Just how much appeal can a show have when it’s about two directionless twenty-something’s who are groundskeepers at a local park; oh yeah, and they happen to be a raccoon and a blue jay?  It came as more than a little surprise how much this show not only had me laughing but I’m certain will have heavy replay value in this household. For those that believe it’s simply a kids’ show, be warned. Though it may not be filled with the raunch one would expect from Family Guy, Regular Show does dip its paw into indecency but never seems to cross the line.

For some cartoons and many shows in general, targeting a younger demographic each episode seems to attempt to deliver a message of some sort.  I don’t know if this is out of obligation to the younger viewers, but often enough the message seems to be forced and the show suffers in return.  Where I tip my hat to Regular Show is that it manages to deliver a message in a way where the viewer may not even realize what life lesson may be handed to them.  In Stick Hockey, Mordecai and Rigby find a used stick hockey game and the two become obsessed with the game, believing it to be the greatest game to ever cross their path.  Their boss threatens to take it from them unless they finish their work, but when the boss goes back on his word and gets rid of the stick hockey game, Mordecai and Rigby go through the motions of hunting the game down and wind up finding more trouble than they could have hoped for.

Mystery Science Theatre is an acquired taste. For me, I’ve really got to be in that certain mood to watch it. That’s the beauty of these DVDs. You pop them in when you’re ready. The idea is pretty whacked. Depending on the season you’ve got, Joel or Mike is trapped in space on the “Satellite of Love”. Doomed to spend his life watching very bad films, our hero makes the best of a bad situation. He uses his resources to construct a few robot pals. There's Crow T. Robot (Beaulieu), Tom Servo (Murphy), and Gypsy (Mallon). Part of an experiment together, they watch the films from the front row, constantly ranting throughout. If you’re like me, you’ve invited a few friends over to watch a schlock festival. The movies weren’t as important as the banter you created while watching. That’s exactly what you see here. The silhouettes of our host and his robots dominate the lower portion of the screen, where they provide alternative dialog and sometimes witty commentary on the action. The two evil station owners/mad scientists send them a new bad film each week to observe their reactions to the bombs. The films are broken up by off-the-wall skits and fake commercials to alleviate the tedium. The collection includes three Mike and one Joel episode.

This collection features three really bad movies, even by MST3K standards, but one that is quite better than the films usually riffed here. The inclusion of The Mole People is a bit of a mystery itself. The film is a Universal property which goes against the normal usage of public domain or small studio titles that wouldn't cost a heck of a lot in royalties. Remember that the show was a cable public access show for a while and even under Comedy Central there was not a huge budget to do these films. No question that the inclusion of The Mole People makes this one of the better sets to be offered of the show.

“The important thing for a writer is to tell a good story.”

Martha Gellhorn, considered by some to be the greatest war correspondent of the 20th century, was extremely adamant about not wanting to be a footnote in someone else’s life. So I’m thinking the writer — who died in 1998 — may have had mixed feelings about Hemingway & Gellhorn. On one hand, her life story gets the prestigious (and mostly sympathetic) HBO Films treatment, and Gellhorn is played by Oscar winner Nicole Kidman in a sensational, searing turn. On the other hand, the film had Gellhorn’s 60-year career covering every major world conflict to draw from, yet largely focuses on her combustible nine-year relationship — and five-year marriage — to Ernest Hemingway. I mean Gellhorn couldn’t even wrangle top billing in the film’s title, for crying out loud!

Our very good friends over at Dreamworks want to make sure your Spring gets off to a dramatic start. They've given us a copy of the award-winning Lincoln on Blu-ray for one lucky reader. One of the best films of the year, this Steven Spielberg movie features wonderful production design and a stellar performance by Daniel Day-Lewis.

To win just follow these instructions.

Timing is everything in life; being in the right place at the right time could mean great fortune. Of course the other side of that coin is that being in the wrong place at the wrong time could mean great misfortune; want to guess on which side the coin landed in Stand Off? (Hopefully you guessed misfortune; otherwise stop reading now.) Brendan Fraser leads the comedy about a botched robbery which eventually transformed to an even bigger mess. I’ve been a Brendan Fraser fan dating all the way back to Encino Man, and I was especially excited when he achieved action hero status with the The Mummy franchise (the final film excluded of course), but every now and then, it’s nice to see an actor return to familiar territory.

Fraser stars as Joe Maguire, a South Boston antique seller hiding out overseas after a hit is put out on his life by his mob boss father-in-law. While hiding out, Joe meets Sophie (YaYa DaCosta, Tron: Legacy), the store owner across the street from his cousin’s shop, and the two strike up a relationship. As a romantic gesture, Joe decides to make dinner for Sophie. Upon returning to from the market Joe witnesses the same suspicious character who has been lurking around the store going inside. Unsure whether the man plans to rob the store or collect on the contract out on his life, Joe brandishes a firearm and prepares to enter unaware that a copper (how they refer to policemen or policewomen across the pond; doesn’t that sound cool) has seen him remove the weapon, but we’ll come back to that.

