Now here is a series that me and my wife just didn’t seen eye to eye on. For her, the series was a triumph and had great depth. For me, it made me wonder whether we were watching the same thing. Because outside the beautiful scenery, I did not discern any great depth to this anthology series, which appeared to feature unhappy people. The series featured a cast of recognizable faces, which included Alexandra Daddario, Connie Britton, Steve Zahn, Sydney Sweeney, and Jennifer Coolidge; however, their characters weren’t what I would call loveable. It was difficult to find anyone pure or worth cheering for. Granted, the characters had varying degrees of sins, and none of them were what I would call evil, but none of them were worth investing in. Of course that is merely this humble critics opinion, as it would appear that many people have found something to love, given the series recent award success, such as two Critic’s Choice Awards and five Primetime Emmy Awards, including for Outstanding Limited or Anthology Series, Outstanding Directing for a Limited or Anthology Series, and Outstanding Writing for a Limited or Anthology Series or Movie. I guess this explains the series being granted a Season 2, which is scheduled to premiere in October 2022.

In 1978 when Good Guys Wear Black came out, Chuck Norris wasn’t the global superstar that he would later become, but this was one of the films that helped establish him as an actor and not just some martial arts guy on the big screen. This is definitely a movie that was a product of its time, and it can be argued how well it has actually aged over the years. Personally I have a hard time calling this an action film. When you compare it to most of the other films that Chuck Norris has in his filmography, this is very much one of the more tame ones and comes off more as a thriller, a fun little espionage film that actually leans heavier on Norris and his acting abilities than his ability to take down bad guys with spin-kicks, though the film does offer a few kicks to please the action-hungry audiences.

“Gentleman, I’d like you to meet Matt Logan. He’s a karate man.”

I still can’t decide if that line of dialog is awful or genius. In 1979 martial arts movies were going strong in the states, but they were certainly lacking in quality as compared to what was coming out overseas. Chuck Norris was the “American” answer to make a successful martial arts film, but it wasn’t till A Force of One where I feel Chuck Norris finally arrived as not just a martial arts star but a bonafide guy who was worth watching on the big screen. The story may be a bit farfetched, but this is a film that is fun. It’s something I’d throw on when I’m wanting to have a late night movie marathon. It’s what “midnight movies” were made for.

Revamping old shows and movies is the latest trend in television. CBS has made several attempts at this with varying success. Such was their attempt when they tried to convert Rush Hour into a TV series. It failed badly. But then there was Hawaii Five-O, which got 10 seasons and was pretty solid. The MacGyver reboot gaining a fourth season puts this attempt somewhere in the middle. The show has been on the bubble for the last two seasons and this year it was finally cancelled. But that wasn't quite the end of the story. Part of the reason was an inability to renew the rights from Universal at the kind of money CBS thought the show was worth. Now NBC, which is owned by Universal, has given the show a second chance with a 2-year renewal. The cast and crew appear to be intact, but with some contract negotiations it's possible that someone may drop out, leaving room for something new. So Magnum is back

The people of Taiwan have been searching for an identity for a long time.  When martial law was lifted over the People's Republic of China in the 1980's and shifted to a more democratic form, the people have increasingly wanted their own identity and no longer to be known as a part of China.  Sure, they might maintain the status quo and appear to work with China (which hasn't been exactly the case lately), but they strive to be known as Taiwanese, separate from the mainland influence.  Our film today, Vive L'Amour, takes place in the 1990's Taiwan, where life was extremely hard for the average young adult.   So hard that many of them didn't even have a permanent residence.

My fascination with tennis has come in spots throughout the early part of my life.  In the 1980's, I was fascinated by John McEnroe with his brilliant play and fiery emotion.  In the 1990's I was smitten with Jennifer Capriati, but also impressed by her tenacity at such a young age.  I still remembering listening to the broadcast of Goran Ivanisevic finally winning at Wimbledon in the early 2000's.  And that's where I stopped watching, really, still eager to see the amazing game play, but no longer finding the characters I so desperately wanted to look for.  Today's film is Final Set, which follows an aging tennis player who has one final shot at becoming the player he always learned to be.

A good erotic movie is actually harder than it sounds.  Sure, you have to have skin, word play, arousal, and yes, that other kind of play.  But the good erotic films like Basic Instinct, 9 1/2 Weeks, and Embrace of the Vampire (You thought I was going to say Fatal Attraction, didn't you?) are very entertaining and have a story that draws you in to keep you there even when the spicy bits aren't on the screen.  Today's erotic film is Curiosa, which certainly hits all of the skin elements, but does it have a story that I would want to watch again and again?  Let's check it out.

"Space ... the final frontier. These are the continuing voyages of the Starship Enterprise. Its ongoing mission: to explore strange new worlds, to seek out new life and new civilizations, to boldly go where no one has gone before!"

From the moment of the first UHD releases, I have had a wish list of films I wanted to see in 4K. Most of them have finally reached my home theater video shelf, but there remain a few elusive titles that I am still waiting for. Paramount is doing a great job. The Star Trek wait is somewhat over. I say somewhat because this new release from Paramount contains the films not included in the first release: Star Trek: The Motion Picture - Director's Edition, Star Trek V: The Final Frontier and Star Trek VI: The Undiscovered Country. But it does not include The Next Generation films.

"Nothing had prepared me, no books, no teachers, not even my parents. I heard a thousand stories, but none could describe this place, it must be witnessed, to be understood, and yet I've seen it and understand it even less than before I first cast eyes on this place. Some call it the American dessert, others The Great Plains, but those phrases were invented by professors at universities surrounded by the illusion of order and the fantasy of right and wrong. To know it you must walk it, Bleed into its dirt, drown in its rivers, then its name becomes clear, it is hell, and there are demons everywhere. But if this is hell and I'm in it, then I must be a Demon too and I'm already dead.." 

We're a visual people, and so most of you will recognize Taylor Sheridan from his role as a chief of police in Sons of Anarchy when the controlled puppet regime had finally left the scene. It's not a remarkable role, and it's not a complete surprise that Sheridan found his calling more recently behind the camera.

George Miller is a filmmaker who will forever be known for his Mad Max films, and to be fair, it’s a pretty awesome legacy to leave behind, but when you take a look at his filmography, it is one that is filled with variety. There is The Witches of Eastwick, his segment from The Twilight Zone: The Movie, and then there is Happy Feet, a variety that shows that he has more to offer than testosterone thrill rides. I feel it is worth mentioning this because it shows that as a director he’s willing to take chances and stray beyond his comfort zone and show that he is one of the more talented visual storytellers still working in the industry. The film Three Thousand Years of Longing is, simply put, a love letter to storytelling and its use over the existence of mankind. Sure, there are some mythical aspects involved and plenty of CGI, but at its heart the film is simply about two characters sharing stories inside a luxurious hotel room where Agatha Christie is said to have written “Death on the Nile”. Tilda Swinton plays Alithea, a self proclaimed “narratologist”, an academic who tells stories.