The Despicable Me series that includes Minions never seems to get tiring as they extend their comedy one more time with Despicable Me 3, opening this weekend. The key to the filmmaker’s success is the handling of the characters and inserting them into the animated movie with a plan in mind. That plan consists of starting with a little comedy involving the Minions, then working into some intense action that leads to a champion who either succeeds or fails. In the meantime there are multiple stories going on with each one targeting certain audience members.  Sounds complicated? Well, the best comedy adventure is intricate, and Illumination Studios does that very well.

From the vaults of Vestron Video has unleashed The Unholy for horror fans to indulge in for the first time on Blu-ray.  Growing up and going to a Catholic school, films like The Exorcist and The Unholy managed to be all the more terrifying to me because the prospect of demons coming from hell was thought to be a possibility.  Sure, Freddy and Jason could get the young me nervous at night, but what films like The Unholy presented were the kind of thoughts that had me afraid to keep the lights off at night. But does the film hold up decades later? That’s a tough call, but with the new digitally restored version of the film now hitting the shelves, it’s worth grabbing a little holy water and checking out.

When it comes to Writer, Director, Producer, Walter Hill is simply one of the best at doing the traditional tough-guy movies.  Films like The Warriors and 48 Hours are simply staples of my childhood; he even was involved with Alien, which I believe is one of the best sci-fi/horror films ever made, yet his star has seemed to fade as the years have passed. His work on the underappreciated Bullet to the Head I felt was a nice throwback to the features he made back in his heyday and had me realize how much his voice is missed in today’s cinema. This week, Shout Factory rolls out a blast from the past with the 1992 film Trespass.

"I believe you. Trust me. Listen, you know what, we're gonna help you. You understand? You've served your time." 

We've all served 12 years together. Bones has proven itself to be the little show that could. While it has never been exactly a ratings superstar, the show pulled in quite a loyal fanbase that kept it on the air for a surprising 12-year run. There were few years the show didn't finish on the bubble, and they were starting to wrap up everything last year in what was going to be the last. The characters actually went different ways but were brought back together for a shortened Season 12 encore.

“First, there is an opportunity.  Then…there’s a betrayal.”

It’s been 20 years since the release of Trainspotting, and it’s fair to say a lot has changed in the past two decades.  I remember going out to the United Artists Mission Bell Cinemas to see Trainspotting the weekend it came out.  I was with my best friend at the time, and neither of us was old enough to buy tickets for the film, so we ended up having to sneak into the film.  We’d seen the trailers, and in a time before the internet there just wasn’t much we could find out about it aside from reading articles in the entertainment magazines.

“Dad, this is my boyfriend Martin…”

The tension generated by the first meeting between a young man and the father of the woman he loves has always been a reliable source of conflict. I mean, Ben Stiller and Robert DeNiro managed to squeeze three(!) Focker movies out of that stressful dynamic. All-Nighter fits snugly into that familiar sub-genre while managing to carve out low-key moments of character development and male bonding in between all the noise that comes with this sort of whacky situation.

We don’t usually take too kindly to trespassers around these parts, but we are happy to make an exception this week. Trespass — a 1992 action-thriller starring the late, great Bill Paxton — makes its Blu-ray debut this week courtesy of Shout! Factory. Be sure to keep an eye on the site for our review. Meanwhile, Candy Factory brings us back down to earth with Life of Significant Soil, while Vestron unleashes The Unholy upon us. Finally, make sure to buckle up for our review of Edgar Wright’s Baby Driver a little later this week.

Here's your weekly reminder before signing off for the week (and for June): if you’re shopping for anything on Amazon and you do it through one of our links, it’ll help keep the lights on here at UpcomingDiscs. See ya next week!

Another shining example of an opportunity to watch a classic film that was before my time.  Before had, the only thing I knew about Car Wash was that it was a Richard Pryor movie; however, now I grasp that Pryor is just a pawn in a large ensemble cast. He is far from the most important character, although he is an interesting one as Daddy Rich, but his role pales in comparison of Bill Duke as Duane, or should I said Abdullah, as he prefers to be known now.  Car Wash as it turns out is of greater significance than I originally realized and worthy of the title of cult classic, and I do believe a huge portion of that is attributed to the song that was lived on for generation to follow. You all know it, “Working at the Car Wash.” Sing it with me now.

Since 2011, the trio of Blake, Adam, and Ders have been reporting to their telemarketing job and bringing the laughs to Comedy Central on Workaholics.  With the final season now released, it’s time to bid a fond farewell to the trio that has shown us the joys of pranking, slacking, and pot in the work place. Does the show go out with a bang, or does it fizzle before reaching that last episode? I was a little concerned how things would end up because of the years I’ve gotten to really like the show and everyone involved. It’s time to punch in that time card and check out what this final season is all about.

The concept of eternal recurrence was (arguably) brought to the mainstream in 1993 with the release of Groundhog Day (1993). Certain films such as Run Lola Run (1998) and even an episode from The X-Files, “Monday” (1999), have managed to capture the strange, yet sad, philosophical nature behind repeating a single day. Since then, many variations of the concept began to meld with time travel, adding more distractions from the concept itself, only borrowing the basic premise: Just as space and time are infinite, so are our collective existences (in theory). Life of Significant Soil is closer in relation to the former films mentioned; however, it allows the raw emotion of experiencing a traumatic event to helm the ship.