DVD

“You already started reading the evil words, didn't you? Then could you pass me my blood mop? I'm gonna need it later.”

Somehow I was never aware of Todd & The Book Of Pure Evil: The Complete First Season until I received the DVDs to review. Based on the 2003 short film of the same name, Todd & The Book Of Pure Evil debuted on Canada's Space Channel in September of 2010 and was picked up for broadcast in the United States by FearNet, which started showing the series in August of 2011.

"What must it be like to be the most famous woman on Earth?"

In My Week with Marilyn, one character relays this very question — apparently asked recently by Queen Elizabeth II — to Marilyn Monroe herself. The main problem with this movie is that it is less interested in exploring that query with a great amount of depth, and more interested in answering the considerably less provocative question, "What is it like to hang out with someone super famous?" (That's what Entourage was for.)

“It has skin like silverfish.”

After suffering through the vast majority of low-budget indie horror films whose only motivation seems to be to make a quick buck on distribution deals, it is truly a delight when you stumble on to something wonderful like writer/director Mike Flanagan’s Absentia. Building on a cast of unknowns, with the exception of an incredibly creepy cameo by genre fave Doug Jones, Flanagan weaves a web of creepy, atmospheric horror in this effective low-budget chiller.

An infant chimp is taken out of his natural environment to be raised like a human by a family of curious, rich folk. Upon learning that this chimp, now named Nim, is capable of learning sign language, this family turns to professional educators to research and experiment with this concept further.

I promise to give praise to the filmmakers handling adept handling of their craft later in my review, but I cannot discuss the contents of this film without injecting my own personal opinion because this film, much to it's credit, stirred a very visceral reaction from me. The family that first adopted (adopted being an extremely delicate term, as many could easily argue that “nabbed” or “stole” would suite their actions better) Nim were a wealthy family, said wealth stemming partly from the father's success as a poet. They named him Nim Chimpsky (as a parody of Noam Chomsky, who theorized that language is inherit only in humans, and Nim was their attempt to disprove said thesis). This family dressed Nim in children's clothes and eventually tried communicating with it on a person to person level using American sign language. This experiment, albeit spurred some interesting results once true experts from Columbia University became involved, was born out of ignorance and arrogance. This family did what they did because they had the financial means to offer themselves the opportunity, without considering the unnaturalness of it. By unnatural I don't mean that their antithesis to Chomsky's idea is wrong or implausible. What I mean is the manner by which this animal was taken out of its mother (granted, not born in the wild but a facility) and treated like a human.

A group of high school girls heads off into the woods to make a movie for their film club. What only the two organizers know is that they are heading for the site of a previous film club’s massacre. Their shoot descended into madness, with a participant in a deigan mask killing all the others, and the whole thing was recorded on tape. It isn’t long after the girls arrive that things start to go wrong, and it seems that history might be repeating itself.

I do like the footage we see of the earlier film – it has a genuinely disturbing quality, and when it arrives, it raises one’s hopes that the perhaps the terminally pedestrian set-up is going to give way to something livelier. No such luck. Much in the way of squabbling, wandering around on one’s own, and off-screen murders transpires. The characters are caricatures when they can be distinguished at all, the cinematography is dishwater dull, and the plot, by the end, makes little sense, though it is very unlikely that most viewers will care one way or the other by then.

Oh for the love of waffles. Here we go with another simple disc review. This time for a movie called Bounty Hunters. The fact that it has Trish Stratus in it, is just asking for awfulness. I was kinda of surprised that Michael didn't take this one seeing as it has a female wrestler in it. But hell, this ought to be easy right? Then I put in the DVD, and I am started with some very awful previews (this is not looking good). Somehow, I think those will end up in my husband's review pile. Hopefully, not mine. Well the load screen is here, let's jump in shall we?!

Movie starts out with a gun to Jules' (Trish Stratus) head. In a school girl costume?! Seriously? Dude, who we later learn is Mario Antonio (Enrico DiFede), tries to take a bag full of money. Whoops, we don’t wanna start there! 10 hours earlier! Jules and Chase (Boomer Phillips) are working out in a gym. She is in FULL makeup. Shenanigans. Chase sounds like he is trying to be Ryan Reynolds and Dane Cook meshed together, but is failing hardcore style. They tell a guy working out in the gym that they are going to take him in. He says “no” and here starts a fight. Jules starts beating him up. Finally, after a while, she gets him down.

“Exactly, you're a kid. So go and be a kid... go and, I don't know, go ahead and steal me something.”

The Tribe is a New Zealand/British post-apocalyptic, young adult soap opera, beloved around the world. So I had to put on my young adult glasses and watch it through those.  In the near future, an unknown virus wiped out all the adults on Earth. Left to raise themselves, the kids form tribes in a Lord of the Flies type society. Now, being that the average viewer is probably between 12 – 17 years old, it is a very mild Lord of the Flies society.

"Your mission, should you decide to accept it..."

Those words have certainly been a part of the American pop culture for almost 50 years. It all started with the Desilu television series that hit the airwaves in 1966. That first year is probably unfamiliar to most of us. It was in black & white and starred Steven Hill as the leader of the Impossible Mission Force. A year later the show jumped to color and Peter Graves took over the team as the indomitable Jim Phelps. The show lasted a good seven seasons. The Impossible Mission Force was a black-ops team that worked under the "secretary" who would disavow their mission should any of the team be caught or killed. The show had a pretty good run before ending in 1973. Gone, but never forgotten.

With the release of the book written by Jack Ketchum (author of Offspring) to coincide with the theatrical release of the film, Jack Ketchum and Lucky McKee bring us a horror story not quite like anything we’ve seen for a while.  The Woman is a continuation of the film/novel Offspring that followed a tribe of cannibals struggling to survive.  The Woman is not a story about cannibal, but instead a story about a family being ripped apart by the many secrets they try at all costs to keep hidden.

Chris Cleek (Sean Bridgers) is a small-town lawyer who embraces the role of the alpha male.  He runs his household with an iron fist alongside his timid wife Belle (Angela Bettis) and their three children.  Chris is an avid hunter, and it is on one of his hunts that he discovers a feral woman.  His discovery does more than excite him as he quickly has his family clear out the cellar for a surprise he plans to share with his family.  Following another trip to the woods Chris captures the woman and secures her ‘safely’ down in the cellar.  It’s down in the cellar where Chris decides that it is his duty to help rehabilitate this woman.

I am back! For now. Here to review Insight. Dun dun dun! A psychological thriller type that my husband thought I would like to take a look at. And then he bat his eyes and asked me to review it. Since I am a sucker for him and his gorgeous eyes, I agreed. Was this movie worth the look? Let's take a look, shall we?

So, we start the movie with an ambulance bringing in a stab victim. It is your typical scene of someone being wheeled in on a stretcher, down a hospital corridor. We learn that the stab victims name is Allison Parks (Angeline-Rose Troy) and she has been stabbed over a dozen times. They get to the operating room and start the usual medical jargon and run around the room acting like they are doing something important. They begin to fire up the heart zappers (Yes, I know there is a technical, fancy schmancy, medical name for them, but I like heart zappers, it sounds more festive) but before they can get them to full charge, the victim opens her eyes wide and looks at the nurse by her side. She tells her “He loved me”, the nurse grabs her, and ZAP! Nurse falls to the floor (You need to know that its not a good idea to grab someone who is about to be jolted with electricity, it does pass through one person to another).