Posted in: Disc Reviews by J C on August 24th, 2016
“There is another story. One that comes long before…happily ever after.”
An unseen narrator — an uncredited Liam Neeson, wisely choosing not to show his face in this film — intones these words at the start of The Huntsman: Winter’s War. He’s talking about the saga involving a certain magic mirror and Ravenna (a still-captivating Charlize Theron), the wicked antagonist from 2012’s Snow White and The Huntsman. But as this flat, uninspired prequel/sequel hybrid unfolds, it becomes clear that this “other story” is essentially an unimaginative mish-mash of Disney (shades of Frozen and Brave are added to the Snow White framework) and Tolkien.
Posted in: Disc Reviews by J C on August 11th, 2016
“The story of the American Frontier is a tale of conquest, but also one of survival, persistence, and the grit of the people.”
And the story of the American Western is a tale of quick draw competitions, fights aboard speeding trains, and other assorted horseplay. Each of those elements can be found in Traded, which inelegantly grafts the plot of Taken onto an Old West setting. The problem is that nothing here is executed particularly well.
Posted in: Disc Reviews by Brent Lorentson on August 8th, 2016
When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen. With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples. But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there). Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.
Two ruthless assassins come into town, hired to take down members of a gang. In the midst of the gunfight, a little kitten manages to make an escape. The kitten finds his way to the doorstep of Rell’s apartment. Rell (Jordan Peele) has hit some rough times after a breakup, and Keanu (adorable kitten) seems to be what has brought Rell out of his rut. But things turn for the worse when Rell’s home is broken into and he discovers that Keanu has been catnapped. Rell’s cousin Clarence (Keegan-Michael Key) tags along to help Rell find his lost cat. Unfortunately it takes them deep into the street gang underground where they are mistaken for the two assassins. To rescue Keanu and to ensure they both don’t get killed, Rell and Clarence go ahead and pretend to play the role of the assassins.
Posted in: Disc Reviews by Brent Lorentson on August 1st, 2016
Don’t let the artwork scare you off. Yes, the cover design for this disc may be the worst I’ve seen this year, but the movie actually isn’t half bad. John Travolta has hit a bump in his career, and it seems the big blockbuster projects just don’t seem to want to reach out to him. Sure, he has a habit of going over the top in roles, but for the most part he’s still one of the few personalities I still enjoy seeing on the screen who’s been around since before I was a kid. Then you’ve got Chuck Russell (Nightmare on Elm Street: The Dream Warriors and The Blob remake) dusting off his director’s chair to helm a film again, and, well, I Am Wrath quickly starts to become a film I can be excited about.
I Am Wrath makes a very conscious decision to open the film with images of violent acts caught on security cameras. Lately you can’t even watch the news without hearing about a shooting or some sort of violent attack that has been caught on film. Though it’s an effective way to start the film, the problem is it doesn’t really tie into the rest of the film except to point out from the beginning that there is a lot of violence occurring in the world. So if you were worried or hoping for some sort of social commentary, well, that isn’t here. Instead what we’ve got here is a by the numbers revenge film. It’s nothing to complain about, but if you were hoping for a story with a little more meat, sorry, but this comes up short in that department.
Posted in: Disc Reviews by Jeremy Butler on July 28th, 2016
"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham."
In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise. Now, albeit true, my resistance did waver upon watching the trailer. So as I sat in my seat, anxiously awaiting the lights to dim and the screen to illuminate, one question dawned (pun intended) on me: can the film live up to the hype?
Posted in: Disc Reviews by Jeremy Butler on July 19th, 2016
"It's time for the biggest gladiator match of all time. Son of Krypton versus Bat of Gotham"
In a summer chock full of blockbusters that are expected to defy box office records, dare I say this may be the most anticipated one of them all? When news about this film was first released, opposition rang out on both sides of the spectrum. Some argued that films that feature two characters facing off rarely work, especially when it comes to two heroes. I have to admit that I found myself agreeing with this argument. In my defense, this appeared to me as a clear strategic ploy to fast-track the introduction of the much-anticipated Justice League franchise. Now, albeit true, my resistance did waver upon watching the trailer. So as I sat in my seat, anxiously awaiting the lights to dim and the screen to illuminate, one question dawned (pun intended) on me: can the film live up to the hype?
