Anchor Bay is releasing The Dead 2: India on Tuesday (9/16). We've got John Ceballos at work on the review. In the meantime I had a lot of fun talking to the film's star Joseph Millson last week. We talked about everything from Pop Tarts to working with the Ford Brothers. Millson is also known for playing in Casino Royale and the Doctor Who spin-off The Sarah Jane Adventures. Unfortunately, it was a quick conversation. Here's your chance to eavesdrop on our conversation. Bang it here to listen to my interview with Joseph Millson.

Writer and director Steven R. Monroe has made a decent career in genre filmmaking and since his remake of I Spit on Your Grave gained some moderate success.  Monroe is one of those directors that I feel has a great film in him but the right project just hasn’t crossed his path.  Though many of his creative efforts have been on more meager budgets, Monroe still manages to pull together tight little films.  Unfortunately with Monika he may have bit off a little more than he should have with his new supernatural revenge film.

"There's virtually nothing the Winchesters can't do if they work together."

But that's the rub, isn't it? The tradition has been that each of the last several seasons end up beginning with the brothers separated for one reason or another. Often one of them is trying to escape Hell, purgatory or some fantasy mental land. There are at least two times a year they split up over an argument.

"One must regard the 30 years of strife, turmoil and suffering in Europe as part of one story. One story of a 30 years war." - Winston Churchill

He was exactly correct, and one of only a few people of the time who had the vision to understand that concept. Before the end of World War II the first world war was known as The Great War. The idea of two separate world wars came later.

Some of the most iconic stand-up comics of all time have famously wrestled with personal demons while simultaneously mining them for material on stage. Few have done so more successfully — and for a longer period of time — than Richard Lewis. His neurotic, self-flagellating act earned Lewis his “Prince of Pain” nickname, but his longevity is just as impressive. The fact is a lot of great comics don't last as long as Lewis because they lose that battle with their demons too soon. So it's great to see that, at age 67, Lewis finally gets his due with a DVD set that covers some of his most seminal work.

"It's been a long summer."

And my how things have changed in Mystic Falls. Elena is a vampire, and Katherine is now a human, and doing a pitiful job of that, to be sure. Bonnie is a ghost who only Jeremy can see, and they're trying to keep it all a big secret from everyone so they all think Bonnie is out globe-hopping and having a great time. Stefan is at the bottom of a lake in a safe where everyone else thinks Silas is.

"It's called compartmentalization. No one spills the secrets because no one knows them all."

I was lucky enough to grow up during Marvel's wonderful rebirth of the 1960's and 1970's. Of all of the comics they produced during that time, I was always least impressed with Captain America. I don't think I ever read an issue of any of his mags with the notable exception of The Avengers. So how can it be possible that after dozens of Marvel films, and I'm including the Fox and other-studio-produced stuff, that Captain America: The Winter Soldier can end up being my favorite?

Drag racing is for fast cars. Road racing...that's for fast drivers.”

I imagine that distinction — along with one character scolding another for pulling a “Vin Diesel stunt” — is meant to set this straight-to-DVD racing drama apart from the Fast & Furious franchise. That separation is an interesting choice for a couple of reasons. On one hand, I assume it's been easier to finance any car-centric flick ever since a certain high-octane film series proved there's an audience for the genre. Then again, the increasingly staggering success of the Fast movies seems to be directly proportional to how ludicrous they've become.

Love can have a strange effect on people and cause them to do things that range from the spectacular to the deranged.  The loss of a loved one can not only break a person’s spirit but send them to the depths of depression and despair from which they will never be able to recover, though most people tend to avoid the melodrama and just wallow in their heartbreak with a couple of beers or a pint of their favorite ice cream.  But what is one supposed to do when the one that they love and cherish is taken from them and they become the number one suspect in the murder of the one they love?

Erle Stanley Gardner wrote crime fiction, and while many of his 100 or so works are unknown to most of us, he created a character who has become as identified with criminal lawyers as any other in fiction. It was in these crime novels that Perry Mason first faced a courtroom. He developed a style where he would investigate these terrible crimes his clients were on trial for. He would find the real killer, and in what has become a Hollywood cliché, reveal his findings in a crucial moment during the trial.