Posted in: The Reel World by Gino Sassani on November 3rd, 2017
"Well, I tried to start a revolution, but didn't print enough pamphlets so hardly anyone turned up. Except for my mum and her boyfriend, who I hate. As punishment, I was forced to be in here and become a gladiator. Bit of a promotional disaster that one, but I' m actually organizing another revolution. I don't know if you'd be interested in something like that? Do you reckon you'd be interested?"
DC has finally gotten a recent comic superhero movie right with Wonder Woman. We'll know in just a few days if they can bring the streak to two films when Justice League hits the box office this month. Marvel, on the other hand, has a streak going that dates back to 2008 and reaching a truly astonishing 16 films leading up to the third Thor film, Thor: Ragnarok. With three more films on tap for next year, that run could reach 20 films very soon. Not all of these efforts have been great by any means. I found the last Thor film to be one of the franchise's weaker moments. But all of these movies do have one thing in common. With even the least of these films, they have all been entertaining. And that's exactly where Thor: Ragnarok fits the mold perfectly. I wouldn't call this Marvel's finest moment. I would call it one hell of an entertaining ride through the Marvel Universe. Fasten your safety harness. Remember to keep hands and feet inside your seat at all times. No flash photography. You are encouraged to have food and drink; however, there is a choking hazard, as some of this movie is so funny there could be fountains of popcorn and sugary syrup substances ejected toward the rider in front of you.
Posted in: No Huddle Reviews by Dan Holland on November 3rd, 2017
Soul on a String is the latest from director Yang Zhang, a very methodical filmmaker from Beijing, China. Now, I say methodical for two reasons: he’s been making films since the late 90’s and has only released a total of nine, and the ones I have seen are very slow-paced, but absolutely deliberate when paying attention to narrative, editing, and cinematography. To be fair, I have only seen two of his films. My first exposure to his work was in graduate school, as one of my colleagues who came from China invited me to watch Zhang’s 2005 film, Sunflower. Where I had some solace in recognizing the lead actress, Joan Chen (from Twin Peaks, of course), I was very surprised at how much I enjoyed the intense and complex emotions that the narrative drew out of me. Now, a few years later, Zhang managed to captivate me once again, only this time through his appreciation for cinema as an art, as well as his respect for the grand locations he captures with his camera.
The narrative follows Tabei, a man brought back from the dead to fulfill an important spiritual mission: return a sacred jewel from whence it came. Having been resurrected and encouraged to turn his life around by a monastery of monks, he agrees to begin this journey. However, no adventure is without its pitfalls. Two sons of a man Tabei killed long ago are of age to seek revenge for their father, so they begin pursuing Tabei, challenging him at every chance they get. Also, a group of bandits have heard of this sacred jewel being discovered in the area, and they begin to pursue Tabei for its value. Along the way, Tabei also picks up a lover, who in turn shows empathy for a mysterious child, creating an almost instinctual sense of protection that compels Tabei to complete his mission.
Posted in: Disc Reviews by J C on November 2nd, 2017
“Here’s how it is: the Earth got used up, so we moved out and terraformed a whole new galaxy of Earths, some rich and flush with the new technologies…some not so much. The Central Planets, thems formed the Alliance…waged war to bring everyone under their rule. A few idiots tried to fight it, among them myself.”
Sound familiar? A crew of scrappy underdogs skirting the edge of the galaxy to avoid an oppressive interplanetary alliance. Exactly 40 years ago, Star Wars used that formula to capture moviegoers’ imaginations, and it is currently being replicated by the uber-popular Guardians of the Galaxy series. But in between those two behemoths there was a little show called Firefly.
Posted in: Release Announcements by Gino Sassani on October 31st, 2017
**World Premiere – Toronto International Film Festival 2016**
**Official Selection - Sitges Film Festival 2016**
Posted in: The Reel World by Gino Sassani on October 29th, 2017
"Once upon a time there was a great war that brought so much sadness to so many people. Hardly anyone could remember what happiness was like. But something happened that changed all that..."
“Winnie the Pooh doesn't know what to do …” starts a popular song written by Kenny Loggins, recorded first in 1970 by the Nitty Gritty Dirt Band with a more popular and enduring version by Loggins And Messina a year later. Hundreds of millions of children since the 1920's know who Winnie the Pooh is. He's the happy-go-lucky bear who lives in the 100 Acre Wood with Piglet, Tigger, Owl, Rabbit, Eeyore, Kanga, and Roo. But Pooh's best friend of all was a young boy named Christopher Robin. The books have entertained children for nearly 100 years. Walt Disney introduced us to very different but equally as endearing animated versions in the 1960's. The stories have continued with Saturday morning cartoons, feature films, and an upcoming live action Disney production. Pooh and his friends remain a fond memory for most of us. But most of us don't know the story behind the iconic characters. Goodbye Christopher Robin does an admirable job of bringing that story to life as vividly as the stories have brought Pooh to life over the years. But this is not really a happy story at all. Real life seldom is, and I credit director Simon Curtis for being brave enough to tell the unhappy story without so many of the trappings of Hollywood and the need to have our stories end in happily ever after.
