Posted in: Disc Reviews by Jeremy Butler on February 7th, 2020
“You'll die right here. On a frozen, blood-soaked battlefield, the moans of a generation of young men in your ears, dying in agony around you, for a lost cause. For a vile and wicked idea! For the sin of slavery! Can you hear them? God don't mean people to own people, Gideon!”
Harriet Tubman, born Araminta Ross, is a staple of black history. Her deeds have been told and retold in history books for generations as one of the most successful conductors of the Underground Railroad, a network of anti-slavery activists and safehouses. Aside from her contributions to history, I knew very little about her individual history; that is a failing of mine. I’m not sure that an autobiographical film is the best avenue to correct this failing, given the propensity for things to be altered and sensationalize in order to draw crowds. However, even a sensationalized film has to have some basis in fact. Therefore, I am glad that this film made it into my queue, as it gave me a better understanding of Tubman’s accomplishment than I had previously. Bad Times at El Royale’s Cynthia Erivo takes on the monumental task of representing the historical figure on the silver screen, joined by Leslie Odom Jr. and Janelle Monae.
Posted in: Disc Reviews by Michael Durr on February 6th, 2020
One of my main pet peeves in my life are the people who seem to hang on a celebrity's every word, or worse, a reluctant celebrity who gets pushed into the limelight because of a heroic deed or misdeed. I have little desire to be famous (except to be published and recognized as a writer), but if I were, I am pretty sure I would labelled as a recluse and shun the public eye constantly. Today, we explore Summer Days with Coo, a tale about a Kappa who is found by a boy after centuries of being fossilized. Then suddenly he gets thrust into the limelight with some unfavorable results. Let us see what this one has to offer.
As we open, we hear a young kid ask his father about dragons. The father talks about the creature, saying they are scary but are good sorts. We then see the kid and his father and realize they are Kappas, water spirits or demons depending on your point of view. Suddenly they hear a noise and realize that Lord Shimizu is coming their way. The father tells the son to hide while he talks to the human.
Posted in: Disc Reviews by Brent Lorentson on February 6th, 2020
I’ve gotten used to the cinematic disasters Bruce Willis has attached himself to over the past few years. I’ll admit, I was surprised to see him in Motherless Brooklyn, and after his impressive performance in Glass, I had hoped he was going to attempt to get himself in to some higher caliber films. Willis has stayed in shape, especially for an action icon who is getting up there in his years, and he still manages to have a presence when he appears on screen. Sure, I get that we can’t expect him to keep throwing himself out of exploding buildings and having elaborate fight scenes. In a perfect world, I’d love to see him be able to revisit the role of Joe Hallenbeck in a The Last Boy Scout sequel. Heck, while staying on the nostalgia train, I’d be on board with a Hudson Hawk sequel over some of these direct-to-video films he’s been doing. Getting back to Trauma Center, we have a new direct-to-video action film that features Willis attempting to save a young girl’s life who happened to be at the wrong place at the wrong time. Is the film worth checking out, or is it one you should simply pull the plug on and avoid?
Madison (Nicky Whelan) and her little sister, Emily (Catherine Davis) have relocated to Puerto Rico after their family has been struck with tragedy. Madison is struggling to do what she can to take care of her sister, but it’s been a bumpy road for the two of them. Emily also has asthma, which means in cinema terms, at any moment she can die if she’s overly excited. As it turns out, it’s an asthma attack that lands Emily in the hospital where she needs to stay the night so she can be monitored. While this family drama is going on, there are a pair of corrupt vice cops who are trying to locate a snitch who has evidence on him that could put the two away. This introduces Lt. Wakes (Willis), who is asked to check in on the informant and ends up discovering the dead body of the informant.
Posted in: Disc Reviews by Jeremy Butler on February 1st, 2020
“They're creepy and they're kooky, Mysterious and spooky, They're altogether ooky, The Addams Family.”
That is for those who read my Addams Family double feature post regarding the Addams Family theme song. Of course that is merely the first verse of the song. Have no fear, as the animated film features the full version. It must be kismet, as I had the privilege of reviewing the animated film so soon after reviewing the double feature, though I suspect that this was by design. Though this cartoon does not fit the traditional view of what a horror film is, I would argue that the subject matter is more than enough to grant it entry. Featuring a lighter tone than its subject material, this incarnation is an enjoyable experience that can be shared with the whole family, which was my experience as I was able to bring my daughter to the film with me, and I’m happy to say it got her stamp of approval.