Posted in: Disc Reviews by Brent Lorentson on July 15th, 2016
Ever since writer/director Jeremy Saulnier came out with his gripping revenge film Blue Ruin, fans have been patiently waiting to see what he’d do next. If you have not had the chance to see Blue Ruin and you are a fan of the revenge genre, it’s a film that is certainly a must see and is one of the few films that lives up to the hype that surrounds it. The problem with doing such a strong and powerful film so early in your career is that expectations seem to just skyrocket, and it seems there is just no way you can make everyone happy. As a fan first and critic second, I know I’ve been guilty of doing this in the past, and it’s almost impossible to not get excited, and at the screening for this film, I know I was not the only one with high expectations.
On top of the high expectations, the group I viewed the film with was restless after having the film delayed as well, so this only seems to be another strike against the film before it’s even had a chance to play. I mention all this for the simple reason that this film reminded me of the importance of shutting out all expectations and simply letting the film stand on its own merit. This is important because I feel Saulnier knew the expectations he had, and instead of playing it safe, he did something that very few filmmakers are willing to do anymore; he simply made a movie that is not just gripping and intense, but most importantly, it was fun.
Posted in: Disc Reviews by Gino Sassani on July 7th, 2016
"That's me, Mike Hanover, and I just killed a man in a taco shop bathroom. Hey, he started it. I been hiding near the border looking for The Vigilante..."
You've found him. Anchor Bay's The Vigilante actually started life as a web series. The web episodes followed the exploits of The Vigilante, played by Paul Sloan and his sidekick The Kid, played by Kevin L. Walker. It was pretty much a hyper-superhero kind of series with ramped-up action on a limited budget. Now we have a feature film version that is quite the mixture of genre films. You get a little grindhouse mixed with some Leone Spaghetti Western with extra sauce. Throw in The Expendables with a side of Deadpool. Stir in some graphic novel clichés and season it all with a bit of exploitation film violence and characterizations. The result is a film that doesn't take itself very seriously and might be good for an entertaining ride. That is, if you don't overcook the whole thing. At about 108 minutes, let's just say it was bordering on overcooked.
Posted in: Disc Reviews by J C on June 16th, 2016
“Ok, so hear me out…ever watch action movies?”
It’s clear that Canadian filmmaker Allan Ungar and practically everyone involved with Gridlocked have seen their share of action flicks. More specifically, this crew is out to recapture the raucous, rowdy, R-rated spirit of late ‘80s and ‘90s franchises like Lethal Weapon and Die Hard. While Gridlocked doesn’t come close to matching the wit or winning formula of those action classics, this straight-to-DVD effort still manages to be a pretty fun throwback.
Posted in: Disc Reviews by Gino Sassani on June 15th, 2016
"The needs of the many outweigh the needs of the few."
The rumors were rampant, and I won't address them at all here. Chances are you know the spoilers, if you want to know them, already. I won't chance ruining it for the few that have avoided any information on the film. I will tell you that Abrams has managed to weave a touching love letter to the Trek faithful into what again is a hugely mainstream film that should kick some serious butt at the box office once again. It's almost as if he wanted to thank the fans who did finally climb aboard his Enterprise. There's a tribble, and you'll find a model of the NX-01 Enterprise, among others. The writers pay tribute to some of Trek's best phrases. Of course McCoy's going to deliver one of his "I'm a doctor not a..." lines.
Scotty's going to be called a miracle worker. And the film ends with the beginning of the crew's five-year mission. This film is just as good at appealing to the masses, but it manages to bring the faithful in with enough nods and references to bring tearful smiles to our faces. There's a lot of love here. Maybe it didn't come from Abrams at all. Credit it to writers Roberto Orci, Alex Kurtzman, and to a lesser degree Damon Lindelof. They are confirmed Trek fans, and it shows.
