Posted in: No Huddle Reviews by Brent Lorentson on July 23rd, 2014
When I first picked up this title to review it was a film I knew nothing about other than what the DVD cover revealed, which as it turns out was very little. I like going into most films cold so there is no room for expectations to get in the way. With such a generic title and a cast that had a few names that rang a bell and knowing nothing about the story, I figured the film had equal chances to be good or simply a stinker I’d forget by the weekend. As it turns out, Gangster is a gritty little drama that not so much took me by surprise but instead left me wanting so much more.
Posted in: Disc Reviews by Brent Lorentson on July 21st, 2014
"Maybe it was all inevitable. An unavoidable collision between mankind and technology."
Just about any project that Christopher Nolan has any attachment to is going to get my attention. And from the first glimpses of the film in the early teasers, Transcendence always felt like a film Nolan would seem right at home making. Instead, taking the helm for the first time as director is Wally Pfister. Though this may be his first time in the director’s chair, Pfister is no stranger to working on pictures of large scale; after all, he’s been Nolan’s director of photography since Memento back in 2000.
Posted in: No Huddle Reviews by Brent Lorentson on July 20th, 2014
Not to be mistaken for the much anticipated Ant-Man that should release next year from Marvel, Antboy is the latest import out of Denmark that shows that the worldwide box office is becoming a more level and diverse playing field. For the longest time foreign films were a thing that belonged in art house cinema and found in a tiny section at the mom-and-pop video store. Now in a generation of the internet and most notably Netflix, the wide range of foreign cinema is being made available, and in my opinion this is a great thing.
Posted in: Disc Reviews by Brent Lorentson on July 14th, 2014
"Isn’t it wrong to sing and dance when someone has just died?"
When I first hear a film is going to attempt to be a horror musical, all I can do is simply shake my head at the thought of how bad this may be. But that’s not to say that I couldn’t be very wrong. Repo! The Genetic Opera was a rock opera that I had a blast with, and I’m not ashamed to admit I even purchased the soundtrack after the release.
Posted in: No Huddle Reviews by Brent Lorentson on July 9th, 2014
With all these found-footage films that seem to be coming out week after week, I wonder just how audiences will react when they finally get a scene that is shot on a tripod. It will be hailed as a revelation, I’d imagine, and finally the world will be able to watch a film without pondering if they should have double-dosed on their motion sickness pills. Yes, ladies and gentlemen, Infliction is yet another entry into the canon of found-footage films and is also another example of why it is a style that is not meant for everyone to try or to use as an excuse for a low budget.
Posted in: No Huddle Reviews by Brent Lorentson on July 8th, 2014
Any time I see a film released with the words Once Upon a Time (insert location), I feel the film is already setting itself up for failure. There are numerous classics that boast that title; Once Upon a Time in the West as well as Once Upon a Time in America are two that come to mind that are classics in their genres. But then you have Once Upon a Time in Mexico, which for me was a lackluster conclusion to the El Mariachi trilogy. Now we have the release of Once Upon a Time in Vietnam and, well, despite its attempts to be a big sprawling epic, the film just doesn’t deliver.
Posted in: No Huddle Reviews by Brent Lorentson on July 3rd, 2014
After the number of horror films I’ve seen, the prospect of going on a road trip and taking a back road seems like just about the worst idea anyone could ever have. Whether it’s in the mountains where you have to fear backwoods cannibals (Wrong Turn) or it’s the open desert highway and fearing maniacs in semi-trucks (Joy Ride), really, is anywhere safe to travel? Even the quaint little roadside motel is a place to fear, and I don’t mean the bedbugs either.
Posted in: The Reel World by Brent Lorentson on July 2nd, 2014
In a summer that has been taken over by giant lizards and robots, it is a little odd to find a little sweet film like Begin Again playing on the screen and competing with the heavy hitters of summer. From the writer/director of indie smash Once we get a film that isn’t just about musicians trying to make their big break, but instead it’s about the heart and pain that goes into the creation we later hear and become fans of. When we first meet Greta (Keira Knightly) she is nursing some heartbreak in a bar, and her friend drags her up on stage to perform her new song.
Posted in: No Huddle Reviews by Brent Lorentson on June 29th, 2014
When I read on IMDB that this was meant to be a horror comedy, I have to admit I breathed a sigh of relief. After watching Ghost of Goodnight Lane I just simply was left wondering if the laughs were intended or if this was a film that just was delivered so poorly that you just couldn’t help but laugh at it. Having seen now that the film was intended for laughs, I’m still not so sure it’s helps the film any. Though it has a solid story and a decent cast, the execution just falls flat.
Posted in: Disc Reviews by Brent Lorentson on June 25th, 2014
When the first Wolf Creek was released it was one of those films that had a lot of hype around it, and when I got around to watching it, I dug it. It’s one of those films where the more I’ve watched it the more I’ve gotten to appreciate it, not just for its gore, but the film has a solid story, and I appreciated that the film at no time allows you to get too comfortable. At any moment a character could be brutally murdered. It’s the character of Mick Taylor (John Jarratt) who could equally make me smile with his crude outback charm or make me squirm with uneasiness the moment his hands took hold of a weapon.