Posted in: Disc Reviews by John Delia on February 1st, 2020
During the 1950’s, being a private investigator wasn’t always a safe and sure way to make a living. But it was a popular way to make some cash for returning soldiers or ex-police officers. During these times things were beginning to modernize, and the world was becoming more dependent on advancement in the skyline. With these changes, corruption and deceit became more evident, and private investigators became more popular. When Frank Minna’s (Bruce Willis) agency gets a chance to make some real money, things begin to get ugly fast. In his crew there is Lionel Essrog (Edward Norton), an orphan with Tourette's syndrome that Frank took under his wing when Lionel was 13; they have been friends ever since. Then there is Tony Vermonte (Bobby Cannavale), Gilbert Coney (Ethan Suplee), and Danny Fantl (Dallas Roberts). Frank has known these guys for many years and trusts them with helping to investigate the cases for his company.
When a job goes awry, the team has to discover what went wrong and how far this assignment will actually take them. Lionel takes the initiative and starts on this case that will bring him among the very powerful and the group these power-hungry men want to take down. Following the breadcrumbs brings Lionel in many directions, but it all somehow centers on Laura.
Posted in: The Reel World by Jeremy Butler on February 1st, 2020
Well, it didn’t take long for Robert Downey Jr. to line up his next project following his iconic Marvel run. And there is definite franchise potential with this film about quite possibly the most famous veterinarian ever written. Primarily inspired by Hugh Lofting’s The Voyages of Doctor Dolittle, the film is likely anticipated to be a reboot to the Eddie Murphy-led film franchise of the same name (except with a “Dr.” in front of the name). Interestingly enough, the film’s inspiration is actually the second book written by Lofting about this famous character with the gift of talking to and understanding animals. Continuity aside, the film features a cast of verifiable talent including Michael Sheen and Antonio Banderas; rounding out the voice cast is Tom Holland (his second voicing acting role, proceed by Spies in Disguise with Will Smith, and to be followed by the upcoming Onward with Chris Pratt), Emma Watson, Rami Malek, Octavia Spencer, John Cena, Ralph Fiennes, Marion Cotillard, and the list goes on. Seriously, there are at least five more I could have named. With a cast like this, you can only expect an enjoyable experience, and that is exactly what you get with this family-friendly adventure delivers.
Seven years after losing his wife in a tragic shipwreck, eccentric veterinarian John Dolittle (Robert Downey Jr.) has withdrawn from the world. Becoming a hermit, he has closed his practice and opted to communicate only with the animals housed at Dolittle Manor. Believing humanity will never change, he prefers the company of this menagerie, which includes an anxiety-ridden gorilla (Rami Malek), a perpetually cold polar bear (John Cena), and a tempermental ostrich (Kumail Nanjiani), as well as a macaw (Emma Watson) who acts as the doctor’s moral compass. His self-imposed exile is shattered by Tommy Stubbins (Dunkirk’s Harry Collett), who brings a squirrel he accidently shot to be treated by the doctor.
Posted in: No Huddle Reviews by Jeremy Butler on January 28th, 2020
A modern day romantic comedy, as well as a commentary on the co-dependent relationship that society is now engaged in with their phones. I know we all see it, with infinite information at our favorite fingertips and the ease with which we now can conduct their lives, whether it be finding out the name of a song on the radio via an app, getting directions to a place we have ever been, or merely playing music while we conduct other task, our phones have become our conduit to the world, removing a lot of the obstacles that we used to face in everyday life. However, that assistance comes at a cost as we now have come to rely on our phone to accomplish task that we used to go out and do on our own. To top things off, we have decided to connect with people on social media, relying on how many people are following us on Instagram to determine popularity, rather than actually human interaction. JEXI perfectly captures this idea as we observe our lead character Phil played by Adam Devine struggle to engage with the beautiful Cate played by the gorgeous Alexandra Shipp. Thankfully his phone is there to help him; however, what happens when his phone begins to feel neglected?
Phil is the very definition of an introvert, he is shy and awkward and spends more time interacting with his phone than with actual people. When he accidently breaks his phone, his replacement comes with the virtual assistant, JEXI, agreeing to the user agreement without actually reading, he basically consents to JEXI running his entire life. There is a bit of a trial and error where JEXI forces him out of his comfort zone an into activities that he normally would avoid, but once he embraces JEXI’s help thing get better. He becomes more popular at work and even manages to meet a girl unlike anyone he has ever known.
