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It used to be when you had a straight-to-DVD release, you knew better than to set the bar too high.  From time to time you would find that occasional gem that slipped through the cracks and turned out to be something awesome, but this was a rare occurrence. With the way films are released now, the talent you are seeing in straight-to-DVD releases has improved, as have the budgets, since getting a film on the big screen has become a greater financial challenge.  I mention this only because I look at a title like Kill’em All and wonder if they even cared. The actors are here and doing their job, but it’s the figures behind the scenes that I’m calling out here.

“Have you ever seen two priests wearing tracksuits?”

The highest praise I can offer for The Young Pope — the staggeringly extravagant and deeply strange co-production between Sky Atlantic, Canal+, and HBO — is that I can guarantee you will see something you have never seen before. (A pair of priests in tracksuits is the least of it.) The show is bold in both its style and storytelling, although it only unequivocally succeeds in one of those two areas. Given all the Vatican-centric politics and power plays, it’s easy to see why this show was dubbed “House of Cardinals.”

Black…all important movies start with a black screen…”

I completely understand if you’re Batman-ed out by now. The Caped Crusader barely had a chance to catch his breath since the end of Christopher Nolan’s landmark superhero trilogy in 2012 and being pressed back into duty to help kickstart Warner Bros.’ budding superhero universe last year. But between those two iterations, we got a glimpse at a fresh, knowingly funny version of a hero that takes himself entirely too seriously. Batman was a scene-stealing supporting player in 2014’s blockbuster The Lego Movie, and now he once again takes center stage in a sharp, hilarious, irreverent adventure that celebrates practically every version of the beloved character.

“Who could ever learn to love a beast?”

Although it’s not quite a tale as old as time, people around the world have been enchanted by the story of “Beauty and the Beast” for centuries. The French fairytale was first published in 1740 and has subsequently spawned everything from a classic 1946 big-screen romance to Ron Perlman. Still, the most popular iteration of this story is Disney’s beloved 1991 animated musical, which helped solidify the Mouse House’s cartoon revival and serves as the most direct inspiration for this dazzling live-action adaptation. Then again, the fact that this new version is essentially a pretty close copy of a copy takes some of the bloom off this particular rose.

"Is it loud enough?"

What young 1970’s pup, learning to play a guitar for the first time, didn’t, at one time or another, attempt to imitate Pete Townsend’s windmill power chord strum? I count myself in that group. While I was not a very dedicated Who fan, I had an appreciation for the musicianship. There were still songs like Pinball Wizard and Behind Blue Eyes that I would embrace as if they were my own anthems in those days. It would be hard to deny that The Who is one of the most successful rock bands in history. Part of the original British Invasion of the 1960’s, there are few such acts that are even still around, let alone able to fill the huge stadiums and halls of Rock’s yesteryears.

"Good morning, young prince."

The forest is alive with the news. It travels from tree to tree, from animal to animal. A new prince has been born, and the creatures of the woods gather to welcome the young fawn. His name is Bambi, and he soon wins the hearts of the entire population of the forest. From his first attempts to stand on his wobbly legs to his discovery of the things that surround him in this brand new world, Bambi takes us on an emotional journey through the circle of life.

"I always know who you are. It's just that sometimes I don't recognize you."

Logan is perhaps one of the most interesting, endearing, and popular characters in the Marvel universe. Wolverine has the distinction of having been created by someone other than Stan Lee and Jack Kirby. While they invented the X-Men team from which the adamantium-clawed warrior was born, he was actually created by the team of Len Wein and John Romita, Sr. in the mid 1970's. Since that time the character has taken on a life of his own, a life that is as much owed to actor Hugh Jackman as anyone else. The funny thing is that Jackman is really nothing at all like the comic book character, who was actually quite short.

While I’m not usually a fan of gimmicks involved in trying to get my attention to see a movie, I’ll happily take an anthology of a found-footage film, simply because the odds of me finding something I like in the anthology are greater. VHS 2 is personally my favorite anthology film out there; even though it suffers from having to be a found-footage anthology, it at least delivers several unique perspectives and stories. I find it hard to believe a horror fan out there can’t enjoy the film. With XX the anthology presents us with a unique proposition when it comes to horror, four tales that are all crafted and presented by women.  A rather unintentional taboo notion when you consider horror has been a boys’ club for many years, but we are in a new era, and with this anthology this is the business card that is here to show us what they got.

Sometimes...if there's too many white people, I get nervous.”

Some of the very best horror films/psychological thrillers succeed by taking a relatable source of anxiety and cranking it to 11. For example, The Exorcist can be viewed as the worst-case scenario for anyone suffering a crisis of faith, while The Shining taps into the madness of being cooped up with your family for too long. Get Out works because it uses the nerve-wracking experience of meeting your significant other's parents for the first time as a jumping-off point to tell a subversive, insightful, and entertaining story that mashes together Guess Who's Coming to Dinner and The Stepford Wives.

With its original release in 2009, DC and Warner Bros have set up the release of Wonder Woman the animated film to help ramp up excitement for the live-action release of the new Wonder Woman film that is set to hit the big screen in a matter of weeks. For some of those readers who may think animated film means it’s just for kids, what WB and DC have done together with the animation department I wish managed to translate to their live-action releases. The DC/WB animated films in my opinion are phenomenal and honestly have set a high bar for me, because these translations have just been superior to the live-action films, and most come in short of the 90-minute mark