And then there was only one. More than a decade after CSI began to spin itself off to Miami and then New York, the last standing series is the original. And while even the franchise flagship has undergone cast and even style changes, it remains a ratings winner and appears to maintain an appeal the other shows never could quite capture. Not that we can call either of these spinoff adventures a failure. Both saw pretty much a decade, which is far longer than 90% of television shows ever see. Both had their own unique vision and niche that appealed to a broader group of fans. And while I never completely warmed up to the Miami version, I always rather liked the New York version, at times better than the original.

The reason could be found in the person of Gary Sinise. He's a strong actor, and he happen to have fallen into the perfect part. He became Mac Taylor for most of the fans, and it will be a lonelier television landscape without him.

A fish has to swim, a bird has to fly, and a film has to entertain; those are the defining attributes for each of the  listed subjects, and in my opinion The Rambler didn’t meet its obligation as a film. The Dermot Mulroney-led film is a series of happenings, each of which are unconnected and wide open for interpretation, only tied together by one monosyllabic character. It seems that the story is whatever you want to make it, but therein lies the rub: many people don’t go to films that require them to form their own interpretation. They are looking to have a story told to them, not tell it to themselves.

The Rambler opens up with our titular character (Dermot Mulroney) observing a house on fire. Next it jumps to behind prison walls where The Rambler has ended up (whether it was due to the fire is not really explained). Through a quick montage sequence, we are given a recap of the character’s life on the inside up until he earns his release: smoking in his cell, smoking in the cafeteria, and smoking in the exercise yard.

The medical community seems to be split on whether or not dissociative identity disorder — previously known as multiple personality disorder — actually exists. Well, I’m here to offer a definitive answer because I’ve just seen the dreaded disease in action after watching 6 Souls. The film can’t decide whether it wants to be trashy, watchable horror movie that regularly tries to jump-scare you out of your seat or a somewhat serious meditation on the science vs. faith debate.

Dr. Cara Jessup (Julianne Moore) would strongly disagree with my diagnosis. When we meet the widowed psychiatrist early on in 6 Souls, she’s expressing her belief that multiple personality disorder is a fad perpetuated by the media and pop culture. Cara’s father (Jeffrey DeMunn) is also a psychiatrist, and he’s playfully determined to prove his daughter wrong. He asks her to examine a seemingly timid young man named David (Jonathan Rhys Meyers) who becomes the much more aggressive Adam after a well-placed phone call. Even though Adam/David is very convincing, Cara wants to debunk the idea that he suffers from multiple personality disorder. As she investigates Adam/David’s background, she finds a common link between his personalities and realizes there might be more to come. (The movie isn’t called 2 Souls, after all.)

Most of you know Ricky Schroder. He was the child actor from Silver Spoons in the 1980''s. In the 1990's grew up fast and took on NYPD Blue. All along the way he has redefined his image. Now he's a family man. The entire Schroder clan has recently put together the Hallmark film Our Wild Hearts. The film stars Ricky, two sons, and his daughter Cambria in her first staring role. He co-wrote the film with wife Andrea and directed the movie. I recently had the opportunity to chat with him about his family and the latest film. Bang it here to listen in on my chat with Ricky Schroder

I got the chance recently to chat with Calvin Reeder. Reeder's a relative newcomer to the filmmaking game, and he certainly has developed his own storytelling style. The Rambler is his second feature-length film. Bang it here to listen to my chat with Calvin Reeder

Unfortunately, I must apologize for a series of beeps that interfere with the quality of the audio.

In 1988 a movie by the name of Die Hard became a worldwide commercial success and helped launch the career of one of Hollywood’s most prominent action stars. The legend of the film transcends time and space as it is still to this day a beloved film, and its name has become synonymous with what an action film is. In 2013, another film looks to capture that same type of glory, a film I believe has the potential to become this generation’s Die Hard, and not because both film’s main character’s first name is John. White House Down is an explosively entertaining experience brought to life from the director that brought us Independence Day, 10,000 B.C., and 2012.

