Video

John Cena continues to attempt to branch out from the WWE, this time with an animated film featuring a peace-loving bull in Spain. Granted, John Cena is not first person I envision when I think about nonviolence, but it is an interesting choice nonetheless. Ferdinand tells the story of a bull raised to participate in the matador competitions featured in Spain. Disney continues to buck against the grain, creating a character that contrasts with his circumstances. Naturally, this is an animated film, and being well into adulthood, I am clearly outside the target audience. However, I am fortunate enough to have a daughter who does fit that demographic, so I enlisted her services for this film. Ironically, I actually ended up enjoying the story a lot more than she did. Too be fair to the film, my daughter only possesses a 20-minute attention span. To her credit, she stuck out the entire film, and we can both provide you with the benefit of our experience.

Continuing my earlier statement about the character, Ferdinand (John Cena), unlike the other bulls, does not desire the glory of competing in the matador competition (at this point, the bulls are unaware that they will be killed in the competition). He would much rather spend his time grazing and smelling the flowers. This also contrasts with his size, as he has grown to be a large and intimidating-looking animal, but he remains a gentle giant.

When The Sandlot first came out 25 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. I’ve kept in touch with the film over the years, but Fox’s new 25th Anniversary Blu-ray re-release of The Sandlot was a great excuse to watch it from start to finish.

An adult version of Scotty Smalls recounts the story of his most memorable summer. As a fifth grader, Scotty (Tom Guiry) moved to a new town with his mom (Karen Allen) and stepdad (Denis Leary) just before the end of the school year. Scotty’s mom wants her sweet, nerdy son to actually get into a little bit of trouble during the summer, so he falls in with a group of kids who play baseball in a raggedy patch of grass called The Sandlot. The only problem is Scotty doesn’t even know how to throw a baseball. Fortunately, Scotty is taken in by Benny (Mike Vitar), the group’s leader and the best baseball player by far. During that one remarkable summer, the kids encounter a dream girl, arrogant Little Leaguers and a legendary canine menace known as The Beast, which swallows up any baseball that finds its way into his yard.

"A long time ago in a galaxy far far away..."

It was exactly 40 years ago that we first saw those words flash across the screen. Star Wars was born, and it has become one of the most enduring franchises in film history. The franchise survived a long drought when it didn't seem likely we would ever see those words again. The franchise survived the throes of George Lucas, who created it all and then went a little rogue when he finally did follow up his iconic trilogy. If The Last Jedi and the two previous films are any measurement at all, the best thing George Lucas ever did for the universe he created was to give it up. Of course, I wouldn't necessarily call $4 billion quite giving it up. Since then he's been a bit critical of the path Disney has taken and feeling somewhat left out of the decision process and has openly shown concern for his child under the Disney flag. And after the soap opera that has become the Han Solo film, the fans were getting a little worried as well. It's still too early to know what will become of that particular journey, but that's next year's concern. For now just sit back and revel in Star Wars: The Last Jedi.

I respect that you love your group, but it’s time for you to move on.”

The first Pitch Perfect movie arrived in Fall 2012 as a goofy, energetic, underdog surprise that charmed audiences with its funny jabs at (and genuine affection for) a capella music. But as the trilogy (allegedly) comes to a close a little more than five years later, the only quality that this popular, profitable franchise managed to retain from that previous sentence was “goofy.” The saucy tagline for this movie is “Last Call Pitches,” and everyone involved seems ready to hang up their pitch pipes.

“Now I’m awake to the world. I was asleep before. That’s how we let it happen...nothing changes instantaneously. In a gradually heating bathtub, you’d be boiled to death before you knew it.” 

The most amazing thing about The Handmaid’s Tale — other than a powerhouse lead performance from the best actress working in television right now — is that this harrowing, suddenly timely cautionary tale about what happens when society falls asleep at the wheel is based on a story that was published more than 30 years ago. Of course, the show has a lot more going for it than impeccable timing.   

"If I spoke about it - if I did - what would I tell you? I wonder. Would I tell you about the time? It happened a long time ago, it seems. In the last days of a fair prince's reign. Or would I tell you about the place? A small city near the coast, but far from everything else. Or, I don't know... Would I tell you about her? The princess without voice. Or perhaps I would just warn you, about the truth of these facts. And the tale of love and loss. And the monster, who tried to destroy it all." 

