Posted in: Contests, Expired Contests by Gino Sassani on October 10th, 2016
This continues to be a crowded 31 Nights Of Terror contest year. Once again it’s thanks to the great folks at Arc Entertainment. This one is for the kids. Maybe not so scary, but a lot of fun. Arc Entertainment has given us a copy of their zany adventure Under Wraps. The animated feature is loaded with mummies, pharaohs, and other things that go bump in the night. It features the voice talents of Brooke Shields, Drake Bell, and Matthew Lillard. Who’s your Mummy? Upcomingdiscs and Arc Entertainment, that’s who.
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Posted in: No Huddle Reviews by J C on October 10th, 2016
“There can only be one queen.”
After navigating treachery at every turn in French court and having to cope with a deadly plague throughout the first two seasons of Reign — the CW's campy, compulsively watchable adaptation of the Mary, Queen of Scots saga — season 3 was meant to introduce Mary's most formidable foe yet. Queen Elizabeth I of England becomes a regular character on the show and Mary's chief rival from afar. But in telling the story of two warring queens (while trying to service the series' many established characters) the show stretches itself too thin and loses some of the fizz that made it a guilty pleasure.
Posted in: No Huddle Reviews by Jeremy Butler on October 9th, 2016
This movie is more likely to make you laugh than it is to scare you, so its place among the 31 Nights of Terror is borderline. However, with a title like OMG.....We're in a Horror Movie, it goes without saying where it belongs. Six friends while indulging in their weekly board game ritual (I didn't even know that was a real thing) find themselves inexplicably transported in the plot of a horror movie. Realizing that they have been relegated to the stereotypical roles of such horror movie characters as the token black guy who dies (though there are at least three black characters, so figuring out which one is the character is a source of entertainment), or the hot girl who dies in the shower. Most importantly, one of them is the killer.
Desperate to survive, the friends must figure out how to shed their stereotypical roles before the killer discovers his homicidal nature.
Posted in: Disc Reviews by Brent Lorentson on October 8th, 2016
After the release of The Editor on Blu-ray last year and with the remake of Susperia in the works, it would seem that there is a slow revival of the Giallo film. For those unaware of the term or style, it’s basically a horror/ mystery film that tended to have slasher elements that emerged out of Italy. These were beautiful and stylish films that directors like Dario Argento, Mario Bava, and Lucio Fulci were the ambassadors of. While The Editor was more of a spoof of the genre, though well done, it is Masks that has really gotten my attention. Though it comes out of Germany, the love and attention to detail in adding so many of the familiar hallmarks of the Giallo film makes Masks more than just a simple homage, but it’s so well executed I could have believed this was a lost Dario Argento film. So many people have gotten wrapped up in trying to emulate the grindhouse and found-footage genre that to see someone attempt to pull off a Giallo is simply refreshing. For those of you out there looking for a horror film that is a step above the standard slasher, Masks is the film I hope to see people rally around.
The story follows Stella (Susen Ermich), a drama student who seems to have talent but just isn’t good enough to be accepted by any of the major schools. At one of her auditions one of the judges sees her and recommends a school for her that can help her take her talents to the next level. Upon her arrival to the school there are talks about some mysterious things occurring to some of the students. I’ll go ahead and say it; the plot sounds a heck of a lot like Susperia, only the teachers are not witches, but for fans of the Italian classic I’m sure the similarities will simply jump out at you.
Posted in: The Reel World by J C on October 7th, 2016
“My husband used to tell me I have an overactive imagination...”
The idea at the core of The Girl on the Train is equal parts provocative and relatable: a lonely commuter observes an attractive couple from a distance and imagines what their seemingly perfect lives must be like. Anyone who's ever done any people-watching will recognize the appeal of inventing a backstory for a stranger, and the story is a healthy reminder that things are never quite what they seem from the outside. But despite a powerhouse lead performance, this Train is ultimately derailed by an unsatisfying mystery and a lack of flair that causes this potentially juicy story to lose steam as it chugs along.
