2:39:1 Widescreen

“Hello boys…I’m baaaaaack!”

You probably know that Independence Day — the spectacular, shameless sci-fi smash that introduced the world to “Will Smith, Global Superstar” — dropped a sequel last month. What you may not know is that the original film has been granted a 20th Anniversary Blu-ray and UHD release. I was 13 when ID4 came out in the summer of 1996, which means the movie’s deluxe destruction and alien shoot-em-up antics were right in my wheelhouse. So I was curious as to how an older and wiser, um, taller version of me would feel watching it with a critical eye.

We’ve all heard and seen the story before; a family loses a loved one and consumed with grief they meddle with unknown forces to see their loved ones again.  The Monkey’s Paw is one of my favorite stories that cover the topic. I’m sure everyone at some point had to read this short story in school.  Having read the story and seen the numerous films that have covered the topic, you’d think by now people would have learned to not mess with forces they don’t understand.  The Other Side of the Door is the new paranormal horror film to cover the subject, and it seems people still just haven’t learned. Is the film worth taking a look to see what lies beyond the door, or is this one better left alone?

Disaster films are something that for me screams American cinema of the 90’s.  I know there were films before that had come out, but a good portion of my teen years of the 90’s were of the mega-blockbuster variety like Twister, Dante’s Peak, The Perfect Storm, and so forth.  Now we have The Wave, the first disaster film to come out of Norway, and from the looks of the trailers they were going for something BIG.  This is a film that comes out with so much potential and is a film that could even possibly find an American audience that could look past the fact that subtitles may be involved.  With the way technology has come along over the years, smaller countries have been able to produce films as big as anything released in our cinemas here in the states.  Now here’s the question: is it any good, though?

Bad Robot, in my eyes, is simply the best at keeping things a secret.  In this day and age, to be able to surprise audiences is just about an impossible task.  When the first Cloverfield trailer was released in 2007 in front of Transformers, it was a trailer that had us all guessing up until its release.  In my opinion Cloverfield was one of the best found-footage films to come out and was a grand achievement, considering it was a monster film that had been pretty much been kept under wraps until its actual release.  Bad Robot managed to surprise us again, releasing a trailer for 10 Cloverfield Lane that set the internet on fire with theories and hopes for this to be a long-awaited sequel.  But is that what this really is?

There are many films that depict the ferocity and cataclysmic power of the vast ocean. It is a fearsome display that cannot be imagined in any way that compares to the reality of the experience. The Perfect Storm, Life of Pi, The Guardian, and Titanic are just a few examples of disasters at sea. It is the United States Coast Guard’s job to rescue distressed people under severe emergencies at sea. The Finest Hours is a depiction of a true-life sea rescue under the most challenging and horrifying conditions. It is known as the most successful small boat rescue ever recorded. When I say small boat, it is the rescue boat I’m talking about, but the ship they were singlehandedly sent to rescue was a gigantic T2 tanker Pendleton, which had split in half on open seas.

Time travel films have been around for years, and with each film there are viewers who just enjoy it at face value and others who watch it to poke holes in the film’s theories.  I have to admit I fall somewhere in between.  With a film like Back to the Future, I don’t look at it as anything more than silly fun, but then a film like 12 Monkeys comes along, and I just go bananas over its theory and execution.  So when a title like Synchronicity came along, I went into it with an open mind.  I know you don’t need a giant budget to pull off a time travel film; what matters first and foremost is the story and the characters that lead the narrative tale for us.

Besides the fact that The Lady in the Car with Glasses and a Gun has one of the most excessive titles that I’ve seen since Things to Do in Denver When You’re Dead, the film just might be one of the most bonkers I’ve seen as well.  Not only was the film a remake from back in 1976, but it is also based off the novel from author Sebastien Japrisot.  I’ve never seen the first film, nor have I read the book, so when I came into viewing this film I came into it with few to no expectations.  Going by the trailer I had figured this would be just a simple straightforward thriller; I couldn’t have been any more mistaken.

Between 2002 and 2008 Jason Statham made a name for himself playing Frank Miller in three Transporter films. Miller was a former special ops expert who became a high-end black market transportation expert. He used his skills to transport anyone or anything from point A to point B for a hefty fee. He had a few rules that governed his business: the deal never changes once it's made, no names, and he doesn't want to know what he is transporting. The business made for some nice action films that gave Statham a chance to show off that particular skill set. The films brought in a modest box office, averaging around $35 million each.

Pan is a very big and expensive movie, so when you buy your ticket you are getting a lot for your money. Most movies are not for everyone, but it is safe to say that an expensive movie will offer more entertainment value than an inexpensive or cheap movie. Pan was also put together by an award-winning team of respected filmmakers who have been very successful in the past. That is also a good bet when you are buying a ticket. Pan is an expansion of the story of a beloved children’s classic, Peter Pan. Again, you can’t go wrong there. In fact, it is mostly new material that serves as a prequel to the existing story where Captain Hook is basically a nice guy, and there is a whole new villain instead.

"What you're talking about is a one-way street, you understand? Once you start there is no going back."

Ah, but there is going back if you're watching Kill Me Three Times. I don't necessarily mean that you'll want to watch the film over again (you might). Kill Me Three Times is a bit of a collection of vignettes that continue to circle back upon each other. Each time you get a different perspective or a bit of new information is unveiled. For those of you who insist on a linear logic to your films, this one's not for you. In fact, those of you who insist on logic at all might not quite get this one.