Posted in: Game Reviews by Michael Durr on October 29th, 2017
When I was growing up in Charlotte, NC I grew up within spitting distance of an amusement park called Carowinds. To this day, I remember being dropped off by my parents at 11 or 12 years of age for a fun day at the park (which is pretty much unheard of these days). I always thought it was neat because there was a place in the park where I could be in North Carolina and South Carolina at the same time. It never bothered me that I was by myself. These days, I'd probably be scooped up by park security or some creepy guy in a white van. Which leads to our game review today, The Park. Somehow, I don't think this experience is going to be quite as fun (and probably will include a van and a creepy guy too).
Posted in: Game Reviews by Michael Durr on October 28th, 2017
During the 31 Nights of Terror, we here at Upcomingdiscs.com always like to do something a little different. Lots of other sites could sit here and write an essay on why Silent Hill is the greatest horror movie of all time...wait what? I was supposed to say Psycho or The Exorcist? Hrmmm, that's funny, I could have sworn I wrote it right for my notes. There has to be a reason, or it could be a fancy way of saying this 31 Nights of Terror, your favorite author's posts (That's me) will be focused on scary games rather than scary movies. The first such game is Oxenfree, we'll call it a ghost tale. And by the way, the original Silent Hill movie was quite awesome, seriously.
Posted in: Disc Reviews by Brent Lorentson on October 27th, 2017
Ever since Birdman was released, it seems many filmmakers have been attempting to pull off the continuous take and outdo all the others. It was impressive when we all saw it the first time, but since then everything just seems like a bad knockoff. The newest film to follow this trend is Bushwick. While the camera work in the film does allow for an immersive experience, honestly it felt like I was in a first-person shooter video game, which was cool, but it seemed like the camera work was a distraction from the story. This is a frustrating film. On the technical side there is a lot to appreciate, but the moment you start looking at the story, the film seems to simply fall apart.
The film opens up with Lucy (Brittany Snow) coming home from college to visit her family. What she comes home to is a city at war. Immediately my question is this: in a time of people being so connected through their cell phones and various social media outlets, how is it Lucy seems to be unaware of what is going on? We’re supposed to believe this battle just broke out, but so many of the people battling on the streets seem to be all too organized for this to have just occurred. Why are the streets not packed with cars full of people trying to leave the city? For a while all we see are people shooting at anyone and everyone as Lucy does her best to avoid gunfire and try to reach her grandmother’s house.
Posted in: Contests by Gino Sassani on October 27th, 2017
31 Nights Of Terror delivers it's final contest. Our very good friends over at Barron’s want to share some reading that’s to die for. Yes, we’re giving away a copy of their wonderful book: 101 Horror Movies You Must See Before You Die. We’ve reviewed 2 editions of their 1001 Movies You Must See Before You Die. It’s a perfect companion for your frightening book shelf. These Barron’s books are a ton of fun and are sure to start the debates flying when you share it with your friends. A new edition of the 1001 book is here and we'll be reviewing it just in time for Christmas.
To win a copy of this prize, follow these instructions.
Posted in: The Reel World by Jeremy Butler on October 27th, 2017
Thank You For Your Service is an enterprising look into what is like for some soldiers who return home from war. Some come back to find life has gone on without them, and so have the people they hold most dear. Some return only in body, with their minds reliving things that happened to them over there. Others will do anything just to go back, because that is the only reality that makes sense to them. All three of these circumstances are portrayed in a way that will hit close to home for some while allowing others an enriched perspective that will have them uttering those words with more emphasis than they would have in the past, “Thank you for your service.”
The story follows the return of three soldiers, Staff Sergeant Adam Schumann (Miles Teller), Specialist Tausolo Aieti (Beulah Koale), and Private First Class Will Waller (Joe Cole). The three of them survived the odds and hellish circumstances, which include IED detonations, firefights, and the loss of beloved comrades, and are returning home to resume their lives with loved ones who have been patiently awaiting their return. Although excited to be returning, each of them is struggling internally. For SSG Schumann, he is struggling to overcome the consequences to decisions that he made while in command, decisions that resulted in lives lost. Schuman also finds it difficult opening up to his wife, Saskia (Haley Bennett), who has been holding down the fort and raising their two kids in his absence.
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