John Cale (Channing Tatum) is a former decorated soldier turned U.S. Capital police officer assigned to the protection detail of Speaker of the House of Representatives, Eli Raphelson (Richard Jenkins). Divorced with one daughter, Emily (Joey King) who once idolized him, but continuous disappointments and absenteeism on his part have caused a strain in their relationship. Calling in a favor, John scores an opportunity to interview to join the Secret Service and join President James Sawyer’s (Jamie Foxx) protection detail. To earn some brownie points as well as repair the rift between him and his daughter, he takes Emily with him to the White House, an opportunity that Emily jumps at due to her borderline obsession with all things politics.

We’re almost 150 years removed from the death of Abraham Lincoln, yet interest in the first major assassination in American history appears to be at an all-time high. Daniel Day Lewis just won a well-deserved Oscar for his astounding portrayal of our 16th president, and this month has already seen the home video release of the fascinating Killing Lincoln. Pictures From the Fringe enters the fray with the paradoxically-titled Saving Lincoln, a unique, well-meaning presentation of his presidency and a sketchy portrait of the not-so-well-known relationship between Lincoln and personal bodyguard Ward Hill Lamon.

Lamon, who Lincoln eventually appointed U.S. Marshal of the District of Columbia, was notably absent during the evening of the president’s assassination. (Lincoln had sent Lamon to Richmond as an ambassador promoting Reconstruction.) The film depicts Lamon (Lea Coco) and Lincoln’s (Tom Amandes) first meeting in Illinois — aspiring attorney Lamon looked up to Lincoln — as well as the moment when Lamon names himself the president's bodyguard after the Baltimore Plot to assassinate Lincoln in 1861 is uncovered. The film proceeds to hit the major signposts in the president’s political/persona life, including the Gettysburg Address and the Emancipation Proclamation. We also watch Lincoln deal with the death of son Willie (Elijah Nelson) from typhoid fever and the carriage accident that injured First Lady Mary Todd Lincoln (Penelope Ann Miller.)

"My ears hear what others cannot hear; small faraway things people cannot normally see are visible to me. These senses are the fruits of a lifetime of longing, longing to be rescued, to be completed. Just as the skirt needs the wind to billow, I'm not formed by things that are of myself alone. I wear my father's belt tied around my mother's blouse, and shoes which are from my uncle. This is me. Just as a flower does not choose its color, we are not responsible for what we have come to be. Only once you realize this do you become free, and to become adult is to become free."

If you are a fan of director Chan-wook Park, you are used to the kinds of bizarre images and somewhat enigmatic story elements that dominate the landscape of Stoker. While none of the images here reach quite into the territory of Oldboy, it's hard not to plug into the disturbed nature of the film's themes and story. I left the movie with more questions than answers and a little bit lost as to how exactly I was going to approach this review. I had not seen Oldboy at the time of the viewing or since. I did go out of my way to get some exposure to the film's famous imagery through clips and stills. Even still, I've never been more confused about a film than I am about Stoker.

Burned, Recruited, Coerced, Betrayed, and Framed; in the past five seasons of Burn Notice, Michael Westen has been all of these things. The constant fluctuation in his ever-changing status is enough to drive a person mad, but through it all Michael has managed to stay level-headed and remain confident that he would find a way out. That confidence in his abilities is no doubt sustained by the support of his eternally loyal love, Fiona Glenanne. Fiona is Michael’s anchor; she keeps him centered, and as evident in last season when Fiona was framed for a bombing by Anson, Michael will go to any extreme to keep her safe; he needs her. However, when Season 6 opens up, Fiona has turned herself in to FBI to protect him from being used. What will Michael do now that the love of his life may be gone forever?

Season 6 picks right where the last season left off: Fiona turns herself in to the FBI and is taken into custody as Michael watches. Unable to save her, Michael becomes a man on a mission as he enlists the help of Sam, Jesse, and CIA officer Dani Pearce (Lauren Stamile) to find Anson (Jere Burns) and bring him in to clear Fiona’s name. Michael receives word of Anson’s plans to flee Miami as his identity has been compromised and he is being hunted. He catches up with him but is forced to let him go, condemning Fiona to her fate.

"The body is the proof. It will tell you everything you need to know if you just have the patience to look."

Body Of Proof was a mid-season entry by the network two years ago; it debuted at the end of March and ran for only nine episodes that year. It was renewed, so it had the opportunity to develop into something better than what it was. After a full season last year, it was decided to retool the show considerably for the third year. It was all an obvious sign that the show with so much potential was having trouble drawing in enough viewers to keep it alive. The end has finally come, and those last episodes are now available on DVD.