Posted in: No Huddle Reviews by Dan Holland on October 7th, 2016
The continent of Australia has seen a small renaissance of horror films over the last fifteen years. Considering the continent’s rich history with suspenseful cinema, the frequency of these films is indeed exciting. Picnic at Hanging Rock and The Chant of Jimmy Blacksmith are two movies that have stuck with me over the years, considering I only watched each title once. I remember the suspense and terror created in the atmosphere of Picnic, through a combination of a simple plot of a missing child and an ominous score. Jimmy Blacksmith’s climax is one of the most psychologically tormenting experiences I have had watching a film. That was the 70’s. In recent years, Australia has released some great horror genre gems that really do a great job of tracing their roots back to the aforementioned films. Wolf Creek, Feed, and The Horseman are some of the Australian horror titles that really have gotten my attention since the early 2000’s. Unfortunately, for every gem in Australian horror, there are over a dozen rocks you must sift through, and 6 Plots is one of those rocks.
The plot description sounds promising: After passing out at a party, the least popular girl in the “popular clique” wakes up to find she and her friends have been kidnapped. As the night progresses, she is able to contact her friends via their cell phones, and she learns that each of her friends have been placed inside boxes located across the small town. The killer allows the cell phones for communication amongst the group, but warns them not to involve parents or authorities. Rules are broken, some horrifying images follow, and realistically, nothing happens that I have not seen before.
Posted in: Disc Reviews by Gino Sassani on October 7th, 2016
"Did I miss anything while I was gone?"
Did you ever. Banshee came to an end with this, the fourth season, and it did not go quietly, to be sure. But it's not how it ends, but how this final season begins that's a bit of a mystery. There is a time jump of a little over 18 months that will cause you to feel like you might have missed something. If that doesn't confuse you, the season's constant tripping around in time will turn this season into a show very different from the Banshee we've come to know and love. It's not just one or two timelines that are presented here. The time can shift by any number of days, weeks, or months. Still the "current" story takes place nearly two years in the future. Fans appear to be divided on the season's dramatic departure from the show's style. The question has to be whether the team knew it was their final season from the beginning and felt the need to cover more ground to tell what story they had left to tell.
Posted in: No Huddle Reviews by Gino Sassani on October 7th, 2016
"Over 68 million Americans leave the safety of our borders every year. If danger strikes, the FBI's International Response Team (IRT) is called into action."
In these days of international terrorism, I'm not sure that anyone feels particularly safe here or abroad. If recent events have taught us anything at all, it's that evil knows no country and that no quarter is completely safe. You would also get the idea that terrorism is one of the biggest issues this IRT deals with. The first 13 episodes of Criminal Minds: Beyond Borders don't really deal with that kind of danger with the single exception one episode.
Posted in: Disc Reviews by Brent Lorentson on October 6th, 2016
“Are you food or are you sex?”
When it comes to director Nicholas Winding Refn, he’s a director from whom I’m never all too sure what to expect. For me Drive is one of my favorite films in the past ten years, while Only God Forgives simply bored me; despite the stunning imagery, it had nothing else going for it.. His films going even further back are just as much of a mixed bag, so coming into The Neon Demon I knew better than to get my hopes up, and that I should just go ahead and let the film stand on its own, as it should. Even reading about its debut at Cannes, it was met with a mix of boos as well as applause, which was all I really needed to get interested in this film after seeing the visually impressive trailer. At a glance it appears to be nothing more than the story of Black Swan (2010), only instead of following dancers, this is a film that thrusts the viewer into the world of modeling. Just where do I stand on this film? Well, it’s stuck with me since our screening days ago, and I’m still processing everything.
Posted in: Contests, Expired Contests by Gino Sassani on October 5th, 2016
Our new buddies over at Artsploitation Films wanted put some bite into 31 Nights Of Terror. Believe me when I tell you they went right for the jugular by giving us 2 copies of Vampyres on DVD to give to a couple of lucky winners here at Upcomingdiscs. It's a little bit like the 1974 cult classic but with a few wicked modern edges. This one is not for the kiddies as it contains plenty of blood and some killer female vampires wearing only that blood. The disc includes an interview with star Caroline Munro.
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