Posts by Brent Lorentson

When it comes to films with Dolph Lundgren, let’s face it: you know before it even starts there is no chance of this movie having what anyone would call an “inspiring performance.” Thankfully Lundgren seems to understand the limits of his abilities and tends to stick with the run-of-the-mill action/adventure films that seem to go direct to DVD.

When I first picked up this title to review it was a film I knew nothing about other than what the DVD cover revealed, which as it turns out was very little.  I like going into most films cold so there is no room for expectations to get in the way.  With such a generic title and a cast that had a few names that rang a bell and knowing nothing about the story, I figured the film had equal chances to be good or simply a stinker I’d forget by the weekend.  As it turns out, Gangster is a gritty little drama that not so much took me by surprise but instead left me wanting so much more.

Not to be mistaken for the much anticipated Ant-Man that should release next year from Marvel, Antboy is the latest import out of Denmark that shows that the worldwide box office is becoming a more level and diverse playing field.  For the longest time foreign films were a thing that belonged in art house cinema and found in a tiny section at the mom-and-pop video store.  Now in a generation of the internet and most notably Netflix, the wide range of foreign cinema is being made available, and in my opinion this is a great thing.

With all these found-footage films that seem to be coming out week after week, I wonder just how audiences will react when they finally get a scene that is shot on a tripod.  It will be hailed as a revelation, I’d imagine, and finally the world will be able to watch a film without pondering if they should have double-dosed on their motion sickness pills.  Yes, ladies and gentlemen, Infliction is yet another entry into the canon of found-footage films and is also another example of why it is a style that is not meant for everyone to try or to use as an excuse for a low budget.

Any time I see a film released with the words Once Upon a Time (insert location), I feel the film is already setting itself up for failure. There are numerous classics that boast that title; Once Upon a Time in the West as well as Once Upon a Time in America are two that come to mind that are classics in their genres.  But then you have Once Upon a Time in Mexico, which for me was a lackluster conclusion to the El Mariachi trilogy.  Now we have the release of Once Upon a Time in Vietnam and, well, despite its attempts to be a big sprawling epic, the film just doesn’t deliver.

After the number of horror films I’ve seen, the prospect of going on a road trip and taking a back road seems like just about the worst idea anyone could ever have.  Whether it’s in the mountains where you have to fear backwoods cannibals (Wrong Turn) or it’s the open desert highway and fearing maniacs in semi-trucks (Joy Ride), really, is anywhere safe to travel?  Even the quaint little roadside motel is a place to fear, and I don’t mean the bedbugs either.