When The Sandlot first came out 20 years ago, I connected to the coming-of-age baseball story as strongly as Babe Ruth connected with one of his titanic, 400-foot homers. I grew up in baseball-obsessed Puerto Rico and I happened to be the exact same age as dorky protagonist Scotty Smalls. Though I’ve kept in touch with the film over the years, Fox’s new 20th Anniversary Blu-ray re-release of The Sandlot marked my first time watching it from start to finish in a long while. It surely won’t be the last.

An adult version of Scotty Smalls recounts the story of his most memorable summer. As a fifth grader, Scotty (Tom Guiry) moved to a new town with his mom (Karen Allen) and stepdad (Denis Leary) just before the end of the school year. Scotty’s mom wants her sweet, nerdy son to actually get into a little bit of trouble during the summer, so he falls in with a group of kids who play baseball in a raggedy patch of grass called The Sandlot. The only problem is Scotty doesn’t even know how to throw a baseball. Fortunately, Scotty is taken in by Benny (Mike Vitar), the group’s leader and the best baseball player by far. During that one remarkable summer, the kids encounter a dream girl, arrogant Little Leaguers and a legendary canine menace known as The Beast, which swallows up any baseball that finds its way into his yard.

“People will always put themselves and money first.”

What do a yuppie business student, an escaped prisoner, and an enforcer for the Serbian mob have in common? They all want Easy Money, and the lives of these three very different men intersect in very unpredictable ways. Unfortunately, this Swedish crime film from director Daniél Espinosa (Safe House) is hard to follow for reasons that go beyond me not understanding a word they’re saying.

When I tell you The Host is one of the worst movies I’ve ever seen, you’ll probably think I’m exaggerating. There’s a decent chance you don’t know me and that we’ll never meet, so there’s no way for you to know I’m not prone to hyperbole or making “Best Ever/Worst Ever” statements. Obviously, I haven’t watched every movie that’s ever been made, but I feel reasonably confident in saying I’ve seen more than most people. Since I don’t make pronouncements like these lightly, I’m going to do my very best to explain why The Host — a stunningly bad sci-fi/romance that utterly fails as a work of science fiction and as a big-screen love story — is among the most inept films I’ve come across.

The Host is based on Stephenie Meyer’s 2008 novel of the same name. I suppose you could blame part of my extremely negative reaction to this film on some sort of prejudice against the Twilight author or her super-successful vampire franchise, but that bias doesn’t totally exist. (By the way, that was the one and only time I’ll be using the T-word; I don’t need to invoke it to discuss the unique atrociousness of this film.) Anyway, the nicest thing I can say about The Host is that it seems interested in exploring Big Ideas about the nature of humanity and the loss of free will. Unfortunately, those ideas are mangled by storytelling that veers back and forth between overly simplistic to shockingly incompetent, as well as a pair of romances that are likely to leave the sappiest of moviegoers groaning out loud.

"Four score and seven years ago our fathers brought forth on this continent a new nation, conceived in liberty, and dedicated to the proposition that all men are created equal. Now we are engaged in a great civil war, testing whether that nation, or any nation, so conceived and so dedicated, can long endure."

These were strong words, and the man who spoke them was certainly a dominant figure in American history. He's been portrayed hundreds of times on film and television. Rarely have any of these efforts been able to capture the true essence of a great man. You can't blame the actors or the production teams. There are those tasks which some say just can't be done. Lincoln heard those arguments himself. I'm sure that Steven Spielberg must have been haunted by the same thoughts when he set out to do Lincoln. Fortunately, he found another remarkable man who was up to the task. Daniel Day-Lewis does get the Oscar for his performance as Abraham Lincoln. We might well believe that all men are created equal. It's a true enough axiom. That doesn't mean that all men process equal ability in all things. Just two and a half hours with Daniel Day-Lewis and you'll find the point well illustrated. The film also took an Oscar for its wonderful production design.

“It’s been a long time getting from there to here.”

35 years to be exact. Enterprise is the fourth spinoff from the original 1960’s hopeful series. The Earth is finally ready to send its first starship to explore the vast galaxy. This first starship Enterprise is smaller than the ships we’ve become used to. There are no shields or photon torpedoes. The transporter has only been cleared for inanimate objects. Not that this stands in the way of its occasional “emergency” use. The ship is very much like the cramped spaces of today's submarines. It adds an even greater sense of reality to the show. The crew is composed of Captain Jonathan Archer (Bakula), First Officer and Vulcan High Command liaison, T’Pol (Blalock), Chief Engineer Charles (Trip) Tucker (Trinneer), Tactical Officer Malcolm Reed (Keating), Denobulan Dr. Phlox (Billingsly), Pilot Travis Mayweather (Montgomery) and Linguist/Communications Officer Hoshi Sato (Park).