Posted in: No Huddle Reviews by Brent Lorentson on June 29th, 2014
When I read on IMDB that this was meant to be a horror comedy, I have to admit I breathed a sigh of relief. After watching Ghost of Goodnight Lane I just simply was left wondering if the laughs were intended or if this was a film that just was delivered so poorly that you just couldn’t help but laugh at it. Having seen now that the film was intended for laughs, I’m still not so sure it’s helps the film any. Though it has a solid story and a decent cast, the execution just falls flat.
Filmed in Dallas, Texas, a film crew is struggling to finish up a film they have been working on. Pulling some overnight hours, the film’s editor Ron (Richard Tyson) is mysteriously killed, though the police believe it to be simply by natural causes. But the rest of the crew suspects there is more to their crew member’s death, and it doesn’t take long before paranormal activity starts occurring throughout the production office. Billy Zane plays Alan, the leader of this overworked crew, as he tries to convince himself and the others nothing is happening even though denial seems to be harder and harder to fall back on as the activity grows more intense.
Posted in: Disc Reviews by Brent Lorentson on June 25th, 2014
When the first Wolf Creek was released it was one of those films that had a lot of hype around it, and when I got around to watching it, I dug it. It’s one of those films where the more I’ve watched it the more I’ve gotten to appreciate it, not just for its gore, but the film has a solid story, and I appreciated that the film at no time allows you to get too comfortable. At any moment a character could be brutally murdered. It’s the character of Mick Taylor (John Jarratt) who could equally make me smile with his crude outback charm or make me squirm with uneasiness the moment his hands took hold of a weapon. We Americans seem to enjoy the notion of our Australian characters being in the vein of the playful Crocodile Dundee, but Jarratt takes his role of Mick to some dark, terrible places.
Writer and director Greg Mclean unfortunately hasn’t had the success I would have expected considering the strong following for Wolf Creek and his fun follow-up Rogue. Now with the release of Wolf Creek 2, Mclean returns to the familiar territory of the untamed outback, and how does he fare? To put it simply, this movie is insane; it’s unrelenting and pretty damn funny at times.
Posted in: Disc Reviews by Brent Lorentson on June 24th, 2014
It’s hard to believe it was way back in 2001 when Joy Ride was first released. You can lump me in with the crowd that didn’t expect there to be a sequel, much less a third entry into this series. The second Joy Ride I seemed to have missed altogether, so when I was given Joy Ride 3, I have to admit I was a little hesitant about checking this film out. Now that I have checked out the Blu-ray and all its extras, all I can think is that I had a good time with this film.
The film starts out strong, bringing us into a seedy motel room where a couple of meth addicts are up to no good. When the two are tapped out of meth, they decide to use their CB radio to lure in an unsuspecting driver. It’s no surprise that the trucker they end up getting is Rusty Nail, and he seems to be more than happy to oblige these two addicts. How the rest of the opening sequence plays out is better seen than ruined in a review, but I will say this is one of my favorite openings for a horror film in some time. It’s fun, it’s brutal, and it’s bloody. It’s the perfect way to kick off this kind of film.
Posted in: Disc Reviews by Brent Lorentson on June 24th, 2014
It’s that time of the year again to dust off the old hunting rifle and shake out the camouflage suits, because Duck Commander is back in action. Duck Dynasty comes to Blu-ray on its fifth season, and though I was a little underwhelmed with the previous season, this new release brings the show back to the backwoods charm that gained my appreciation from the start. Yes, I still have a hard time calling this a reality series, since just about every episode and sequence seems more scripted than most hour-long dramas, but the characters are so likeable and goofy that a lot can be forgiven.
The show gets off to a slow start with “Boomerang Becca” and “Willies Number Two”. The first is about Willie and Korie’s adopted daughter Rebecca, who has come home after completing a fashion internship in Los Angeles. Willie is just nervous her visit is going to evolve into her simply moving back home, and he doesn’t seem too OK with that. As for the second episode, Willie decides he needs an assistant, and Korie asks Willie to give her cousin John David a chance. Willie seems to warm up to having a guy very similar to himself working beneath him, but the Duck Commander crew doesn’t seem to appreciate the new guy giving them orders. These episodes just simply felt as though they were trying to introduce new characters into the show, but neither character worked, and I can’t say they were missed when they never returned for the rest of the season.
Posted in: The Reel World by Brent Lorentson on June 20th, 2014
"You should never stop thinking about a life you’ve taken. That’s the price you pay for taking it."
In 2010 David Michod directed his first full-length feature Animal Kingdom. It was a critical success, and he went on to pick up a Best Director award with the Australian Directors’ Guild. Now Michod has completed his sophomore effort, The Rover, which does explore some familiar ground with criminal families, but the film takes a more introspective approach to life and what matters most in the world when you believe you have nothing left to lose.
