“Have courage and be kind.”

Those words — repeated many times in this newest version of Cinderella — serve as both the title character’s mantra and the film’s unofficial tagline. The message is elegant in its simplicity in a way that mirrors this refreshingly old-fashioned adaptation, which resists the prevailing urge to modernize and/or revise a classic story.

"'Tis the season for Demon Dean." 

It's almost like some twisted holiday season. Each season finds the Winchester Brothers in some way divided following an apocalyptic event. The world might be saved once again, but Either Dean or Sam is in Hell or Purgatory. One might be living in an alternate reality or just in a coma. This season starts with the tradition very much alive as the Mark of Cain has finally turned Dean into a demon, albeit one who loves to do bad karaoke. His partner in crime isn't his brother Sam, but the King Of Hell himself, Crowley.

Before we start, I want you to know something...I'm not a rat.”

I could get into *a lot* of trouble if anybody found out I was talking to you. After all, there is absolutely, positively nothing worse than a rat, a point that is made crystal clear in Black Mass. But I'm putting my neck on the line here because I figured you'd want to know this fact-based crime drama marks the welcome return of Johnny Depp, who has spent the better part of the past decade in the Magic Kingdom loony wilderness.

Maze Runner: The Scorch Trials causes a great deal of confusion for me. First, I have to figure out how it is different from two other YA (Young Adult) phenomenons, Divergent and The Hunger Games. It's not that it's that hard to tell the difference between them, but there are so many nagging similarities for me that watching the three series in succession would become a difficult experience. It doesn't help that Maze Runner II has so many tropes from so many different movies that it is somewhat overwhelming. More than overwhelming, it is absolutely confusing. Adding to the confusion, this new installment of Maze Runner no longer has a maze.

"The wilds of Sri Lanka, land of myth and legend where rocky pinnacles overlook cast tropical forests. And an abandoned city lies shrouded in the jungle. The kings who once reigned here are long gone. These days, there's a new dynasty in residence. But this one is governed by the law of the jungle."

From such a majestic intro told against a backdrop of beautiful vistas we find our tranquility broken by an invasion of primates rushing across the landscape to the voice of Micky Dolenz singing the theme song to the 1960's comedy classic The Monkees. Hey, Hey, it's Disney Nature's latest adventure into the life of a family of animals. Enter Monkey Kingdom.

After 15 years CSI is finally calling it a day. CSI is one of the longest-running shows on television.  Most of the original cast members have moved on, and the series managed to bring in some pretty solid talents to replace them. It appeared as though the long-running show still had legs. It outlasted two spinoffs both which ran 10 and 5 years themselves. CSI: Cyber has just finished its first season and will remain, for now, the only surviving member of the franchise. We'll be offering up our look at that show next week. Until then, join us in a farewell review of the series that launched it all. CBS is treating us to CSI: The Final Season.

“You need to promise…something goes wrong, you need to drop a bomb on this whole mess.”

The biggest literal bang on Homeland came courtesy of the explosion that wiped out CIA headquarters in the season 2 finale. However, many fans and critics would argue the subsequent third season was an even bigger bomb. (I thought season 3 at least finished strong following that dismal start.) Nevertheless, season 4 of Showtime’s cracked, crackerjack spy drama represents a soft reboot for the show. It’s also a return to its Emmy-winning season 1 form.

The films in this BluRay double feature are connected through two commonalities: the actor Gene LeBrock, and each having an Italian director. The films were produced around the same time, one in ’89 and the other in ’90, and they are both your typical schlocky Italian horror films. Although they may not be as noteworthy as the films of Mario Bava or Dario Argento, they most certainly emulate many of the aesthetics within the “giallo” genre. In other words, where they lack in story and acting talent, they make up for in cinematography, set design, and editing.

Gotham City. You know the name just as you know the names of Metropolis and Smallville. These are important places in the DC comics universe that have existed as part of modern American mythology since the 1930's. Warner Brothers has decided to tackle Gotham in much the way it spent 10 years bringing us to Smallville. But there is a decided difference to be found here. Smallville was indeed the origin story of Superman, and while the obvious answer might be that Gotham serves the same role for Batman, I found that to be a bit of an oversimplification.

If something seems too good to be true, then it probably is. It’s a lesson that’s hardwired into our brains, yet often proves impossible to resist. That idea is also what jumpstarts the action in The Legacy, which is equal parts stylish, campy, and compulsively watchable. The 1978 thriller, directed by future Return of the Jedi helmer Richard Marquand, now makes its Blu-ray debut courtesy of Shout! Factory.