"Look. See a world that holds more wonders than any since the Earth was born. And of all who reigned o'er, none had more renown like the boy who pulled the sword from the stone. But this is not that king, nor is this his song. Let me tell you instead a new tale. I'll lay it down as I've heard it told. Its letters set, its history pressed, of an adventure brave and bold. Forever set in heart, in stone like all great myths of old ..."

Mythology is filled with stories of knights. The Black Knights of villainy can be found in thousands of stories, perhaps far more. What young girl doesn't dream of her White Knight coming to rescue her from a mundane life? And there are countless stories of King Arthur and his entourage of famous names like Guinevere, Galahad, and Merlin the wizard. But you won't find too many stories of a Green Knight. Nor has there been much set to paper on Sir Gawain, one of Arthur's lesser known family members. Turns out the young lad was his nephew of Gwen's side of the family. So it's no surprise that I had never heard of either character even though I spent a considerable time in my youth devouring Arthur legends and myths. So I considered myself somewhat learned on the subject, enough to complain constantly when films depict the sword in the stone as Excalibur. It wasn't. The iconic sword was given to Arthur much later by The Lady Of The Lake. But I digress. As the above quote informs us, this is not THAT story. This one comes mostly from an anonymous poem called Sir Gawain And The Green Knight as retold here by writer/director David Lowery.

“How many people? Husbands, wives, and children, will you kill for peace, Clark?” 

Needless to say, when Superman goes bad, it’s a bloodbath. And not just civilians, but heroes as well, as the Justice League is divided, and several are killed in what becomes a civil war between Superman and Batman. When the Joker tricks him into murdering the love of his life, Superman breaks his most solemn vow in pursuit of what he believes to be justice, and this act sends shockwaves throughout the world. Batman, Superman’s most trusted ally, finds himself in the impossible position of having to stand oppose the hero, as Superman proceeds to impose his will on mankind in order to keep them safe. All in the name of justice, or is it Injustice? This 43rd installment in the DC Animated Universe is based on the popular video the popular 2013 video game of the same name, which takes place in a separate continuity from the main DC Universe. Justin Hartley takes quite a step up in his return to the world of DC movies, going from portraying Green Arrow in television series Smallville to voicing Superman for this animated film. He is in good company, as he is joined by Anson Mount, voicing Batman, as well as Edwin Hodge, Oliver Hudson, Gillian Jacobs, and Anika Noni Rose.

"My most vivid memories are of the days when my life changed. I remember coming to this Earth, feeling the sun on my face for the first time. Hearing the voices of my parents. My mother called me their greatest surprise. And boy, there sure were lots of them. I remember loving Smallville; the people, the community, how the small things were the big things. And I thought I'd live there forever. But my father's death set me on a different path. Eventually, I moved to Metropolis to become who I was meant to be. But my most vivid memory of all was the day I met her."

The her, of course is Lois Lane. Together they are Superman & Lois, and they've joined the ever-expanding Arrowverse for their first season now out on Blu-ray from Warner Home Entertainment. While this is their first season, the characters and these actors portraying them are not new to the Arrowverse. Tyler Hoechlin as Superman and Elizabeth Tulloch as Lois Lane have been here for a few years. Both have shown up on Supergirl, and both appeared in a couple of the crossover events that have pulled together the various Arrowverse shows in the past. Now the focus is on them. They have their own show, and it's quite a different approach to the characters and their story.

No, this isn’t a remake of the 1994 Ice-T Surviving the Game. Unfortunately, this is yet another low-budget action film starring Bruce Willis that has this reviewer wondering if we’ll ever get a great film out of Willis ever again. For the past few years it seems Bruce Willis has given up doing A-list films and has instead gone the route of straight-to-disc releases, and the films have ranged from tolerable to garbage. This is frustrating, because I think we can all agree he’s better than this, but he seems to be fine cashing the paychecks and going onto set and looking miserable from one scene to the next. I miss seeing Bruce Willis being the average-Joe badass. The Last Boy Scout? Heck, at this point I’d rather see him in a Hudson Hawk revival, but alas, this seems to be what we’re stuck with.

