If I’m being honest, I never would have guessed that Nicole Kidman could ever pull off playing a dirty undercover cop.  I’m not saying she’s a bad actress; I just never thought the day would come that she would play such a lowdown gritty role, and I’m so glad she did. How Kidman wasn’t showered with awards this past year for her performance in Destroyer is beyond me. This isn’t just a good performance, but what we get in this film is a woman who transforms herself into a role so different from what she’s done in the past that I respect the chance she took with this role, and the result is mesmerizing even if the film suffers from some pacing issues.

The film opens up with Detective Erin Bell (Kidman) being called out to a crime scene. It doesn’t take long before she realizes that she knows the victim.  This takes us back 17 years prior to when she is being assigned a case that will have her going undercover with Chris (Sebastian Stan) to take down a gang of thieves.  What’s nice is getting to see Kidman and Stan together onscreen. Whether it’s their chemistry or just good acting, these two make it difficult to not be sucked into their story.  While they are infiltrating the gang, we see a real relationship develop between Chris and Erin that actually seems natural and not forced.

"It's going to be a tearjerker."

It all started with Iron Man in 2008. Marvel Studios put together the most ambitious film saga in the history of the medium. 22 films that served as introduction to comic book heroes and the various story threads that would ultimately bind them together into one epic tale. All along the way it was important that each film stand on its own legs and provide enough story and action to satisfy the film audiences at each signpost along the way. 22 films over 11 years, and it all finally comes to its inevitable conclusion in The Avengers: Endgame. From this film forward, it's going to be a very different landscape for the Marvel Cinematic Universe. New heroes are on the way, and some will either no longer be there or will take on an entirely different form and persona. I'm not about to tell you where these changes come down. That would ultimately ruin this 3-hour ride you are about to embark upon. But when it ends, you will completely understand that it was all leading to this point, and it will be a sad but satisfying conclusion. But before we talk about endings, let's enjoy that final ride into the end.

Just imagine for a moment that a 12-year-old version of yourself was taking a little stroll and you came across a sword that was protruding from a slab of concrete. We’ve seen plenty of versions of the King Arthur story. Some have been good (Excalibur and First Knight) but many have been not so good. In the case of The Kid Who Would Be King, it’s not a story about King Arthur but more an adventure that asks what would happen if a boy were to find the sword in today’s world.  The film didn’t do so well at the box office, which isn’t a big surprise considering the film was made in the UK and not the States, but is the film one to be overlooked and forgotten, or is this a gem worth checking out?  Simply put, this is perhaps the best “kids’” film I’ve seen in years, and this is a film that I’m willing to bet will garner a cult status in the years to come.

From the moment I saw the trailer for this I thought it looked like fun, but when I saw that it was written and directed by Joe Cornish, this film worked its way onto my must-see list.  For those who may be unfamiliar with the name, Joe Cornish is responsible for the film Attack the Block (2011).  For those that haven’t seen Attack the Block, please remedy this immediately. For a quick summary, it was a film about a group of kids who end up having to fight a group of aliens that have landed and are attempting to take over the neighborhood.  The film is a fast-paced comedic blast that was responsible for kicking off the career for John Boyega, who went on to play the character Finn in a little franchise called Star Wars. So, it’s been a few years since Attack the Block has been out, and for me it was hard to keep my expectations in check, but Cornish managed to deliver another fun popcorn flick.

I don't scare. As a lucid dreamer, I am incapable of having nightmares. That might be one of the reasons I have always been attracted to horror, both in film and television. In my entire life I've only been frightened by one film, and that was the final segment of Trilogy Of Terror. There was something about that manic little doll that actually scared me. Of course, I was 10 when I saw it, and hiding behind a chair in our living room because I was supposed to be in bed. For whatever reason, that vivid memory remains. Around the same time I saw the first Night Stalker films, and I wanted to a writer just like Carl Kolchak, and yet another vivid memory remains. Yet a third memory was having our sitter pick me up from school. Often she'd volunteer to buy us ice cream or candy on the way home. I always declined. What would make a little kid refuse free sweets? It was a half-hour soap opera, of all things. Of course, I'm talking about Dark Shadows, and the thing that Dark Shadows, The Night Stalker and Trilogy Of Terror all have in common beyond the vivid memories is that they each came from Dan Curtis. For this once pre-teen kid, Dan Curtis pulled a hat-trick in the late 60's and early 70's, and I'll never forget it.