Posted in: No Huddle Reviews by Brent Lorentson on June 18th, 2014
As we get even closer to the release of Michael Bay’s next foray into the Transformers universe with Transformers:Age of Extinction, Shout factory releases yet another series to help whet our appetites. As a kid growing up in the 80’s it was impossible to exist without knowing who Optimus Prime was or being able to hum (if not sing) the theme song to the cartoon. But since the release of the original cartoon there have been so many spinoffs it’s hard to keep them all straight. In 2007 Cartoon Network and Hasbro Studios set out to capture the imaginations of a younger audience following the success of the movies. How does the series stack up to the 80’s classic?
First I just want to get out of the way that I’m not a fan of how they changed the overall look of the Transformers. Back in the 80’s they had a more box-like look and, well, seemed like more traditional “robots in disguise”. But in this new series they have more human like features, and a slender look and small waists…Basically the look is just very jarring from the traditional look, and it took some time getting used to. David Kaye does a decent job with the voice work of Optimus Prime but just doesn’t deliver the commanding tone that Peter Cullen delivered in the original 80’s series.
Posted in: Disc Reviews by Brent Lorentson on June 17th, 2014
First I just have to say that the cover art design for this film is one of the best looking covers I’ve seen in a long time. The fact that they actually took the effort to get an artist to design their cover is simply the first step in sucking the viewer into this 80’s sci-fi/ horror realm. Looking at this cover simply reminded me of the days working in a mom-and-pop video store when most of the horror titles were not just a collage of pictures thrown together in Photoshop, but instead an artist would be assigned and create these beautiful and amazing covers.
When it comes to Almost Human, writer/ director Joe Begos seems to know exactly what it means to make an 80’s throwback film, and he welcomes the viewer to come along for the ride. It seems to be a trend with the new up and coming guys in horror to look to the 80’s horror genre, Ti West (House of the Devil) and Adam Green (Hatchet) are just a few of these throwback directors who seem to have a love and appreciation of the time period in horror and embrace it. Almost Human is a film that belongs on VHS, back in the era when practical effects still ruled the genre.
Posted in: No Huddle Reviews by Brent Lorentson on June 17th, 2014
Of the cartoons that are on air, it’s no contest in choosing what is my favorite show. Regular Show just strikes a chord with me and reminds me of the antics of Ren and Stimpy back in the 90’s. Sure, the show airs on Cartoon Network and kids could watch it, but the show seems more aimed at a teenage audience or at least the parents who are trying to find something to watch with their children. Here at Upcoming Discs, when we get a series to review this usually entails a lot of binge-watching, because, well, to review a series we don’t just watch a few episodes, we watch it from start to finish whether it’s a show we have a good time with or one of the ones that have us struggling to keep our eyes open and our attention on the screen. When it comes to Regular Show, it’s a show I have no problem clicking on that play-all button and just kick back and have fun watching whatever shenanigans Mordecai and Rigby get into.
Like with numerous releases from Cartoon Network, Regular Show has numerous DVDs with episodes from multiple seasons and thrown together in a DVD pack, so some episodes on the Season 3 release may be duplicates for some fans out there. Thankfully, though, when making these combo packs, it never is simply heavy on one season in particular.
Posted in: No Huddle Reviews by Brent Lorentson on June 13th, 2014
Revenge films are simply one of those guilty pleasures that seem to always be in the pipeline for being released, whether it’s on the big screen or straight to DVD. They are the kind of films that allow us to escape into the anti-hero’s frame of mind and go along on their journey of vigilantism. Perhaps we may not have encountered the same circumstances of characters avenging slain family members (The Outlaw Josey Wales, Death Wish) or violent sexual assaults (Ms. 45 and Make Them Die Slowly) each film gives us the chance to remove ourselves from reality and politically correct convictions and root for these characters. Vendetta follows in the long line of revenge films before, but does is hold up to the classics of the genre?
Danny Dyer (Doghouse & Severance) plays Jimmy Vickers, who is a special ops interrogator who returns home after hearing about the murder of his parents. With no witnesses to the crime, Jimmy uses his acquired talents to discover those who are responsible for the murder.
Posted in: Disc Reviews by Brent Lorentson on June 12th, 2014
There have been more than a few films that have revolved around radio DJ’s. Good Morning Vietnam, Talk Radio, and Private Parts: these are just a few films that explore the world of the character behind the microphone, who speaks through our radios through the day-to-day grind. Now, following in the success of the Oscar nominated film Philomena, Steve Coogan steps into the radio DJ world as Alan Partridge. Most of us are used to listening to our local DJ’s who come on between songs and blast us with their obnoxious personalities, silly games and pop culture news of the day on our morning drive to work. But as the radio market seems to be phased out as listeners have options like Serius XM and personal listening devices loaded with music, the need for DJ’s is simply becoming a thing of the past. And that is where Alan Partridge starts off.
The local radio station is being bought out, and the radio talent is being phased out for newer and more polished voices to bring in the younger listeners. With his job on the line, Alan Partridge (Coogan) makes a feeble attempt to save his job by throwing another DJ, Pat Farrell (Colm Meaney) under the bus.