Posted in: No Huddle Reviews by Michael Durr on January 20th, 2020
As a man, I have watched my fair share of Desperate Housewives, Mistresses, Sex and the City, and even reality shows like Real Housewives of "Insert Name Here" county or city. I'm not sure any of it was by choice. Well, Mistresses did have Alyssa Milano, so there is that. I have learned, however, that while it might be undesirable to watch these types of shows, typically, it can be a good thing to do with your better half. It can broaden the lines of communication, and if nothing else you can sit there with your loved one and collectively wonder how high your tolerance for pain is. Enter Big Little Lies Season Two.
At the end of the first season, we learned that Perry Wright (played by Alexander Skarsgard) was murdered. Technically, it was Bonnie Carlson (played by Zoe Kravitz) who issued the final push which sent him down the stairs to his demise. However, there were four others involved in the altercation including Madeline McKenzie (played by Reese Witherspoon), Renata Klein (played by Laura Dern), Jane Chapman (played by Shailene Woodley), and Perry's wife Celeste (played by Nicole Kidman). While it was justified due to the repeated abuse of Celeste and rape of Jane, the fact remained that it was murder. The five women collectively decided to say that Perry slipped and that the murder was accidental with nobody at fault. But as we know, secrets are sometimes hard to keep.
Posted in: Disc Reviews by Jeremy Butler on January 20th, 2020
To say that this film got the Nalyce stamp of approval would be an understatement. In fact, I have never seen her take to a film in the manner she did this one. In the past, I’ve seen her be bored or entertained, but with Abominable, she was fully engaged, conversing with the characters as if they were real. While distracting at times, it was good to see her connect with the content on this level. For me and my wife, it was the embodiment of a family experience, as we both found ourselves enjoying this tale of kindness and friendship. The characters are in their own way all searching for something; something to bring them whole whether it be a home or rediscovering themselves following a profound loss. Agents of SHIELD’s Chloe Bennet makes her feature film debut in this animated adventure tale about a young girl that discovers a Yeti on the roof of her building and endeavors to help it find its way home. Joining the cast is American Horror Story’s Sarah Paulson, as well as Eddie Izzard. As mentioned earlier Bennet plays Yi, a young girl who has become a self-imposed loner following the death of her father. Despite her family’s efforts, Yi prefers to be alone, filling her time by working to go on a trip across China. Meanwhile, a Yeti escapes from a secret compound owned by wealthy businessman, Mr. Burnish (Eddie Izzard). Mr. Burnish is determined to prove the existence of the Yeti species in order to overcome an embarrassment earlier in his life when he attempted to recount a previous encounter with the species. Employing renowned zoologist Dr. Zara (Paulson), Burnish uses his considerable resources to track the species across Shanghai.
Yi finds the Yeti on her rooftop, and upon discovering this its demeanor is nothing more than that of a child, decides to help the creature return to its home on Mount Everest. Joining her on this quest are her neighbors, Peng and his cousin Jin. Their journey is full of twists and turns as they are pursued by Burnish and his army. To evade the group, the trio (quartet if you include Everest, the name they give to the Yeti) will have to rely on each other as well as Everest’s mystical powers to survive the trek.
Posted in: Disc Reviews by Jeremy Butler on January 20th, 2020
When we last saw the Mistress of Evil (which also happens to be the title for the sequel) she was more of a hero rather than a villain. However, the sequel sees her return to her previous status as the feared fairy that ruled the Moors. How quickly people forget her contributions. Though not traditionally scary, the film features plenty of magic and carnage courtesy of Jolie. Additionally, the film features the return of Elle Fanning, Sam Riley, and Harris Dickson as Aurora, Diaval, and Prince Philip. With the addition of Chiwetel Ejofor and Ed Skrein, as well as Michelle Pfeiffer as Queen Ingrith, Philip’s mother, who gives Maleficent a run for her money for the title of Mistress of Evil. In the five years that have passed since then the original film, Aurora has continued to reign as Queen of the Moors and is beloved by her subjects, and especially by Prince Phillip, who works up the courage to propose marriage. Aurora accepts, but then comes the hard part: telling their parents. For Phillip the difficulty comes from her mother, who feels that their people have a right to pillage the Moors and worries about losing her son to Aurora, who rules the land she would like to acquire. For Aurora, the difficulty is much more challenging, as she has the unfortunate task of telling her godmother, the protector of the Moors, Maleficent. Though initially opposed to the idea, Maleficent grants her permission. However, this is only the beginning of their troubles.
At a formal dinner to celebrate the union, heated words lead to a declaration of war between the two kingdoms, as well as a curse. As a result, a rift is formed between Maleficent and Aurora, who sides with her new family. Adding to the situation, Maleficent suddenly learns that she is not alone in this world, as she discovers more like her and her origins.
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