The plot is relatively simple. David (Willis) gets injured and is taken hostage after a drug bust goes wrong. Cal (Swen Temmel) follows members from the failed drug bust to a farm, and their confrontation draws the attention of the property owner, Eric (Chad Michael Murray), an soldier who’s been awarded the Purple Heart but is grieving the recent loss of his wife and child. The setup isn’t all that bad, but it’s the initial drug dealers we see Cal having to confront that are just a taste of the cringe-worthy performances and dialog that’s to follow. This could have worked if the two criminals were just a pair of dumb, love-struck criminals. They’d still be annoying, but it’s at least believable that all they were good at is knocking over gas stations and stealing cars, but instead they are connected to a major drug cartel that David and Cal have been pursuing for years. Where this takes a turn for the worse is when more of the gang arrive, and they are comprised of a ragtag group of idiots who belong on an episode of The World’s Dumbest Criminals. Trying to take control of this crew is Frank (Michael Sirow), who seems to be the only professional who has any brains and menace, but in contrast to the rest of the crew, it just makes everything all the more absurd.

“A great man doesn’t seek to lead, he’s called to it. But if your answer is no, you’ll still be the only thing I need you to be. My son.”

Given that this was most likely the most anticipated movie of 2020, I must say that I expected much more from it. Especially given the who’s who list of Hollywood stars who were brought together for this production. Names like Timothee Chalamet, Zendaya, Jason Momoa, Oscar Isaac, Rebecca Ferguson, Josh Brolin, and the list goes on. I suppose another thing that somewhat worked against the film was the long wait, as this was a movie that was slated for a year earlier, and then the pandemic complicated that, so anticipation for this film was high. Not to mention that this is a reboot of a beloved series that has already been adapted and garnered a large cult following. It is also my understanding that previous adaptation had the benefit of having the creator of the franchise on set to help guide it. That sounds like a recipe for success, if you ask me. Here we have the re-imagining of an idea with a very loyal fan base, which is always a dangerous undertaking. However, Denis Villeneuve’s proven resume with thrillers such as Prisoners and Sicario, as well as his work in the science fiction genre with Arrival and Blade Runner 2049 (which also was based on another classic film), suggested that he was uniquely up for the task of taking on a film such as this. While I did enjoy what Villeneuve created visually, my big issue was with the story, specifically, the fact that it was clearly incomplete.

"This is the way the world ends..."

The Stephen King cycle has turned hot once again. With the enormous success of the two-part It feature at the box office, Stephen King is hitting the kind of popularity he had back in the 1980's and 1990's, when it seemed anything he put his name to had to be made into a feature film or some other grand project. The trend led to mixed results. Many of the films couldn't live up to the visceral detail that has become King's trademark. To do this, his books have taken on a large page count that has been nearly impossible to fit into a 2-hour feature film window. So there were attempts to expand that reach and use his material for the mini-series format. That's the way It was handled in those days. But there are limitations in network television, particularly 30 years ago, that had no chance of capturing the imagination of a writer with such brutal imagery. The lesson has taken hold. It was released as two films. But back in the day, it appears that even seven hours couldn't quite deliver a quality version of The Stand. Even with a brilliant cast and a script written by the horror master himself, the mini-series fell short of both expectations and the test of time. But like I said, Stephen King is back. He's got a shared world television series, a two-part blockbuster horror film, and now this second attempt to take another bite at the apple that is The Stand. What better time to take a nostalgic look at the 1994 mini-series The Stand now out along with the brand new version CBS Home Entertainment.

Totally immersive, the movie The Last Duel takes you into 14th century France where it deals with wars, the plague, and an economical decline for the kingdom.  Entwined, during that period, is a true story of misogyny, a power struggle, and a rivalry between squires. Powerful acting, direction, and cinematography deliver a compelling story that makes the two and a half hours fly by. In the 1300’s Europe has been wrecked with war and plague, and France has had a good share of the death and destruction. As the story begins, find notable squire and knight Sir Jean de Carrouges (Matt Damon) returning to his castle from a vicious battle in defense of his king. Having lost his wife to the plague, he marries Lady Marguerite de Carrouges (Jodie Comer), the daughter of a landowner with a vast amount of territory.

