeback Mountain, and Life of Pi are just a few of his films that are standouts that were commercial successes but at the same time define his unique style and focus when it comes to character. Pushing Hands is character study that was released during the rise of independent cinema in the 90’s when film focused more on characters and finding unique voices that could tell great stories on a limited budget. What makes the film all the more unique is that it’s a martial arts film without the violence we’re used to seeing on the big screen, and instead its focus is more on the holistic methods of tai chi.