Of course, not everyone lived at the time Dan Curtis was making his mark. It's hard to believe that this master of Dark Shadows and other things that went bump in the night started his television career producing a golfing program for CBS Sports for 10 years. There are quite a few things I didn't know about my personal boogey man. I'll bet the same is true for all but the most devoted fans. MPI fills in a ton of blanks with Master Of Dark Shadows on DVD and Blu-ray.

It is uncanny; I swear any time anyone mentions Kim Possible, I instantly start to hear the theme song in my hand. It’s like as soon as her name is mention, all I hear is, “Call me, Beep me, if you wanna reach me.” It’s been well over a decade since I’ve seen an episode, but that theme song is just as catchy now as it was back then. Kim Possible was from an era on the Disney Channel that produced some of the best original television content and movies in my humble opinion. An animated cartoon about a high school student who is also a secret agent, who didn’t want to be that back then. So I was extremely excited to be able to share the live-action movie version with my daughter, but the sad reality is that the live action version is a cheesy and generic shadow of the series that I was so fond of during my childhood.

Kim Possible (Sadie Stanley) is starting high school. For everyone, this is a nerve-racking time in their life. However, Kim is used to having to diffuse world-disintegrating slime and rescuing captured scientists, all while making sure she is home in time for dinner. So she is sure high school will be a snap. With her best friend and partner Ron Stoppable (Sean Giambrone), she is confident that there is no problem that she can’t handle.

One of 2019’s most anticipated releases is M. Night Shyamalan’s conclusion to his superhero trilogy with Glass. This has been a trilogy 19 years in the making, following the release of Unbreakable and then 2016’s Split. When I first saw Unbreakable, I was a projectionist, and I had to screen it the night before it was released to make sure everything was spliced together and the film played properly, and I just remember not really liking the movie at first.  I ended up giving the film another try, and I found I liked it a little more. Now over the years I’ve seen it several times, and the film has grown on me.  I’ve grown to appreciate the film to the point that when that final scene in Split plays and we got the reveal of David Dunn (Bruce Willis) I was extremely excited at the prospect of seeing this character revisited.  Before I get much further, if you haven’t seen Unbreakable or Split, if you plan on seeing Glass, do yourself a favor and watch the previous films first, and even if you have seen them, it wouldn’t hurt re-watching them just so the films are fresh in your mind while experiencing the conclusion of this trilogy.  With all that out of the way, how was the film?  It’s time to suit up and find out.

As the film opens up, it takes place not long after the events in Split, and we see that Kevin (James McAvoy) is under the control of his 24 personalities, and “The Beast” is responsible for numerous murders.  The media has been following the killer and has been calling him “The Horde”. Also in pursuit of the killer is David, who with the aid of his son, Joseph (Spencer Treat Clark, who played his son in the first film) are fighting crime together, with their home base being a security shop that they run together.  The opening act of this film is great. It flows nicely, and when we get to see David have his showdown with “The Beast”, it’s hard to not get excited for what is to come.  It’s the direction the film goes from here where I can see there being disappointment in what follows from this point up to the end of the film.

Back in 2015 when the prison escape took place in upstate New York, this was one of those news stories that kept me glued to my television, as I’m sure it did for countless others.  As the story unfolded in front of news cameras, the story just got more scandalous, and as the days ticked by with the prisoners on the run, a part of me was sort of rooting for them.  I know they’re felons, but seeing them manage to outmaneuver authorities and evade capture, it was sort of like rooting for the underdog, because most of the time these incidents don’t end well.   It’s no surprise that Hollywood would latch onto this story, but what is surprising how well this Showtime mini-series turned out.  With funny-man Ben Stiller at the helm, I was surprised to see that he was attached to direct this. He’s been successful behind the camera, and my favorite films of his have been Reality Bites and The Cable Guy.  So how did the nearly 7 ½ hour series turn out?

The series opens up with Tilly Mitchell (Patricia Arquette) being questioned by New York State Inspector General Catherine Scott (Bonnie Hunt) in June of 2015.  This was a bit of surprise that they would chose this moment to open up the series, but this is for the most part Tilly’s story. You’d want to believe this is a falling-from-grace story and that she was simply conned by these prison inmates, but as you’ll see, Tilly is no saint.  Arquette is almost unrecognizable beneath the makeup, the accent and weight gain for the role. This performance goes to show that Boyhood was no fluke and that she is one of the best actresses working today.  Things then shift back to January, and we meet inmates Richard Matt (Benicio Del Toro) and David Sweat (Paul Dano). They are in neighboring cells and also work together in a tailor shop at the prison that Tilly happens to oversee.