Equal in station to Jean de Carrouges, Jacques Le Gris (Adam Driver) has fought alongside Sir Jean and is welcomed by the court of King Charles VI (Alex Lawther). With the backing of Sir Pierre d’Alencon (Ben Affleck), a favorite of the king, Le Gris underhandedly receives the title of Captain over rightful candidate de Carrouges.

"Scared yet? You should be."

There have been a ton of changes in the Arrowverse that started in 2012 with the CW premier of Arrow. It told the story of Oliver Queen, The Green Arrow. Other shows and heroes were added along the way that included time-traveling heroes of The Legends Of Tomorrow, Supergirl, Black Lightning, Stargirl, and most recently Batwoman and Superman and Lois. But the best of these Arrowverse shows has always been and continues to be The Flash. But a lot has changed since then. The mothership, Arrow, has been gone for two years. Supergirl ended last season along with Black Lightning, and Legends Of Tomorrow appears to be fading fast in just plain silliness. Too bad DC doesn't own the rights to Howard The Duck. He'd fit right in. Of the new shows, Stargirl shows a lot of promise with a pretty solid ensemble. Batwoman, for so many reasons, is a complete mess, and Superman & Lois looks to be the most promising future of the Arrowverse. The jury is still out after only one season. But The Flash remains the touchstone of quality in this collection and is now the longest running of the entire franchise. There's a reason for this, and Season 7 will give you even more reasons to run toward The Flash. However, if you're thinking of joining The Flash for the first time in Season 7, that's not going to work out so well for you. Hopefully you're a speed watcher, because you have 6 to go. You're going to love what this series has cooking, but you need to start with getting yourself caught up in order to fully appreciate what is in store for you here. In addition to the many seasons, crossovers, and other shows, COVID has reared its ugly head and kind of mixed up the order of some things. That means you're not really getting Season 7 from the beginning when you buy this set. You're getting the last three episodes of Season 6, and Season 7 starts on the fourth episode and gets a bit truncated by the shorter production schedules. That's a lot to get caught up with, so check out our reviews of the previous releases here.

"My name is Lt. Aldo Raine, and I'm putting together a special team, and I need me eight soldiers. Eight Jewish-American soldiers. Now, y'all might've heard rumors about the armada happening soon. Well, we'll be leaving a little earlier. We're gonna be dropped into France, dressed as civilians. And once we're in enemy territory, as a bushwhackin' guerrilla army, we're gonna be doin' one thing and one thing only ... killin' Nazis. We will be cruel to the German, and through our cruelty they will know who we are. And they will find the evidence of our cruelty in the disemboweled, dismembered, and disfigured bodies of their brothers we leave behind us. And the German won't be able to help themselves but to imagine the cruelty their brothers endured at our hands, and our boot heels, and the edge of our knives. And the Germans will be sickened by us, and the German will talk about us, and the German will fear us. And when the German closes their eyes at night and they're tortured by their subconscious for the evil they have done, it will be with thoughts of us they are tortured with. Sound good?"

All right, so I’m a bit late to the party on this one, but I wanted to toss in my two bits anyway.

“Michael Myers has haunted this town for 40 years … Tonight we hunt him down.”

In 2018 when Halloween came out, I have to admit I was disappointed. Maybe I just had such high hopes, or the film just simply didn’t offer up anything fresh to the series as I had hoped. Sure, it had its moments, like the long tracking shot of Michael doing what he does best and leaving a trail of bodies behind, but aside from that, I felt it was a relatively forgettable entry. I love the original film. What John Carpenter did scared me as a child and still excites me after numerous viewings. Halloween II is a fun watch that I continue to enjoy. And for a more controversial take, I’m even a fan of Rob Zombie’s Halloween. I liked the time spent with a young Michael Myers, and I look at the film as basically a southern re-telling of the Boogeyman. The franchise is hit or miss, and the numerous timelines do complicate the lore, so I was more than a little skeptical about Halloween Kills and it being the middle of David Gordon Green’s trilogy.