Posted in: Disc Reviews by J C on February 7th, 2013
You don’t usually get too many legendary (and wildly polarizing) filmmakers coming off the biggest hit of their careers — unadjusted for inflation, of course — at age 77. Yet that’s exactly where Woody Allen found himself with To Rome with Love, his pleasant, witty, not-at-all-groundbreaking follow-up to Midnight in Paris. The writer-director originally named this film The Bop Decameron before changing it to Nero Fiddled. I’m guessing somebody (smartly) figured the suddenly buzzworthy director’s next film should have a less esoteric title; and if there was a way to incorporate a European city into the name, even better.
Luckily, the film’s more genetic moniker is actually a much better fit for this simple, engaging collection of stories set in the Eternal City. The movie is comprised of a series of parallel vignettes, but I really wish the director had found a clever way to connect these stories beyond the fact that they’re each set in contemporary Rome.
Posted in: Disc Reviews by Gino Sassani on February 6th, 2013
"All this has happened before and will all happen again. But this time it happened in London. It happened on a quiet street in Bloomsbury. That corner house is the house of the Darling family, and Peter Pan chose this particular house because these were people who believed in him..."
In 1953 with a little help from some Walt Disney magic, generations of children, and adults, of course, would learn to believe in the boy who never grew up. Peter Pan began in the imagination of writer J. M. Barrie. He appeared in a number of works from the Scottish author beginning in 1902 with The Little White Bird. The character had always been a favorite of Walt Disney himself, and it was originally intended as his second animated feature following Snow White. It became quickly apparent that the technology wasn't quite where he needed it to be to tell the story he wanted to tell. It was put on a shelf, but never forgotten. The rights to the character were willed to the children of a Children's Hospital in London, and it was from there that Walt managed to obtain the film rights for the animated feature we have today. Peter Pan has enjoyed success in pretty much every medium possible. There have been hugely popular stage productions where Peter was usually played by a woman. The character has appeared in film, music, comics, television, radio plays and, of course, printed form. He's an endearing and certainly enduring character who has now added high-definition Blu-ray to the list.
Posted in: Disc Reviews by J C on February 6th, 2013
Can a scumbag also be considered a hero? Lance Armstrong fans probably mull that question each time a new, unsavory revelation about the now-disgraced cyclist comes to light. The issue was addressed in 1992’s Hero, which starred Dustin Hoffman as a low-life who saves a group of passengers on a crashed airplane. Flight also takes to the not-so-friendly skies to examine whether it’s possible to reconcile a lifetime of destructive behavior with an extraordinary act of valor.
You wouldn’t necessarily guess that from the film’s punchy trailer, which painted Flight as a cynical gloss on the Sully Sullenberger story. (The movie’s protagonist even has a similarly folksy, alliterative name: Whip Whitaker.) Instead, Flight is an R-rated drama that presents one of the most unflinching portrayals of drug and alcohol addiction you’re likely to ever see in a mass-appeal film from a big-time director and starring one of the world’s most famous movie stars.
Posted in: No Huddle Reviews by J C on February 6th, 2013
“It’s time for Animaniacs. And we’re zany to the max. So just sit back and relax, you’ll laugh ‘til you collapse. We’re Animaniacs!”
I am a 30-year-old man, and I didn’t need any help remembering the lyrics to the Animaniacs theme song. (Yikes! That sounds like a confession I should be making at my next Man-Child Anonymous meeting.) Similar to the influential work of Tex Avery and Chuck Jones, Animaniacs served as the first exposure many children in the ‘90s had to classical music and literary masterpieces. And like Looney Tunes, the show’s greatness lies in that it doesn’t just arbitrarily nod to the classics, it gets kids excited about them.
Posted in: No Huddle Reviews by Jeremy Butler on February 5th, 2013
The Love Section is not a very grabbing title if you ask me, but to each his own I suppose. The new film is the latest product coming out of One Village Entertainment; the film does have some things going for it: an absolutely gorgeous leading lady (hubba hubba), a unique pairing of leads, and a very funny supporting character. However, the plot is not swimming in uncharted waters. Ali (Lawrence B. Adisa, Grindin) is a 32-year-old real estate agent and a ladies’ man, bouncing from woman to woman with very little desire for a permanent commitment. His married and porn-addicted best friend, Joel (Brian Hooks, 3 Strikes) thinks it’s time for him to settle down before he becomes the old man in the club. As fate would have it (movie fate, that is) one night out at a comedy club, Ali meets someone: Sandrine (Davetta Sherwood, The Young and The Restless), a drop-dead gorgeous 20-year-old. Age does little to deter Ali, who decides to pursue her, simply for the reason of making her another conquest. However, the more time he spends with Sandrine, no more he finds himself falling deeper and deeper into a commitment with her; not even the news that she is a single mother with a five-year-old son is enough to send him running for the hills.