The Donovan family has been a prominent part of the Showtime lineup for six years now. What started as a series about a fixer didn't quite remain that way for long. The stories very quickly focused on this rather dysfunctional family, and we appear to love our dysfunctional families in movies and television. Most are awkwardly dysfunctional without a lot of heart, and Ray Donovan was certainly heading in that direction before the fifth season took us on one of the best emotional rollercoaster rides in the business. For me that season and the death of the family matriarch changed the stakes and the center for each of the characters. Abby was the thing that held this family together no matter how twisted things got. So we ended up with what I consider the best season of the show to date. So where did we go from there, you might ask. You don't have to. Showtime has released the complete 6th season of Ray Donovan on DVD, and now you can find out for yourself. Here's my take.

When a family loses its center, things tend to unravel a bit. That's not quite how it works with this family. They've been unraveling since the first episode, and let's be perfectly honest here, a long time before we first met them. It's more than that. Ray is at rock bottom over Abby's death and finds himself in New York, where coincidentally other members of the family have migrated from L. A. He's saved by a down-on-his-luck cop, played by The Wire's own Herc, Domenick Lombardozzi. He ends up bringing Ray home, and the two share each other's misery for a while. But what Ray is truly avoiding more than his own grief is working for the powerful woman Samantha Winslow, played just as powerfully by Susan Sarandon. She's really the female version of Ray in many ways. She uses people, and she's very used to getting her way. What she wants is Ray's help to assist her in obtaining a private prison and its lucrative property. The first stage of that plan brings Ray into the world of politics, where he works to fix the New York City mayoral campaign for newcomer Anita Novak, played by Lola Glaudini. But Ray can't help shooting himself in the foot and ends up on a cycle of changing sides to the point everyone hates him, and it costs him and those close to him dearly.

When it comes to Robert Zemeckis films, you never know what you’re going to get.  Like most, I’m a fan of his Back to the Future trilogy, and then there is Who Framed Roger Rabbit that to this day I feel is his best work.  While he’s churned out many good films, there are films of his that I’m simply not a fan of. Forrest Gump happens to be one of those films.  For the most part he makes audience-friendly films, but what I’ve always admired about the guy is how he’s always attempting to integrate new technology into his films.  Zemeckis has become one of the pioneers of motion-capture technology. Ever since The Polar Express (2004), he’s been making improvements with the technology, and now with Welcome to Marwen, it is stunning to see just how far he has come.

The funny thing about Welcome to Marwen is that it may be one of the biggest-budget art films produced in a long time.  Though the film is very much in tone with Zemeckis’s style, at the same time there is enough quirkiness in the characters and story that it may be a bit jarring for some.  Because of this, it’s no surprise that it will have a divided audience that will love or hate this film.

It’s been expected that Season 10 of Archer would be the last one. With Fox recently putting out the 9th season Archer: Danger Island, it’s giving fans a chance to catch up before Sterling Archer (voiced by H. John Benjamin) sets off on his final adventure.  There are still plenty of questions left unsolved from Season 7, and if you were hoping Danger Island would help fill in the blanks, well, sorry to disappoint; instead, season 9 gives us something completely new that I enjoyed, though I have to admit it left me scratching my head for where things may be going.

Season 9 takes us to a little island in the South Pacific named Mitimotu in 1939 just before the second World War is about to kick off.  In this timeline, Sterling is a one-eyed seaplane pilot who works for his mother, Mallory (Jessica Walter).  Sterling wakes up in bed with the newly wedded Cheryl (Judy Greer). No, Archer and Cheryl are not married; instead she is wed to a treasure-hunting Nazi named Fuchs (Chris Parnell).  For those who were wondering, Pam Poovey (Amber Nash) is around as Sterling’s co-pilot, and I have to admit she was my favorite part about this season.  The one oddball addition to these characters is yet another familiar voice: Lucky Yates, who this season is playing a talking parrot (well, macaw) that can say more than just a few words and in fact enjoys bantering with the characters over the course of the season.