Posted in: Disc Reviews by J C on July 15th, 2013
Cruel blood sport or culturally-significant art form? That’s been the centuries-long debate surrounding the practice of bullfighting. Personally, almost everything I know about bullfighting comes from Ernest Hemingway stories and Looney Tunes. So Blood and Sand — a grand, cynical bullfighting drama/Technicolor spectacle from 1941 making its Blu-ray debut — was an eye-opening experience in more ways than one.
Blood and Sand is the story of Juan Gallardo (Tyrone Power), who we first meet as a bullfighting-obsessed child (played by Rex Downing) in Seville. Juan’s father was a legend in the sport — and the kid will eagerly break a bottle over the head of any pompous critic (like the one played by Laird Cregar) who disagrees — and the brash boy is obsessed with following in his footsteps. (He routinely sneaks onto a ranch at night to work on his skills.) Eventually, he runs away from home with a group of friends and travels to Madrid in the hope of becoming Spain’s greatest bullfighter.
Posted in: No Huddle Reviews by Jonathan Foster on July 15th, 2013
“I paid more than my dues for the right to call it like I see it.”
While most people can say they know who a celebrity is, very few get to know the person behind the fame. (Or infamy.) Unless you’ve walked in that famous person’s shoes, it’s difficult to understand where they’re coming from. It is only when we hear their story in their own words that we can get a glimpse into their world. In Letters from Jackie, MLB Films provides that glimpse into Jackie Robinson’s life via his correspondence. Hosted by New York Yankees center fielder Curtis Granderson, this documentary combines excerpts from letters written by Robinson with interviews of his friends, family and the recipients of those letters. Starting from when he joined the Brooklyn Dodgers and continuing to the last letter he ever wrote, these letters span a range of topics and decades.
Posted in: The Reel World by Gino Sassani on July 12th, 2013
"We always thought that alien life would come from the stars, but it came from deep beneath the Pacific."
The only thing we seem to love more than giant monster movies are movies about giant dudes going a few rounds with said giant monsters. It was huge television fare in the 1960's and 1970's. We had Ultraman, Space Giants, and Johnny Socko. All of them were Japanese imports that gave us daily or weekly monsters doing the old "Tokyo Stomp", and just when things appeared at their darkest, the giant hero would arrive and give us a show more akin to the weekend wrestling shows than anything else. We'd get choke-holds and body slams that would make the rubber suits jiggle as they fell. It was all in good fun and appears to have pretty much disappeared from the television and film landscape. That is, until Guillermo del Toro brings us one of the summer's eagerly awaited tentpole films: Pacific Rim.
Posted in: No Huddle Reviews by Gino Sassani on July 11th, 2013
It's time to say goodnight and goodbye to that lovable country lawyer Ben Matlock. Andy Griffith managed to bring a new style and even comfort to the lawyer show when he first walked into a television courtroom as Matlock. That was March of 1986. After 182 cases and a handful of television daughters, the show came to a close in May of 1995. We lost Andy a year ago almost to the day of when the final season of Matlock hits the shelves. It might not be the show he will forever be remembered for. But it does hold its own in the life of a special entertainer. Now you can complete that collection.
Matlock began life as a television movie from Dean Hargrove, who brought us Columbo. Hargrove would later work the same magic with Dick Van Dyke in Diagnosis Murder. In fact, the two shows could easily have been companion pieces. Both featured sit-com stars from the 1950’s and 60’s who had become somewhat iconic characters. Both would don the role of professionals. Both shows would subscribe to the “formula” mode of storytelling. Diary Of A Perfect Murder would set up the Matlock formula. It’s simple, really. Matlock was a lawyer in Atlanta. Some wronged defendant, usually charged with murder, would show up asking for Matlock’s help. Matlock and his team would investigate the crime with an eye toward, as OJ Simpson is fond of saying, finding the real killer. In the pilot the Matlock character was less Andy Taylor and a little more slick at first. I’m sure that while it was intended to show Matlock’s prowess as a high-priced attorney, somewhere along the line it became obvious that the show’s finest asset was Griffith himself and that southern charm he was already famous for. Whatever the reason, you can see the character soften significantly during the early episodes of the season. And that decision was a smart one, as Matlock would continue for nearly a decade.
Posted in: No Huddle Reviews by Brent Lorentson on July 11th, 2013
Without my girlfriend’s six-year-old daughter to help me out, I had the opportunity to tackle this 10-episode compilation DVD of the hit Cartoon Network series. I can’t blame Makayla for her lack of interest in the show; after all, with the title character being a sixteen year old boy who fights robots and aliens, well, I don’t believe she fits the target audience. On the other hand, as I started watching I began to see that anyone who enjoys aliens and robots is sure to enjoy the show at least to some degree. For me in the 80’s when I devoured cartoons like Transformers, Thundercats, Mask, etc., it didn’t so much matter about the plot but about the crazy epic fights between my heroes of the animation world and the villains. Had Ben 10 been out, I’m sure I would have had a blast with it as well.
