Earlier for our Maude Review I talked about the All In The Family "coaching tree” and the number of spinoff that show produced. Maude was the first, but the most successful by far has to be The Jeffersons. The family moved into the house next door to Archie Bunker early in the first season of All In The Family. While Norman Leer always intended Sherman Hemsley to play Archie's black nemesis, the actor wasn't available for the role. Thinking ahead, the show introduced another actor as Uncle Henry to spar with Archie for a while. The son Lionel would also change actors over the years. There is no doubt that when Hemsley finally appeared as George Jefferson, the chemistry between him and Carroll O'Connor was instant magic.

"NYPD BLUE wishes to dedicate its season to the memory of the New York City police and firefighters who sacrificed their lives on September 11th, 2001. Their heroism will never be forgotten, and we extend our deepest sympathies to their families and loved ones." 

As NYPD Blue entered its ninth season, there were tragic circumstances both on the screen and in real life. On the show Andy's former partner Danny Sorenson ends up dead, and in the real world New York City experiences the devastating events of 9/11. Both are addressed as the season opens.

When you see the name Kiefer Sutherland and Jon Cassar together, you might well expect that you're going to get another helping of the popular television series 24. There Sutherland made a pretty big name for himself in the television landscape as the gritty and "get it done" cop Jack Bauer. In the director's chair for a good many of those episodes was Jon Cassar, who also shared executive producer duties on the long-running show. But you won't find the ticking-clock-modern world of Jack Bauer here. Instead you'll find a thoughtful western that actually avoids a lot of the genre-typical violence and delivers one of the better westerns I've seen in many years.

Keanu Reeves is a guy who I don’t think anyone would be crazy enough to say is a “great actor”, but instead he’s a guy who has been in some pretty great films.  For me he’s an actor I grew up with from his days doing the Bill and Ted movies and Point Break. (Seriously, how dare they attempt to remake that gem?)  Between Speed and The Matrix, those are the two movies I’ve held onto for so long as his career took a more interesting turn; that is until John Wick came along and blew my mind with all the insane coolness that was up on the screen.  Finally it seemed I was on track to getting the Keanu Reeves that I grew up watching.  I know, so what’s the point of all this?  Well, until now, none of the Reeves films that I’ve liked could I really say it was because of his performance, and Exposed is finally the film he’s needed where he can show he’s more than just a brooding action star.

In season 1, The Royals showed us that depravity and royalty went hand in hand. This time around, it’s all about anarchy in the monarchy. When we last looked in on the ruling family of Britain, King Simon was assassinated, and within seconds of his death, his opportunistic brother literally pried the royal seal off his fingers. I mean, his body wasn’t even cold yet, and there is Cyrus grave-robbing.  Liam had the opportunity to walk away from the all the pressures of being the heir apparent and be with the girl of his dreams, but chose duty and familial obligations (yeah, because that always ends well). Helena’s reputation was in ruins; however, there was light at the end of the tunnel after a powerful interview. Finally, Eleanor discovered that her older brother, like her father, was assassinated. Needless to say, their entire world turned upside down. I was excited to see what came next.

She might very well be the hardest working actress I've ever had the pleasure of speaking to. One thing is for certain. Tanna Frederick has been a lucky charm for director/writer Henry Jaglom for several films now. I got a chance to see her in Ovation, which takes us back stage and inside show business. It's a natural place for Tanna, because she's got this love-affair thing going for the stage. It all game out in our friendly conversation. Bang it here to listen in on my chat with Tanna Frederick.

Have you ever had a traumatic loss? Have you ever lost someone and felt numb? How did you feel about the person you lost, and was it different now that they were gone? Do you think you acted appropriately about the death? Did you care about what people thought of you, or were you in your own little world? Were you ever the same again? Demolition stars Jake Gyllenhaal, Naomi Watts, and Chris Cooper, and is directed by Jean Marc Vallee. Vallee has directed two outstanding and Oscar-nominated films in the last couple of years, Dallas Buyer’s Club (Matthew McConaughey and Jared Leto won Best Actor and Supporting Actor) and Wild (Reese Witherspoon and Laura Dern nominated).

The name Quentin Tarantino carries the weight of legacy as such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan.  I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with.  This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight

It was as if all the pieces of the puzzle were falling into place since what was being discussed here was a matter of creating something unique: a cuisine based exclusively on raw Nordic ingredients.”

That pull quote, which appears at the start of Noma: My Perfect Storm, accidentally serves as a microcosm for the film as a whole. The excitement that builds at the prospect of witnessing something special quickly gives way to a chilly, undercooked experience.

I don’t find House of Lies funny. In fairness, I don’t think it’s supposed to be funny, or it’s trying to be funny in the most cynical and unpalatable way possible. It’s a half-hour format airing on Showtime, which would normally suggest a sitcom. It’s not a sitcom, but a brash dramedy. Our main characters all have MBA’s but frequently act like teenagers on drugs. They are smart enough to analyze things brilliantly but are so corrupt that they will do the absolutely worst thing possible if it satisfies their personal interests. House of Lies should not be confused with House of Cards, which also features high-level leaders with horrendous morals. It seems to promote undiluted self-interest at all costs.