Posted in: Disc Reviews by William O'Donnell on June 25th, 2013
Every generation since “X” has lionized its slackers and frat boys with films (perhaps earlier if you look to Animal House as the beginning). Workaholics dances between this honouring of the stoner/slacker lifestyle and satirizing it. This show's third season is just like the previous two. Three best friends, Adam, Anders and Blake, spend their work days with pranks, pot and parties on their minds, and each episode showcases their adventures therein.
These three indulge in so much “bro” talk, which entails frequent use of the words “bro,” “dude,” and turning as many words as possible into slang, usually by shortening them to one syllable if possible. A whole scene may go by where their English has been massacred to the point where I feel as if they are speaking an entirely new language. While many times this would seem to be a way of relating to the keg-tapping demographic, it can reach such a preposterous level, such as when Adam talks about getting a girl to put her “H on his D,” that it becomes more of a lampooning.
Posted in: Disc Reviews by Gino Sassani on June 24th, 2013
"Welcome to the wonderful world of magic."
They say that the hand is quicker than the eye. Through the art of misdirection and skillful manipulation we have been awed by magicians ever since Glog made Ooof's club disappear somewhere in Mesopotamia circa 20,000 BC. It's not all skill, really. The truth is we've always wanted to be fooled. We're begging for "magicians" to tamper with our sense of reality. I don't know how fast the hand happens to be, but today we're fooled at the speed of 24 frames per second (unless you happen to be Peter Jackson). The magic happens every time we walk into a movie theater or put a shiny disc into our magic machines. And what do we enjoy even more than being "tricked"? We love to laugh. The Incredible Burt Wonderstone has just the right amount of sleight of hand to pull it off.
Posted in: No Huddle Reviews by Gino Sassani on June 24th, 2013
“Midnight is the most evil part of the night. If someone dies at 23:59 hours, his soul will not rest in peace and will return to the mortal world.”
Every culture has its own set of ghost stories. They’re usually passed around very late at night by a group of very impressionable young people. That’s precisely where 23:59 — an atmospheric and thoroughly effective Malaysian/Singaporean horror flick — picks up, with a group of army recruits on an island training camp sitting around telling spooky tales. The only thing missing was the campfire.
Posted in: The Reel World by Gino Sassani on June 21st, 2013
The boys are back, and I only have one question. What the heck took so long? I have a lot of respect for Pixar and the groundbreaking films they've created over the last couple of decades, but I have to question someone's marketing good sense when they get a sequel to Cars out before anyone bothered to look towards what is arguably the studio’s best creation to date. For me it's all about Monsters, Inc. I hadn't fallen so hard for an animated film since The Lion King, and so I was thrilled when I got the invitation to graduate early from Monsters University.
Who are "the boys", you might ask. If you're serious, then you might actually be reading the wrong piece. For the rest of you, "the boys" are Mike Wazowski (Crystal) and James P. "Sulley" Sullivan (Goodman). And it's been a dozen years since we last saw them in Monsters, Inc. A sequel to that film might be a bit problematic. We learn that laughs provide far more power than screams, and we leave the power structure of Monsteropolis on its head. Pixar's imaginative team took the best route available to them and decided to go the prequel pathway, and we get to see Mike and Sully as college students. Both have their sights on becoming master scarers. For Sulley, it's in the blood. He comes from a long line of successful scarers, and he's not really taking the college scene very seriously. For Sulley it's about fun. Mike, on the other hand has stars in his eyes and works harder than anyone else on campus. But he might have to come to grips with the fact that he just might not have what it takes.
Posted in: The Reel World by Jonathan Foster on June 21st, 2013
“Most people don’t believe something can happen until it already has.”
Walkers. The Living Dead. Zombies. Whatever you call them, you can’t deny they’ve shuffled their way into the forefront of pop culture. Once relegated to niche horror movies, zombies have crossed over into multiple genres, be it comedy (Zombieland), romance (Warm Bodies) or drama (The Walking Dead). The latest offering of the undead is World War Z, an action/horror film based on Max Brooks’ best-selling novel of the same name.
Posted in: The Reel World by Jeremy Butler on June 20th, 2013
“Let’s go shopping.”
Proof that the internet in the wrong hands can be a dangerous tool; it was the highlight of celebrity news in 08 and 09; a rash home invasions and robberies committed on the residences of Lindsay Lohan, Paris Hilton, Rachel Bilson, Audrina Patridge, Megan Fox, and Orlando Bloom. As reported by TMZ and news outlets alike, the group broke into the celeb’s home stealing cash, jewelry, and apparel quickly earning the name “The Bling Ring.” News of their actions and their ability to avoid detection despite being caught on caught on a security cameras fueled the crime ring’s boldness as it was reported that the group returned to Hilton’s home several times after the original robbery. Ultimately, an anonymous tip lead to the arrest of the group’s ringleader and her original co-conspirator and when it was discovered that this crime ring was nothing more than a bunch of teenagers, their story became so big that there was only one inevitable resolution: to make a movie about it.