As a kid, who wouldn’t want the power to transform into any monster and save the world from some terrible monster wrecking havoc on the city? In a lot of ways Ben Tennyson is that kid we at some point daydreamed of being. Sure, he has an inflated ego and is obnoxious most of the time, but can you blame him? Every week some alien or robot created by some crazy doctor is out to kill Ben or attack his loved ones, and after surviving so many attacks, he’s pretty much earned the right to have some bravado.
Posted in: No Huddle Reviews by Archive Authors on July 11th, 2013
Cartoons are for kids. Most of the time. Then there is Adult Swim on the Cartoon Network. Adult Swim plays during the late night hours and is under much looser federal regulation. Much, much looser, I would say. In fact, it may be possible that the definition of the term loose has been stomped and squashed into a giant red stain on the sidewalk. I have not spent a lot of time watching Adult Swim, but I was not ready for the content of Superjail: Season 3. I think it would be hard to imagine something more offensive and shocking, but I'm sure it exists. Since it is a cartoon there are no limits in the ability to depict horrific gore and bodily destruction. This is a comedy show presented in the new format of compact 11-minute segments. I will say that I didn't see anything pornographic (at least that wasn't blacked out), but other than that there seem to be no limits in the hunt for the ultimate hilarious gross out.
Superjail takes place in a maximum security prison in some post-apocalyptic future. Mutants, freaks and unwholesome abominations abound. Any kind of social norm has been eradicated in this nightmare vision of the future. I'm not saying I'm shocked or offended, but I feel it is my duty to say that millions will be insanely upset and some will be greatly entertained. If you buy into the premise, I would say it's lots of fun. But I think late night Cartoon Network is no place for kids.
Posted in: No Huddle Reviews by J C on July 10th, 2013
Oregon may have been the 33rd state to join our union — and Portland may be its most populous city — but Portlandia is a (dog-dressing, raw milk-drinking, Seattle-hating) state of mind. And after three seasons of lovingly mocking upper middle class indulgence along with the denizens of the Pacific Northwest, Portlandia — created by stars Fred Armisen, Carrie Brownstein and director Jonathan Krisel — feels more like a fully-realized destination than ever.
Armisen and Brownstein still star in almost every sketch, and the versatile duo has created a solid stable of recurring oddballs to anchor the show. The Portlandia “Winter Special” — which aired a few weeks before the season 3 premiere on IFC — features some of their most popular creations: feminist bookstore owners Toni and Candace try to get Candace’s son to accept (another) vagina pillow, while a Peter and Nance sketch finds ineffectual Peter deciding to cut pasta from his diet to hilariously disastrous results.
Posted in: Disc Reviews by Jeremy Butler on July 10th, 2013
“There are only two reasons why a boat would go rogue. One is to defect, and the other is to start a war, and I don’t think we’re defecting. ”
Abraham Lincoln once said, “The best way to get rid of an enemy is to make him a friend.” That’s one way; however, Phantom proposes a different tactic: the best way to get rid of an enemy is to get someone else to do it. Which do you agree with more? Ed Harris and David Duchovny square off as two pieces on the opposite sides of the chess board locked in a submarine together with control of a nuclear warhead being the checkmate.
Posted in: Disc Reviews by Gino Sassani on July 9th, 2013
When one thinks of The Dick Van Dyke Show it's hard not to think of its star Dick Van Dyke. After all, it's his name on the opening credits, and he does play the lead character in this groundbreaking television comedy. There's little question that the show became a wonderful vehicle for his many comedic talents. But the genius behind the show wasn't really Dick Van Dyke at all. It was Carl Reiner (yes, Meathead's father) who is the true brains behind the show.
Reiner was a popular comedy writer in the early days of television. He made his name with Sid Caesar, writing for the very popular Your Show Of Shows. During that time he had been inundated with ideas for his own show. He wasn't happy with any of them and decided to write his own. The result was Head Of The Family. It starred Reiner as Rob Petrie, a television comedy writer living in the New York suburbs of New Rochelle. In a break from traditional sit-com style, he told his stories both at home and at the office. We got to see Rob with his fellow writers and with his wife and neighbors. If any of this sounds rather familiar...it should. It was a clever idea, but it stank up the ratings and was soon dropped.
Posted in: No Huddle Reviews by J C on July 8th, 2013
“The 1860s was a decade in which one of the most terrible civil wars in history was to begin and end. But far from the bloody fields of Gettysburg and Shiloh, changes — which were to alter forever the face of the American West — had already begun.”
And that pioneering spirit continued to capture the American public’s imagination 100 years later. The Western was the big boy on the block during the 1950s and ‘60s on both television — peaking in 1959, which saw 26 such shows air in prime time — and in the movies. How the West Was Won — starring John Wayne, Jimmy Stewart and Gregory Peck, among others — is one of the more enduring titles from that era.









