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“…I’m the f---ing Vice President of the United States, and I have something to say.”

If you’ve seen Veep, you know it’s almost impossible to quote the show without including an f-bomb or any of the show’s crassly creative put-downs. The sitcom’s central joke remains that the vice presidency might be the most high-profile unimportant job in the world. As a result, the second season of HBO’s caustic comedy sees VP Selina Meyer making moves to improve her political standing. Of course, she and her harried staff can’t avoid the humiliations and indignities that come with the job.

Sometimes a horror movie comes along that is rich in originality and ideas. Dark House certainly fits into that category. There are some truly scary moments and seriously frightening images to be found here. For a low-budget affair, the movie sports pretty solid acting and an atmospheric production design. Writer/director Victor Salva knows how to get the most out of the resources at his command. That doesn't mean there isn't a serious flaw to be found here. This is a movie that is often a little too clever and more than a little enigmatic at times. It won't allow itself to be contained into any particular style or sub-genre, and that's a good thing. If only all of this didn't also get in the way of telling a tight story, this could have become the next cult classic. If wishes were horses....

Nick (Kleintank) is searching for answers about who he is. His mother has spent the last several years in an insane asylum, and he's visiting her for the first time in years. He's hoping she'll tell him who his father was. It's his 23rd birthday, and apparently that's a magical number in nature. As it turns out, Mom's promised to tell him this day. No, she hadn't promised Nick. She's talking to something inside the walls. Unfortunately, a breakdown nixes the big reveal, and a disastrous fire at the asylum later that night forever seals Mom's lips.

Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.

“I want you to deal with your problems by becoming rich.”

For some reason, I have themes that I keep reviewing time in and time again (regardless of whether I enjoy the subject matter or not). One of those themes or rather people is Allen Ginsberg, one of the most important poets of the 20th century and symbol of the Beat Generation. A few years ago, I reviewed Howl which was more about his 1957 obscenity trial. This film, Kill Your Darlings deals with the relationship between Allen Ginsberg and Lucien Carr. Let us see how well this one turns out.

"Some things once you love them become yours forever.", the narrator speaks as we shift to a scene where a half naked man covered in blood carries another unconscious man. After this shocking imagery, we shift again to see Lucien Carr (played by Dane DeHaan) in jail with Allen Ginsberg (played by Daniel Radcliffe) outside the bars. Lucien tells Allen that he can't tell the story. Allen looks dead at Lucien and says, "Watch Me."

"The problem is you don't know my pain or emptiness. But now you're going to know how it feels to be me."

Mitch Brockden (Cooper) is an ambitious up and comer in the Chicago prosecutor's office. He has a reputation for being aggressive, and he doesn't lose cases. He's respected and liked by his colleagues. That's the man we first meet. But after a night of some power drinking with his buds, we are introduced to another Mitch Brockden. This Mitch is selfish and a coward. When he ends up hitting a man while driving drunk, his instincts tell him to call an ambulance from a pay phone so it can't be traced to his cell and drive away. You see, Mitch has a lot to lose. He's up for getting a DA job. He has a wife and a brand new baby. He's afraid the DUI accident will derail that life. Unfortunately for Mitch, it's his decision to run away that causes the most damage.

Remember the first film that kept you awake at night?  The film that had you keeping the light on, when every strange noise you heard was that of some monster you were all but certain was lurking in the darkness waiting for your eyes to finally close?  For me it was that thrill that got me excited about horror films, where every Saturday I’d watch Creature Feature, and in the evening I’d channel-surf till I found some horror film to keep me up into the late hours of the night.  Texas Chainsaw Massacre, The Exorcist, The Beyond and many others were the films that I would grow up and hold up on a pedestal as the modern classics of horror.  As I watch the new wave of horror coming out, sure, there are plenty of titles that are really fun, but the films that leave a mark, the ones we’ll be talking about 10 to 20 years from now, where are they?

Here Comes the Devil is one of those films.

OK, in case you didn’t know this about me, I’m a sucker for South Korean action cinema.  Sure, the 90’s were ruled by Hong Kong, but for about a decade South Korea has been killing it by putting out some of the most visually stunning action films in years.  For a quick crash course in how simply bad-ass and epic their cinema is, I highly recommend checking out The Chaser and A Bittersweet Life.  With Commitment we get a new entry in the spy genre that hasn’t been explored stateside.

Myung-hoon (Choi Seung-Hyun, a Korean pop star also known as T.O.P) and his sister are stuck in a North Korean labor camp after their father is killed in South Korea working as a spy.  Myung-hoon is offered a chance to protect his sister and stay alive, only it requires him to go into training as a spy and travel into South Korea and await word for his mission.

“If something was to come your way, I mean something so irresistible that you just had to have it, do you think you could sacrifice everything for it and not regret it?”

When it comes to down-on-their-luck men in movies, that “something” could be any number of things. Oh, who am I kidding? It's pretty much always a woman or a large sum of money. In Swerve — a twisty Australian thriller that goes down a number of familiar roads — our hero is tempted by both.

Jeff Dunham has always had a talent for making people laugh. His style of ventriloquism has found its way into millions of homes and probably a billion YouTube views. Of course these standup specials have translated into tons of merchandising potential such as lunchboxes, t-shirts, and even the puppets turned into cute and sometimes furry stuffed dolls. Well, with one of the most beloved characters, Achmed, they decided to do an animated special. Let us see how well it turned out.

Jeff Dunham and Achmed the Dead Terrorist (also voiced by Jeff) join us for a little introduction. Jeff asks Achmed who his favorite animated character is. Achmed sheepishly replies Tigger and also Eeyore. But certainly not Piglet, don't be ridiculous. Then Jeff tells Achmed that he can be an animated character too and to make a wish. Out pops Tinker Bubba (yes, that's Jeff too) who can make Achmed intoxicated, I mean animated. Achmed turns animated and that is how the show starts.

It is true what they say, every time you think you are done, you get pulled back in. I had been working on cleaning up my house and trying by any means necessary to get it on the market (42 gallon trash bags are your friend). But the big boss of Upcomingdiscs.com asked if I would like to review the final season of Flashpoint. I looked at my movie spinner and saw nestled between the Flash (the short lived TV series) and Freakazoid Season 1(okay, I'm odd, I get it), the first 5 volumes of Flashpoint. At that point, it was pretty much a done deal.

At the end of the fifth season (or fifth volume if we are being technical), we had arrived at the episode Slow Burn. In this episode, the main story was that an arsonist was at large. The arsonist proceeds to take a fire chief hostage and eventually the criminal gets caught. However, that was certainly not the end of the story as the arsonist actually had a partner working at the fire station. This doesn't go very well as the fire chief takes the partner hostage and the SRU Unit has to negotiate a peaceful settlement.