Posted in: Disc Reviews by Gino Sassani on June 20th, 2013
"On the evening of April 13th, 1865 John Wilkes Booth initiates his plan not only to kill Abraham Lincoln, but to decapitate the government of The United States."
Whatever you may think of Fox News or Bill O'Reilly, it would be a terrible mistake to discount seeing Killing Lincoln because of purely political leanings. The Department Of The Interior tried it when the book came out and underwent a campaign to keep the book from the public gift shops with claims of inaccuracies. Give O'Reilly credit for not taking the accusations lying down. He challenged any of the naysayers to point out these mistakes and, of course, nothing ever came out of the accusations. That's because the book is hauntingly accurate and tells a story most of you didn't get in your American History high school classes...unless you happened to have been in any of mine over the years. I can tell you not only as a film reviewer but a former history honors teacher and avid presidential reader that this account passes every test you can put to it. Of course, it's impossible to know every detail or intimate fact of an event we cannot witness. This comes as close as any production I've seen to date.
Posted in: No Huddle Reviews by Brent Lorentson on June 20th, 2013
Imagine being arrested, not even finished with high school, and you are tried and convicted of the rape and murder of your high school sweetheart. Try to imagine being locked away for 19 years in a cell, alone, awaiting your execution by lethal injection. But then one day, DNA evidence emerges that seems to exonerate you for your crimes, and suddenly you are given your freedom back. How do you go on? This is question creator and executive producer Ray Mckinnon explores in the new series Rectify that airs on the Sundance channel.
Daniel Holden (Aden Young) is the man, whose life we follow from day one of his release from a Georgia state prison. As his family anxiously awaits to see him, the media swarms outside waiting to hear from the newly freed man, all while Daniel nervously prepares to nervously step into the new life of freedom. The writers made the wise choice not to rush but to allow us to tag along for every awkward moment Daniel has, from not remembering how to tie his necktie, to the feel of grass between his toes, to simply enjoying his first beer. It’s easy to see how David seems to not fit in our world; after all nearly 20 years passed by without him, with only brick walls and a few other inmates on death row to keep him company.
Posted in: No Huddle Reviews by Brent Lorentson on June 20th, 2013
What’s a girl to do when her bills pile up, her hours at work get cut, and though she’s a promising medical student, life seems to be getting in the way of her studies? Well, the “easy” answer seems to be, hit the closest strip club and put your natural assets to work. At least that is the direction Mary Mason (Katharine Isabelle) decides to take. Though luckily as fate would have it, during her “audition” process an emergency occurs, allowing Mary to put her surgical skills to the test and make a quick five grand. Was Mary’s decision ethical? In this film you’ll need to throw out the books on medical ethics, because this is a tale of revenge at its core, but also about giving people what they want, to live the lives they believe they were meant to live.
As Mary comes to term with the procedure she tended to in the club’s basement, word of her handiwork has spread and she begins to get requests for procedures that even the doctors from Nip Tuck would have to reject. After collecting ten grand for a procedure that transforms a woman to finally resembling a real life doll, Mary’s handiwork is then spread across the web, and she becomes all the more in demand. Mary doesn’t go into this field of body modification lightly, as she still has aspirations to be a successful surgeon, but unfortunately that all comes to an end after she attends a late night surgeons’ party. Unfortunately this isn’t your average party; it turns out to be an underground sex club where the surgeons bring girls, drug them, and rape them. Considering one of the attendees happened to be one of her instructors who she looked up to, the hurt is only worse and is enough to push Mary over the edge to seek revenge.
Posted in: Disc Reviews by J C on June 20th, 2013
Any discussion of the greatest living rock stars has to have Paul McCartney at or near the top of the list. Obviously, “greatest” is a totally subjective descriptor, but even if you’re more of a Stones person you can’t argue with McCartney’s staggering success. He has sold more records than anyone else, wrote the most covered song of all time (“Yesterday”) and owns a handful of other Guinness World Records. The recipe for his singular greatness is a mixture of artistic brilliance, versatility and longevity. It’s what has allowed him to remain relevant more than 40 years after the dissolution of the best-selling band of all time. And a key part of that staying power was Wings.
The first Wings album, “Wild Life”, was released in 1971, just one year after the formal break-up of The Beatles. Wings released nine albums in the 1970s — seven studio albums, the “Wings Greatest” compilation, and the live “Wings Over America” album — scoring five straight chart-toppers in the United States. The band was arguably at the peak of its powers in 1976 and featured its most celebrated lineup — Paul McCartney, Linda McCartney (keyboards), Denny Laine (guitar), Jimmy McCulloch (guitar) and Joe English (drums) — when it set off on a massive world tour that covered ten countries and brought music to more than two million people. That tour turned into the 1976 “Wings Over America” triple album and was also captured cinematically with 1980’s Rockshow. I know patience is a virtue, but 33 years still seems like an overly long time to wait for such an excellent concert to get a proper home video release.
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