Who said inter-agency cooperation wasn’t possible? Well, maybe cooperation is a bit of stretch for the relationship between Washington and Wahlberg in 2 Guns, the Rated R comedy from director Baltasar Kormakur (Contraband). A buddy-cop film by definition, but a refreshing one that is sure to be a welcomed addition to the subcategory right alongside Lethal Weapon, Bad Boys, and Rush Hour.

At some point or another as kids we’ve experienced either the fear of the dark, what lurks in the closet, or perhaps the dread of what awaits under the bed.  As adults most view these fears we had as children as impractical, but for those of us who remember these fears, the possibility of what terrors awaited us come nightfall was something very real.  Sure, mom or dad would check the room to assure us there was nothing there, but we knew better.  We knew the moment the parents left the room the dreaded terrors would crawl out from there dark hideouts and come for us in our sleep.  It’s this childhood terror that director Steven C. Miller (director of the Silent Night remake) attempts to bring to the screen.

I’ll say this about a program that has remained  consistent in quality for twenty seasons…it makes for challenging reviews. Talking about each season of Gunsmoke is difficult in that you either write briefly to try to avoid redundancies, but might seem too hasty, or you have to labour over each episode, in which case, you’re only going to have hardcore fans paying attention. Since this website has touched on previous seasons: ( https://upcomingdiscs.com/?s=gunsmoke ) I shall opt for the former option, and hope y’all out there catch that I’m not being hasty…but respect a show that warrants no fresh complaints after 9 years a-runnin’ thus far.

The cartoons I’m most fond of from my childhood are all cell-animated, simply because I grew up in a time before computer generation effects and animation had been fully realized.  Now when you flip on the TV it’s hard to find any true animation; everything has moved on and evolved to CGI.  When the studios have the time and money, they can release some breathtaking features like Finding Nemo and The Croods. But when it comes to television the CGI never seemed to match the quality of the features.  That is until Dreamworks released Dragons: Riders of Berk.

“Treading through the dreadful darkness of the land, I dipped the pith of a rush into the tallow, and soon the rushlights guided me down the somberness, the gloomy flames unveiling this unfamiliar soil.”

B.J. Smith 1714-1775

These words preface the movie Rushlights, giving it an aura of mystery, history and literary pedigree. What is delivered is a modern film noir that stretches from Los Angeles to Tremo, Texas.

This is the third stab at making an animated series about these radical reptiles. This lone DVD acts as a sampler of seven episodes taken from the middle of its first season, instead of the complete season set. (A common move from Nickelodeon.) These episodes introduce the characters well enough that it will make you curious to see more of what this series has to offer.

For most modern moviegoers, Marilyn Monroe is probably more “famous for being famous” than she is for her cinematic body of work. (Of course, she’s also infinitely better known for an entirely different “body of work.”) That’s not totally fair because Monroe has at least one bona fide classic (Some Like It Hot) and a handful of indisputably indelible images among her movie credits. Those of you interested in exploring her filmography are in luck: Fox has just released two titles from her mid-1950s superstar peak on Blu-ray, including her turn as an ambitious showgirl in Bus Stop.

"Space... the final frontier. These are the voyages of the starship Enterprise. Its continuing mission, to explore strange new worlds. To seek out new life and new civilizations. To boldly go where no one has gone before."

The fourth Season of Star Trek: The Next Generation erased any doubts that the show could stand on its own. The series had developed its own characters and situations that allowed the show to somewhat separate itself from the confines of the original series

In the 1950's and 1960's Hammer picked up where Universal had left off. They became the studio for the very best in horror films. With names like Lugosi, Karloff and Chaney finally reaching the end of their reign, Hammer offered up the likes of Christopher Lee and Peter Cushing. They resurrected all of the famous Universal monsters in their own image. Now we had a new cycle of Dracula, Frankenstein, The Wolf Man and The Mummy. While the films were somewhat low-budget and released mostly through the drive-in circuit, these films made a bloody splash with horror fans all over the world.

The Cinemax anthology series continues to be my guilty pleasure that when it’s over I simply want just a little bit more.  The show takes sleaze and debauchery to a whole new level, and I mean that in the best way possible.  At first glance and even if catching an episode out of context, for some the show may resemble some B-grade skin flick, but for those who sit back and give it a chance, you’ll discover it is so much more.  But for those who may find beautiful women randomly discarding their clothes mixed with random acts of violence offensive, well, here is your chance to run away and never look back, because this show takes pleasure in pushing the limits of decency and good taste.  And that is what makes it fun.