A couple of years ago I talked to Joe Dante about a variety of subjects. One of them was The Creature From The Black Lagoon. Dante along with several other directors like John Carpenter had once been attached to a remake of the Universal classic. I asked him why it never worked out. He told me it was the suit. We agreed that no one could ever improve upon the original design and that the temptation would be to go computer-generated, and that would be a bit of a shame no matter what it looked like. Andy Serkis has changed my mind a bit over the years, but along came Guillermo del Toro to restore my faith in the idea of a man in a costume once again. Del Toro is a self-avowed fan of the Universal horror films and has thrown his hat into the Creature ring in the past. Universal didn't quite see it then. They had their own Dark Universe plans. Now I've had the chance to see The Mummy as part of the Dark Universe and was instantly underwhelmed. But after seeing del Toro's The Shape Of Water, I think it's time Universal took another look at their Creature From The Black Lagoon plans. Bang it here to listen to that Joe Dante chat: Joe Dante Interview.

"We have to be ready. You, me, the others... there's an attack coming from far away."

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however, DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman vs. Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn't quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it's not a bad film, either. Superman actually smiles and has begun to return to the "golly" innocent of his best comic years. This film may not be everything we fans of both brands were hoping for, but it's actually a good start.

We have to be ready. You, me, the others… there’s an attack coming from far away.”

The DC and Marvel rivalry can be quite fierce at times. I never completely understood the polarized fan base, however. Some of us are just fans of the genre and will welcome a good comic book movie from either and preferably both studios. When it comes to a cinematic universe, however DC has had some real issues with trying to bring together a combined hero world. Most of the films leading up to Justice League have been dark and filled with brooding heroes. With Batman that kind of thing is appropriate and works. With Superman it has been a severe letdown. When the two came together in Batman v Superman, the disappointment started to lead to a resigned conviction that DC was doomed to repeat the same mistakes over and over again. Then came Wonder Woman, and it was no surprise that she was the single standout of the caped-hero duel. Wonder Woman, both the character and the film, appear to have changed something in the DC landscape, and she is, once again, the single most hopeful character in Justice League. And while Justice League isn’t quite the movie that Wonder Woman was, there are signs that things are changing. Justice League is not a great movie. But it’s not a bad film, either. Superman actually smiles and has begun to return to the “golly” innocence of his best comic years. This film may not be everything we fans of both brands were hoping for, but it’s actually a good start.

I’ve been a fan of The Walking Dead ever since the first episode aired on AMC. I’m a sucker for zombie films and the original Dawn of the Dead remains as one of my all-time favorite horror films. I mention this because when the idea came along to do a spin-off of The Walking Dead, I was stoked. But when Fear the Walking Dead first aired, I have to admit there was something about it that just didn’t hook me. So I gave up after a couple episodes. I wish I had held out just a little bit longer. Before jumping into season 3 of the show, I decided to revisit the series and start with a fresh set of eyes from the first season to catch up...and what a fun ride it has been!

For those that are unfamiliar with the show, Fear the Walking Dead starts in Los Angeles when the zombie outbreak has only just begun. If you are worried it’s nothing more than a West Coast version of the same story, let me set your mind at ease by saying, though it has similar themes and circumstances, Fear the Walking Dead is a darker and more intimate tale.

"Well, I tried to start a revolution, but didn't print enough pamphlets, so hardly anyone turned up. Except for my mum and her boyfriend, who I hate. As punishment, I was forced to be in here and become a gladiator. Bit of a promotional disaster that one, but I'm actually organizing another revolution. I don't know if you'd be interested in something like that? Do you reckon you'd be interested?"

DC has finally gotten a recent comic superhero movie right with Wonder Woman. We'll know in just a few days if they can bring the streak to two films when Justice League hits the box office this month. Marvel, on the other hand, has a streak going that dates back to 2008 and reached a truly astonishing 16 films leading up to the third Thor film, Thor: Ragnarok. With three more films on tap for next year, that run could reach 20 films very soon. Not all of these efforts have been great by any means. I found the last Thor film to be one of the franchise's weaker moments. But all of these movies do have one thing in common. With even the least of these films, they have all been entertaining. And that's exactly where Thor: Ragnarok fits the mold perfectly. I wouldn't call this Marvel's finest moment. I would call it one hell of an entertaining ride through the Marvel Universe. Fasten your safety harness. Remember to keep hands and feet inside your seat at all times. No flash photography. You are encouraged to have food and drink; however, there is a choking hazard, as some of this movie is so funny there could be fountains of popcorn and sugary syrup substances ejected toward the rider in front of you.