Posted in: Disc Reviews by Brent Lorentson on April 16th, 2019
Back in 2015 when the prison escape took place in upstate New York, this was one of those news stories that kept me glued to my television, as I’m sure it did for countless others. As the story unfolded in front of news cameras, the story just got more scandalous, and as the days ticked by with the prisoners on the run, a part of me was sort of rooting for them. I know they’re felons, but seeing them manage to outmaneuver authorities and evade capture, it was sort of like rooting for the underdog, because most of the time these incidents don’t end well. It’s no surprise that Hollywood would latch onto this story, but what is surprising how well this Showtime mini-series turned out. With funny-man Ben Stiller at the helm, I was surprised to see that he was attached to direct this. He’s been successful behind the camera, and my favorite films of his have been Reality Bites and The Cable Guy. So how did the nearly 7 ½ hour series turn out?
Posted in: Disc Reviews by Brent Lorentson on April 16th, 2019
When it comes to Robert Zemeckis films, you never know what you’re going to get. Like most, I’m a fan of his Back to the Future trilogy, and then there is Who Framed Roger Rabbit that to this day I feel is his best work. While he’s churned out many good films, there are films of his that I’m simply not a fan of. Forrest Gump happens to be one of those films. For the most part he makes audience-friendly films, but what I’ve always admired about the guy is how he’s always attempting to integrate new technology into his films. Zemeckis has become one of the pioneers of motion-capture technology. Ever since The Polar Express (2004), he’s been making improvements with the technology, and now with Welcome to Marwen, it is stunning to see just how far he has come.
Posted in: Disc Reviews by Brent Lorentson on April 9th, 2019
It’s been expected that Season 10 of Archer would be the last one. With Fox recently putting out the 9th season Archer: Danger Island, it’s giving fans a chance to catch up before Sterling Archer (voiced by H. John Benjamin) sets off on his final adventure. There are still plenty of questions left unsolved from Season 7, and if you were hoping Danger Island would help fill in the blanks, well, sorry to disappoint; instead, season 9 gives us something completely new that I enjoyed, though I have to admit it left me scratching my head for where things may be going.
Posted in: No Huddle Reviews by Brent Lorentson on March 27th, 2019
This review is going to be a little different from what you may be used to seeing here at Upcomingdiscs. We’re about to venture off the path of mainstream films and delve into the dark and seedy areas of cinema where the naughty, the gory and the cult lurk. This comes with a warning: these films are not for everyone. Seriously, this is your chance to click away, because these films can leave an impression on the viewer and are difficult to unsee. Also these films do come with a not-rated label, so no one under 17 permitted, for those youngun’s still sticking around to read, go ahead and click onto the Mary Poppins Returns review. I read some nice things there; this here is no review for you. I don’t want to be held responsible for the nightmares these films may cause you down the road.
Posted in: Disc Reviews by Brent Lorentson on March 19th, 2019
This is one of those films where the cast had me equally excited and concerned with how the film would turn out. On one hand it has Harvey Keitel; the guy is a living legend between his roles in Reservoir Dogs, Bad Lieutenant, Taxi Driver, Mean Streets, and countless others. Keitel is one of those actors who elevates just about any film he’s in, and he’s in several films I’d even call classics. Then on the other end of the spectrum there is Hayden Christensen, one of the most lifeless performers to ever grace the screen in my opinion. I still have bouts of anger when I see him as Anakin Skywalker. But I’m always ready to have an actor surprise me, and I always go into a film with an open mind once I sit down and start watching it. Unfortunately The Last Man is a dud and was a film I struggled with so many of you won’t have to.
Posted in: Disc Reviews by Brent Lorentson on March 7th, 2019
It may only be March, but I’m willing to bet The Standoff At Sparrow Creek will make the list of my top films of 2019. I’m going to go out on a limb and say that this is the next breakout film people will be talking about, because it’s just that damn good. Think about what Reservoir Dogs mashed up with Glengarry Glen Ross would be like if they were mashed together and the characters were all members of a militia; then you’ll somewhat have an idea of what The Standoff at Sparrow Creek has in store for you. We’ve all heard rumblings about militia groups, the kind that have their hidden bunkers that have stockpiles of weapons and ammunition that are ready to go into battle at a moment’s notice.
Posted in: No Huddle Reviews by Brent Lorentson on March 4th, 2019
It’s been a while since there has been a good invisible man film. It’s one of the original Universal horror monsters that just doesn’t seem to get the fanfare that I feel it deserves. Some of the greats in Hollywood have tackled incarnations of the character. John Carpenter with Memoirs of an Invisible Man (1992); then there was Hollow Man (2000), but neither of these films are what you would consider classics, though they are films I had fun with. So when The Unseen crossed my path, I was looking forward to this. After all, it has been a while since this type of character has been tackled; then factor in that it is being helmed by Geoff Redknap, who previously worked as a special effects artist on Cabin in the Woods, Watchmen, and numerous other projects. This just seemed like it would be a good match. The result is a bit of a mixed bag.
Posted in: Disc Reviews by Brent Lorentson on February 27th, 2019
At first glance, Mary Queen of Scots has all the makings of a film you’d expect to be nominated for numerous awards; after all, it’s a period drama that showcases some remarkable performances from Saoirse Ronan and Margot Robbie. Unfortunately this retelling of the story between Queen Elizabeth (Robbie) and Queen Mary (Ronan) is bogged down with its politics and the struggles these women have being leaders while their differing religions present a conflict preventing them from ever working together. Let me just jump into this and attempt to sort this film out.
Posted in: No Huddle Reviews by Brent Lorentson on February 22nd, 2019
It was 1985 when The Key to Rebecca first aired. It was a made-for-TV film based on the novel by Ken Follett. I had never heard of the film until a couple of days ago and had no knowledge of the book, so I was pretty much going into this with nothing more than the blurb you can read off the back of the DVD box. The one thing that jumped out at me was the running time on the film: 3 hours and 14 minutes, so one thing I knew was it would be a film I’d be spending a decent amount of time with. I have nothing against long film. I don’t care what the runtime is on a film, just so long as the film is good, and unfortunately The Key to Rebecca didn’t turn out to be the suspense-filled spy film I had hoped it would be.
Posted in: Disc Reviews by Brent Lorentson on February 20th, 2019
When I first heard that Bradley Cooper would be making his directing debut with A Star is Born, honestly, I kind of groaned. It’s not because I didn’t believe he’d have the chops; after all, he’s worked with many successful directors over the span of his career. I groaned because I believed the world didn’t need yet another remake of the film. This will be the fourth incarnation of the film, and while many can debate on which version is their favorite, the film was pretty much a relic I felt should have stayed in the past. I mention this and want to also put it out there that even after some of the trailers I had caught for the film, my excitement level was pretty low going into this. Well, this turned out to be the sleeper hit of the year for me. Sure, many could have told me this would be a hit, and because of the cast I wouldn’t dispute it, but when I walked out of the auditorium I felt like I had experienced something special (even if it had been made three times before).
