"You know, things change. Sometimes not so much ..."

Someone at CBS must have eaten a lot of alphabet soup as a kid. Today the longest running show is NCIS, about to enter it's 20th season along with a couple of sibling shows, one of which is also in double-digit seasons. It also happens to be their highest rated show over many of those 20 years. Before NCIS was crowned champ it, was another assortment of letters that reigned supreme at the eye network. That was CSI. It was the show that never looked like it had a chance. The series substituted lab work montages for car chases and explosions and featured a lot of talking heads that delivered some of televisions deepest techno-babble. Didn't stand a chance. The flagship series lasted 15 years

When watching this 1980 classic, it’s impossible to not notice its influence on films that would come later, most notably American Beauty (which would also win Best Picture in 1999). I bring this up not because Hollywood has a habit of recycling ideas, but more to point out that sometimes all it takes to make a great movie is to keep it simple, focus on issues that everyone deals with, and give it one hell of a cast that is willing to pour their hearts out onto the screen. The film is about 42 years old, and you could release it today, and it would still resonate with audiences; that’s what I feel makes a film great and where it merits the term classic. Paramount is dusting this title off from its catalog to release it under its Paramount Presents umbrella, and it’s definitely one of the standout releases they’ve put out. If it’s a film you haven’t seen yet, this is one that I consider a bucket list film everyone should see before dying.

"If you expect disappointment, you will never be disappointed."

That's the trouble with sequels. The filmmakers feel this great responsibility to give us more than they've given us before with no thought to the idea that more is often less. There has never been a truly great comic book hero film that had extra villains. It just doesn't work. You can't give enough time and back story to everybody, so you have to cheat somewhere and cut a few corners. Those corners are things like characterization and heart. But what if you could? I mean, seriously. What if it were possible to do a multi-villain comic book movie that was really good? Until just now

This month Kino Lorber and their Studio Classics line are releasing a pair of romantic comedies starring the late Rock Hudson. With 76 acting credits to his name, he made a name for himself by starring in westerns and comedies. What pop culture seems to remember most is that he was one of the most prolific actors playing the straight male that was always getting the girl when, in fact, the actor was gay. Now with these two titles, one I feel is a forgettable mess, while the other I had a good time with. Sometimes I’d say having two bedroom comedies could equal a fun double feature, but regarding these films, that is not the case

This was a bit of a letdown, if I’m being honest. It just didn’t deliver the epic conclusion that I was expecting. Honestly, it felt more like part 1 of a two-part conclusion. While it wouldn’t surprise me to learn that there is another upcoming installment in the franchise, at this moment I am unaware of any intentions to continue the series with this group of characters. Bearing that in mind, I must defer to my original statement: it was a bit of a letdown. In recent years, my fandom for the Wizarding World has been rekindled due my daughter’s discovery, and now obsession, for all things Harry Potter. I was especially glad when I learned that I would be able to bring her along for what I expected, at the time, to be an epic conclusion. And while the film got her stamp of approval, my approval is a little harder to receive.

Here at Upcomingdiscs we have worked to bring you a large variety of reviews. Of course, we cover the big blockbuster films that hit the box-office and get us out to the multiplexes. We're known for our television series coverage and have brought you the best in both television and streaming material. We also like to think that we introduce the world to some of the films out there that don't have big budgets or advertisement campaigns. Tucked within these smaller releases you can find diamonds in the rough that showcase the kind of talent and storytelling you might get from a big studio but from artists who have visions that might not attract that kind of attention. The true fan of film is always on the lookout for these kinds of films and this monthly roundup is our way of bringing some of what we find to your attention. So do a little mining here and you might just find a diamond of your own

Most people want to do the right thing.  It's usually far easier in your private life to do the right thing than it is, say, in a job environment where you have people constantly breathing down your neck.  They are far more interested in the company's pocketbook or their image to society than what is right and wrong.  Therefore, it often leads to a lot of decisions (especially those in places of power) that from a surface appear questionable.  It's even worse when that company or organization is in the public eye every moment of the day.  Today, we look at a film where an ex-cop has retreated to the mountains in search of a simpler life away from the grey choices of the police force.  All based on trying to do the right thing.  Let's take a look.

When I was a young boy I loved playing with my toys. We had some cool toys back then. Major Matt Mason, plastic dinosaurs, Hot Wheels, and Creepy Crawlers Thingmaker sets. Yeah, in those days a toy could cause third-degree burns and no one really worried about getting sued. Kind of takes the fun out of being a kid today. You know who else, I bet, loved to play with his toys? Michael Bay. I bet he had the coolest toys in his neighborhood. He probably wasn't the best guy to be friends with, however. He didn't invite the kids over to play with his toys. He likely charged you a nickel to watch him play with them. It's many decades later, and Michael still has the coolest toys on the block. Only now you have to cough up twenty bucks if you want to watch him playing with them. I'll bet he wasn't the best guy to lend your toys too, either. He probably loved breaking stuff. There were likely plenty of toy casualties in the Bay home in those days. So you didn't want him playing with your toys. Michael is still breaking a lot of toys. For a while he used giant robots to do his dirty work. Now he kinda feels like he's played that game enough. Now he's back to breaking cars ... lots of cars. Ambulance is Bay's latest adrenaline fix, and the damage is considerable. But is it worth the 20 bucks this time around?

"I used to think of my body like an instrument for the accomplishment of my will. I could use it to run , pick things up, make things happen. There were limits, of course, but my body was nonetheless one with me. It obeyed my commands, mostly without complaint. Not anymore. Now there's tending to be done. I almost died when we first got here, they said sepsis. Pain makes your world very small. My world has been this room. Today I venture forth. My world can't be small. Not now. Because the others need me to protect them. Gilead is out there. Gilead isn't afraid. It does not hurt or sleep. It keeps coming forever and ever and ever..."

At least for another season. A lot has changed both within the world of The Handmaid's Tale and in our world of viewers.

The power of the media is indeed one of the most powerful forces on Earth.  They have the ability to manipulate regardless of where the truth actually lies.  This exists on all sides of the political spectrum regardless of country, creed, or faith.  It is truly sad that such fabrication actually exists and even more unfortunate that people will take it in hook, line, and sinker.  Our film today, Armageddon, takes place in France, but plays havoc with manipulating those all over Western Europe by using the media to instill fear.  Fear of mortality, fear of losing life, a fear that makes the strongest person into a blithering child.  Let us take a look.