Posted in: The Reel World by Archive Authors on August 20th, 2016
Taylor Sheridan is an actor. Let’s change that. Taylor Sheridan was an actor, and now he’s a writer. He’s a terrific writer. He’s the kind of writer that actors are going to be seeking out and critics are going to love. But he’s also made hard-boiled genre action pieces. He’s coming out of nowhere and getting everything right. He was a series regular on Sons of Anarchy and Veronica Mars, but he’s going to be in much greater demand as a screenwriter. His first film, Sicario, was one of the top ten films of last year, due in large part to his brilliant script (and also to everyone else involved with the movie, like director Dennis Villeneuve and cinematographer Roger Deakins).
Posted in: No Huddle Reviews by Archive Authors on August 11th, 2016
When I think of the Bible, I don’t think of northern Ontario. But there is an appetite for Christian-themed movies, and Canada is one of the most cost-effective places to produce movies. They have studios and sets up there, so it isn’t the worst idea in the world to go there to make any movie, even movies that take place in a very arid, hot, and dusty place. I have reviewed a group of Biblical films that Ted Turner produced for the TNT Network in the 1990’s. They were fairly well made, and, yes, they were made pretty close to the original locations. This new group of Biblical films is not quite up to those standards. I am reviewing The Apostle Peter: Redemption, but the same company has also produced Joseph and Mary, so we can probably expect more.
Posted in: The Reel World by Archive Authors on July 23rd, 2016
Captain Fantastic has nothing to do with Elton John. (It turns out that’s not entirely true, because director/writer/actor Matt Ross (Big Love, Silicon Valley) found out his mother played Captain Fantastic and the Brown Dirt Cowboy all the time, and it must have imbedded itself in his subconscious). The story in the movie starts in a very Lord of the Flies way, with camouflaged faces hidden amongst the leaves of the woods. They are children, and one of them leaps from the bush with a knife and cuts a deer’s neck. There are seven children and they all belong to Ben (Viggo Mortensen, Lord of the Rings).
Posted in: The Reel World by Archive Authors on July 23rd, 2016
Café Society looks absolutely gorgeous. Every camera setup finds a new authentic location that suggests a time and place long ago. The lighting and cinematography by Vittorio Storaro (Last Tango in Paris, Reds, Apocalypse Now) are sumptuous and delicious. The story is novelistic like an F. Scott Fitzgerald magnum opus. Woody Allen has had a long and very productive career. He is definitely at a stage when he should have slowed down, but he doesn’t. Café Society is not Woody’s magnum opus, but it certainly feels like he is reaching for it. It has depth and complexity. It is funny at times but is generally filled with ache and regret.
Posted in: No Huddle Reviews by Archive Authors on July 18th, 2016
I have just reviewed The Bible Stories: Jacob in which I may have left people hanging, because I teased the end of the story. Of course that only applies to people who have never read the Bible. The Bible Stories: Joseph will give you some of those answers if you never got to the Good Book. Jacob indeed survives and thrives, so God was good on his word. Jacob had many sons, but in this film he is older and played by Martin Landau, not Matthew Modine. Jacob had 12 sons with two wives and two handmaids who were all involved with the births. Jacob (also known as Israel) entered into a covenant with God to create a new nation of plenty and prosperity.
Posted in: No Huddle Reviews by Archive Authors on July 12th, 2016
I have previously reviewed movies from the Bible Stories collection including Samson and Delilah and David. I also reviewed Abraham, which was one of the earliest stories in the Bible but not as early as Noah or, of course, Adam and Eve. The Bible Stories: Jacob (or The Bible Collection: Jacob) follows up on the story of Abraham, since Jacob is his grandson. I have also just watched The Bible Stories: Joseph which I will review later, but I mention it because Joseph is Jacob’s son.
Posted in: The Reel World by Archive Authors on July 11th, 2016
I am somewhat angry right now. I am increasingly stunned at what is being praised in this culture. We are trapped in an era that is supposed to be enlightened but is ladled on top with layers of rotting organic material (which is a euphemism for a rather rude word). There seem to be no interest in certain things that are very important and increasingly relevant to us. There are subtleties and complexities about ourselves that we don’t understand and that is why the world is still enmeshed in violence and madness. I am talking about people who should know better. People who pontificate and tell us what we are supposed to think. Critics. Pundits.
Posted in: No Huddle Reviews by Archive Authors on July 9th, 2016
In 1983, The Dresser was nominated for five Oscars for Best Actor for Tom Courtney and Albert Finney as well as Best Adapted Screenplay, Best Director, and Best Picture. In 1980, it was also nominated for Best Play in both Britain’s West End and on Broadway in New York. It is a showpiece for the best actors in the world. It revolves around two characters: a great Shakespearean actor who is struggling with the fear of oncoming mortality and his close personal servant who tries to hold his master together. It is a brilliant vehicle for any great actor. Since it first came to prominence, there have been talks about a new attempt to reinterpret the material
Posted in: No Huddle Reviews by Archive Authors on July 7th, 2016
I wrote about The Facts Of Life before (Season 7 in October 2015 and Season 8 in February of 2016). The final season (Season 9) made it one of the longest-running sitcoms up to that time. It was never a number one show, but was consistently popular over the years. There is no George Clooney (Clooney had moved on to Rosanne) in the final season, or Charlotte Rae (who was just tired and left in Season 7). The focus in Season 9 was on the four girls, Blair Warner (Lisa Welchel), Jo Polniaczek (Nancy Mckeon), Natalie Green (Mindy Cohen), and Dorothy ‘Tootie’ Ramsay (Kim Fields), because they were growing up and becoming adults.
Posted in: The Reel World by Archive Authors on July 6th, 2016
If a film is highly original, that is usually a good thing. If it completely defies logic, that might be good or bad, depending. If it defies common sense and intelligence, that would be a bad thing. Swiss Army Man does all of those things. It is tantalizing with possibilities that are explored, but frustrating in execution. It is rude and unpleasant, and not in a good way. Some people will respond to its ridiculous rudeness in a positive way, like the way that most children laugh when someone farts. That is not the real problem with this movie.