Despite deep feelings for Sandrine, Ali is still unwilling to dive in with both feet, continuing to see other women on the side. He rationalizes to himself that a complete future may not be possible with Sandrine given the many obstacles in their way such as their age difference and her status as a single mom. Will Ali let a fear that it won’t work out cost him the opportunity to have something he’s never had before, or will he finally ready to let someone into the love section of his heart?
Posted in: Podcasts by Gino Sassani on February 4th, 2013
I had a nice little chat with Paul Andrew Williams. It was our most long-distance interview yet. He was in Jolly Ole' England and was nice enough to stay up late to talk to me about his latest film Cherry Tree Lane. We've got a review forthcoming. This is a most interesting and quite intimate look at a home invasion. Bang it here to listen in on our chat Paul Andrew Williams
Posted in: Disc Reviews by J C on February 3rd, 2013
“I’ve changed a lot. I’m not the same woman.”
Early on in Luis Buñuel’s surrealist gem, a mild-mannered older gentleman named Mathieu douses a beautiful, battered woman with a bucket of water as she desperately attempts to board the train he’s riding. His fellow passengers are stunned, but also understandably intrigued. What possible sequence of events could’ve led Mathieu to this cold and cartoonish gesture? It’s an irresistible hook, and Mathieu proceeds to regale the other travelers — and, by extension, the movie’s audience — with the tale of “the foulest woman who ever lived.”
Posted in: The Reel World by J C on February 1st, 2013
“This is a corpse infected with the plague. It is uncaring, unfeeling.”
When it comes to the overwhelming majority of zombie fiction, it’s all about brains. (Or rather, BRAAAINS!!!) It’s what the undead hunger for, and a well-placed headshot is usually the only way to kill them (again). And that doesn’t even cover the popular device of using the walking dead as an allegory for an increasingly mindless society. Warm Bodies stands out because it’s more concerned with an entirely different bodily organ. Based on Isaac Marion’s popular novel of the same name, the zombie romantic comedy deals directly with matters of the heart.
Posted in: The Reel World by Gino Sassani on February 1st, 2013
It's hard to imagine that Sylvester Stallone and Walter Hill never crossed paths for an action movie in the early days of their careers. Both have established themselves as staples in the action movie genre, and they dominated the 1970's and 1980's. It seems like a dream come true that the actor and director have finally joined forces. Unfortunately, some dreams are actually nightmares, and if Bullet To The Head is any indication, the two stars would have been better off had they remained unaligned.
The story is based on the French graphic novel Du Plomb Dans La Tete by Alexis Nolent. I have never seen the book, so it would not be possible for me to compare the two. Here the story involves hitman James Bobo (Stallone). He's on a hit with his partner Louis (Seda). Things go smoothly until James decides not to kill a hooker witness. Is he going soft? Not really. It turns out the two have been set up by their boss Marcus Baptiste (Slater) who has sent another killer, Keegan (Momoa) to get rid of the team. James gets away, and now he wants to find out who set him up and killed his partner.
Posted in: No Huddle Reviews by Brent Lorentson on January 31st, 2013
When being handed this title to review I have to admit my expectations were rather low, but as with every other title I was going to give it a chance. It’s not that I don’t enjoy cartoons or kid-friendly television; I was simply more concerned that perhaps I had reached an age where I simply wouldn’t be able to connect to the material I had to watch. By the time the credits to the first episode rolled, I quickly moved on to the next episode. Though the show reminds me a lot of Family Guy, there is nothing in the show parents should find offensive and it is suitable for children’s viewing. Each episode has a running time of about 11 minutes. With 12 episodes, a parent could easily pop in this DVD and keep their kids entertained while taking care of some chores around the house.
As for the show, well, it’s filled with more goofy randomness that is better left to be seen than have described. Gumball after all is a twelve-year-old (Cat???) who has a younger brother who is a goldfish and a father who is a human-sized rabbit. As for the characters that fill out the school there is a tyrannosaurus rex, a piece of toast, and a teacher who is a monkey, as well as a young girl Penny who just so happens to be a peanut with antlers. It doesn’t make sense, and it’s not supposed to; that’s just part of the fun of the show.
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