Posts by Brent Lorentson

When Pacific Rim first came out, I had a blast with the film.  It was the ultimate giant-monster-versus-giant-robot film that my inner ten-year-old has wanted to see for so long.  Sure, the film had some dialog issues, but the world that Guillermo del Toro created with the film was so over-the-top and beautiful that the bad dialog was easy to forget.  It knew what it was, brainless eye candy, and it delivered in a big way. Now we have the sequel coming out; del Toro is no longer at the helm, and in his place we have Steven S. DeKnight whose previous directorial efforts have been episodes from Daredevil and Dollhouse.  Does the sequel hold up?  Well, to put it bluntly, not even close.

When Calls the Heart is already five seasons in and has been a fan favorite of the Hallmark Channel.  It’s no surprise that the channel would take a chance with the show and develop a movie from the material that author Janette Oke has created. As a show that plays on the Hallmark Channel, it should come as no surprise that it is wholesome and filled with values that you don’t often find on the cable networks.  In this day and age a little bit of wholesome television can be a nice change of pace; after all, for many all they see is the sex and violence that flood the airwaves. It’s hard to find entertainment that is safe for the whole family to watch. But just because it’s something for the whole family to watch, is it any good?

I can’t think of a real life cop who is more famous than Frank Serpico. Ever since the film Serpico was released in 1973, people around the world knew the name of the cop who singlehandedly attempted to end corruption in the NYPD. Al Pacino made the character famous, and the name continues to live on in pop culture, but now we have the documentary Frank Serpico to tell the story from the man himself.  The film that follows is not just about the man and his crusade against the NYPD, but it also serves as a reflection with the man 45 years following his time in the department. Back then he took a bullet for speaking out about the corruption. Have the man or ideals changed over the years?  That is what the documentary sets out to find out.

For some reason, adapting videogames into good films has been the nut Hollywood just can’t seem to crack. The Resident Evil series has been successful, but I wouldn’t say it really holds up to the game. Personally, Silent Hill has been the only adaption I’ve really enjoyed, and that film has divided fans as well. As for the Tomb Raider franchise that kicked off in 2001, sure it had some fun sequences. And with Angelina Jolie becoming a hot commodity at the time, it’s not too much of a surprise that it did well at the box office. Now 17 years later, the time has come for Tomb Raider to get a makeover

I’ve been a fan of The Walking Dead ever since the first episode aired on AMC. I’m a sucker for zombie films and the original Dawn of the Dead remains as one of my all-time favorite horror films. I mention this because when the idea came along to do a spin-off of The Walking Dead, I was stoked. But when Fear the Walking Dead first aired, I have to admit there was something about it that just didn’t hook me. So I gave up after a couple episodes. I wish I had held out just a little bit longer.

Going into Annihilation a couple days ago I had only seen the trailer once but was excited for it based on the strength of Alex Gardner’s first directorial effort Ex Machina. The film is based on a series of books that I had never read, and from what I understand the film takes many liberties with the storyline and characters. As his sophomore effort behind the camera, there were high expectations for what Garland would do, and the result I believe is one of the most divisive films I’ve seen in a while. This is the kind of film that gets me excited for the future of cinema, not just because I loved the film, but I love the conversation it can provoke with other filmgoers.

With the success of The Revenant, it shouldn’t be a surprise that other survival films would follow in its wake.  At first glance when I came across Walking Out, I didn’t expect much and figured it would be nothing more than a halfhearted attempt to capitalize on the success of The Revenant.  I couldn’t have been more wrong. What Walking Out brings to the table is a heartfelt tale of survival for a father and son, yet instead of focusing on the bleak conditions in the mountains of Montana, the focus is rather on the bond the two are attempting to develop. With a beautiful landscape as the backdrop of the film, it’s easy to see how Cal (Matt Bomer) could fall in love with his home and want to share it with his son.

The days of drive-in cinema and grindhouse pictures are all part of a bygone era, where the films were fearless and took chances with their subject matter. Now films seemed to be made so carefully as to not offend anyone.  When it comes to Macon County Line, as much as it is a staple of its time, it’s hard to imagine this film being made today.  It’s a film that’s a blend of two genres. It’s a road film, but because of the location and characters, it’s also a good ol’ boy picture. So how does this drive-in classic fare on Blu-ray? Despite having a runtime of 88 minutes, the story doesn’t rush into anything but instead lets us get to know the two brothers Chris (Alan Vint) and Wayne Dixon (Jesse Vint) who are on a quick joyride before they enlist in the military.

The notion of having one of comics’ famous costumed detectives face Jack the Ripper is simply one of those ideas I can’t help but smile with geeky joy thinking about.  Batman: Gotham by Gaslight, takes the caped crusader back to the early turn of the 19th century, a time when Gotham City was in its early days, before skyscrapers flooded its landscape.  This unique take does offer up some fun twists on the legend of the character ,but also takes many liberties of historical events that actually took place.  This kind of revisionist history can be fun; take Inglorious Basterds for instance, but how much should you really play with actual history and set character mythology? This is definitely a new playground for the creators to play with, so how does the animated film shake out?

When coming into this film you need to put aside any expectations of seeing your typical Pixar or Dreamworks animated film.  This is arthouse animation that is filled with originality while attacking the clichés we see in big-budget disaster films.  I didn’t really know what to expect from this film, but with a voice cast that includes Jason Schwartzman, Lena Dunham, Reggie Watts, Maya Rudolf, and Susan Sarandon it was such an odd mix that my curiosity couldn’t resist. So is the trippy animated film a success, or is it a dud destined to sink into obscurity?