Posted in: No Huddle Reviews by Brent Lorentson on January 18th, 2016
Have you ever had a dream that you wake up from and as your head spins from the snippets of the dream you can remember it takes you a few moments to clear your head and remember where you are? Usually this is a result from a hard night of drinking, but for Major John Cafferty (Tahmoh Penikett) it is a battle he is waking up from, and it is not a dream. With no memory of what happened, Major Cafferty wakes up in a special military hospital with several members from his platoon, only some of his soldiers are dead, and no one has a clue as to how they found themselves in the medical facility.
Posted in: Disc Reviews by Brent Lorentson on January 13th, 2016
In 2012 Sinister had its release and horror fans seemed to be divided on the film. For me, I dug the mythology of Bughuul, an evil spirit who appears in 8mm family films that seem to always end in some new gruesome way. He’s a character the horror genre needs, as I see him as a silent hybrid of Jigsaw (from the Saw franchise) and Freddy Krueger (from the Nightmare on Elm Street franchise), where he’s a killer who gives us unique kills in some unsettling locations. Now with the release of Sinister 2, do the filmmakers step up their game and deliver us more from the possible new icon of horror? Sort of; just not how I would have expected it.
Posted in: No Huddle Reviews by Brent Lorentson on January 6th, 2016
Scott Adkins is one of those actors that I’m surprised hasn’t quite hit the mainstream success he deserves. In the late 80’s and 90’s this is a guy who would have been an action superstar who would have crushed such icons as Jean-Claude Van Damme and Dolph Lundgren. It seems that somehow Adkins has been lost amongst the glut of superhero films; he’s one of the true great tough guys who even does most of his own stunts, which is surprising, since some actors these days can’t function on set without their own personal chef and have stand-ins when their face is not on screen. Close Range is the new release for Adkins that once again shows off his martial arts skills while leaving a high body count in his wake.
Posted in: No Huddle Reviews by Brent Lorentson on January 4th, 2016
Over the years it’s become a bit of a trend to read headlines discussing a pit-bull attack. Sure, it’s been known to be an aggressive breed, but I tend to be in the camp that believes it’s the owner who truly reflects a dog’s behavior. Another unsettling trend that has been in the news lately is the abuse inflicted upon these animals, whether it is to “toughen” the dog up for fighting or simply that the dog was an unfortunate object that a person decided to unleash their cruelty upon. I note this not to attempt to make any social commentary, but instead to set up this film that tackles both sides of the coin when it comes to pit bulls, and it just so happens to be based upon a true story.
Posted in: Disc Reviews by Brent Lorentson on January 4th, 2016
It’s been a long wait for those of us wanting to see Eli Roth’s return behind the camera since Hostel 2 hit the screens. I’ve been more than a little excited since hearing about Roth’s plans to bring the cannibal genre to its jungle roots. It’s been long enough since audiences have been shocked by the ferocity we haven’t seen from the genre since Cannibal Holocaust and Cannibal Ferox. Sadly, the intentions were there, but the execution just fell short. Instead of getting the shock and gore we’ve come to expect since Cabin Fever and Hostel 1&2, this time around we get a film that feels a little restrained.
Posted in: The Reel World by Brent Lorentson on January 1st, 2016
The name Quentin Tarantino carries the weight of legacy of such directors as Alfred Hitchcock, Steven Spielberg, and more recently Christopher Nolan. I’m not saying one is better than the other, but simply by name recognition alone Tarantino is in the company of directors that when you hear that his name is attached, there will be a loyal fan base flocking to the theaters to see what they have to dazzle us with. This time around Tarantino returns to the cinema in his biggest release to date; in glorious 70mm we have The Hateful Eight. Tarantino returns to the Western genre, only this time he heads out west to Wyoming to thrust us into his most claustrophobic setting since Reservoir Dogs. Let me just come out of the gate and say, if you’re looking for the over-the-top fun you found in Django Unchained, you’re going to have to readjust those expectations; this time around we are given something much more intimate and all the more rich with dark humor.
Posted in: Disc Reviews by Brent Lorentson on April 30th, 2015
“I need to know what you are worth when I leave you nothing.”
These are the parting words that Jim Bennett (Mark Wahlberg) is left with from his dying grandfather. At first these words may seem a bit harsh, but the more time we spend with Bennett we start to understand the grandfather’s intentions. The Gambler, a remake of the 1974 film with same title, follows Bennett along his downward spiral as his gambling addiction drags him down to the point where death is imminent, yet death seems to be the escape Bennett so desperately craves. In other words, this is not exactly the film you watch to get into the holly jolly spirit of the holidays.
Posted in: Disc Reviews by Brent Lorentson on April 20th, 2015
Imagine the horror of being asleep and then suddenly you wake up, paralyzed. Your eyes flutter frantically about as you struggle to move, but nothing will budge. From the corner of your eye you see movement. You’re not alone, and the person who is in the room with you is ready to kill you. This is the hook Echoes attempts to use to suck the viewers in. As a psychological thriller about sleep paralysis, it’s unfortunate that the only suspense the film manages to deliver on is just when the film will finally come to its painfully boring conclusion.
Posted in: Disc Reviews by Brent Lorentson on April 9th, 2015
This is a movie that snuck up on me. I had seen the trailers, and it looked like goofy fun, but I really wasn’t prepared for how this film would linger in my mind and follow me around. First let me just say this film is not for everyone; this is one of the darkest comedies I’ve seen in quite some time, but on top of that this is one of the most tragic films as well. At first glance the trailer for The Voices has you thinking this is going to be American Psycho meets Dr. Dolittle (only one character can hear the animals talking), and for the most part that is this film. But as the final act kicked in, I realized this was really so much more.
Posted in: Disc Reviews by Brent Lorentson on April 7th, 2015
When it comes to screenwriters in the industry, William Goldman is virtually the king of the written word. From writing such hits as Marathon Man and All The President’s Men to The Princess Bride, Goldman will always be a legend in Hollywood even if it has been a while since his last successful original work. Wild Card is a remake of the Burt Reynolds version of Heat back in 1986. It’s been a few decades since watching the film, so instead of trying to remember anything from it how about I just stick to this stylized version?
