AVC MPEG4

"When people see that red cape, they expect to see a certain someone. Someone they know. But this isn't his story. It's mine." 

Of course, that "someone" they know is Superman. This is the story of Supergirl. We've seen her story on both the big and small screen, as well. Helen Slater put on the tights and skirt in the Richard Donner film made during the Christopher Reeves Superman years and meant to tie into that filmactic universe. When television told the story of a young Clark Kent in Smallville, it was only natural that his famous cuz would show up there. This time it was Laura Vandervoort who played the Kryptonian.

James Spader is Raymond "Red" Reddington. If you have not yet watched an episode of The Blacklist I will tell you from the beginning that you just can't start here. Season 3 hits the ground running as the consequences of some major storylines from the previous year start to play out. I found myself having to take the time and catch up on Season 2 because we didn't get that year to review. It was clear to me from the start that there was no way to truly enjoy this release if I wasn't caught up. The trouble I go through to keep you guys informed. It's a tough job but someone has to do it. So, if you're not up to speed this is your chance to pick up all three seasons and do some serious binge watching.

What if you were given the chance to step back in time; would you take this opportunity to change the world, even if it meant having to kill someone for the “greater good”?  This is the question that kicks off the story that is 11.22.63, from the novel written by Stephen King.  Sure, merely mention Stephen King and many automatically people think of the man as the master of contemporary horror.  Yet some of his prolific works that have made their way to the big screen and have gone on to be classic pieces of cinema are less about horror and more about friendship and the deepest bonds we can share with another

“The story of the American Frontier is a tale of conquest, but also one of survival, persistence, and the grit of the people.”

And the story of the American Western is a tale of quick draw competitions, fights aboard speeding trains, and other assorted horseplay. Each of those elements can be found in Traded, which inelegantly grafts the plot of Taken onto an Old West setting. The problem is that nothing here is executed particularly well.

"Everything just feels so out of control. I don't remember who I am. Who I was. Whatever life I had is gone. Shattered into a million tiny pieces. Sometimes it's hard to breathe."

I have to credit Blindspot's creator Martin Gero with providing one of the more memorable moments on television with the opening minutes of the series. Unfortunately, by the time we saw the pilot that image was already ruined by the countless spots used to promote the show's premiere. We see a police officer in Times Square approach a bag with a sign on it that asks the FBI be alerted. The cop approaches the bag a bit frightened it might be a bomb and blow up on him at any time.

When I first saw the trailer for Keanu I wasn’t sure if what I was watching was a real trailer or simply a sketch from the Key and Peele Show. Thankfully this turned out to their first starring foray in taking their talents to the big screen.  With one look at the trailer, I felt they were attempting to capture the over-the-top stylish action we got in most 90’s action films, Face/Off is the first that comes to mind, but really there are countless examples.  But the real star of the film is little Keanu himself, the ball of feline cuteness that will either have you embracing the film from the start or have you rolling your eyes (yeah, I’m talking about those cat haters out there).  Grab your Glock, and don’t forget the catnip, as we scratch a little deeper into Keanu.

Don’t let the artwork scare you off. Yes, the cover design for this disc may be the worst I’ve seen this year, but the movie actually isn’t half bad.  John Travolta has hit a bump in his career, and it seems the big blockbuster projects just don’t seem to want to reach out to him.  Sure, he has a habit of going over the top in roles, but for the most part he’s still one of the few personalities I still enjoy seeing on the screen who’s been around since before I was a kid.  Then you’ve got Chuck Russell (Nightmare on Elm Street: The Dream Warriors and The Blob remake) dusting off his director’s chair to helm a film again, and, well, I Am Wrath quickly starts to become a film I can be excited about.

It seems there have been a lot of horror films involving dinner parties that have gone wrong.  You’re Next may be the best example to take on this idea, and I have to admit to being a fan of the film. It was a fun hipster horror film that kept the story moving forward and delivered more than a fair share of violence and gore.  Then there was last year’s creepy gem The Gift, a film that captured the horror of the past coming back to haunt you.  When it comes to The Invitation, it’s a film that seems like a hodgepodge of both You’re Next and The Gift, but also a handful of other films.  It’s a film that feels so familiar, but as you watch it manages to avoid many of the stereotypical film tropes viewers have grown used to over the years.

"We were born in space. They told us the ground was uninhabited, but they were wrong, and we've been fighting for our lives since the moment we landed. Some of us have been broken by it, but most of us are still here, trying to build something real and lasting out of the wilderness... a home."

You should know the setup by now. If not, you can check out our previous reviews: Season 1 & Season 2. The show is based on a new series of books from writer Kass Morgan. The crew here has a little bit more room to operate than do most shows based on book series.

If there was a show I could recommend to someone who is looking for a smart thriller that doesn’t talk down to its audience, I couldn’t point to Person of Interest fast enough.  It’s a show that may be labeled sci-fi for some, yet its science and technology may not be so far off.  The idea of our government or private agencies using security cameras or our phones to monitor us is no longer just a rumor muttered around in circles of conspiracy theorists, but is quickly becoming a reality of day-to-day life. I kind of saw the show as a riff on the Batman story, subtract the cape and cowl and exchange it for a suit, then throw in a dash of George Orwell’s 1984, and you can see where the show got its start.