Posted in: Disc Reviews by Brent Lorentson on May 15th, 2013
In 1363, the Black Plague had done its damage, leaving most infected areas uninhabitable. Escape — known in Norway as Flukt — is the story of a family that sets out into the countryside to get away from the plague and hopefully find a new place to rebuild their lives. But just as I’m thinking this is going to be a movie about sticking together and fighting to survive the elements, it shifts gears to something far darker but not all that original.
The small family is attacked and most are brutally slain; only Signe (Isabel Christine Andeasen), the daughter, manages to survive. Instead of simply killing the girl, the attackers decide to keep her around. When this decision was made by the attackers my mind instantly went to thinking they were going to torture and rape the girl. It seems extreme, but after seeing these attackers shoot down a young boy with a crossbow, well it should be safe to assume these killers are ruthless. Insert twist; back at their camp they have a little girl named Frigg. It seems all they want is for Frigg to have a sister.
Posted in: Disc Reviews by Brent Lorentson on May 14th, 2013
Posted in: No Huddle Reviews by Brent Lorentson on May 8th, 2013
“If you have a tender soul, brace yourself.”
Sometimes I’ll get a stand-up comedy DVD and wonder how to write the review differently from other stand-up routines because there was simply little-to-no difference between the acts. Everyone just about knows — or should know — the basic formula. A guy walks out on stage and, for 45 minutes to an hour, delivers self-deprecating humor with the goal of receiving a few laughs. But then there are the comedians like Bo Burnham and Jeff Dunham, who at least try to bring something new to the stage by using music or puppets. In the case of Kristen Schaal, the mold continues to break as she delivers a stand-up performance unlike any other. This isn’t to say she delivers a perfectly amazing set, but it was refreshing to see something outside the formula of the standard routine.
Posted in: No Huddle Reviews by Brent Lorentson on May 8th, 2013
There has always been something about anime, as well as role playing card games like Pokémon and Kaijudo, that I’ve never quite been able to understand the draw towards them. When my friends talk about these games — with their booster packs and leveling up — all I can do is smile, nod my head, and pretend I have the slightest inkling at what they are talking about. Surely I can’t be alone on this. So when it came time to settle in and give Kaijudo: Rise of the Duel Masters a spin, I was reluctant; I hoped, perhaps, I could gain some insight into what some of my friends were talking about.
Before I go any further, I should mention the Dragon Strike DVD is only a five-episode arc and is not a reflection of the show or an entire season. The story arc, I’m guessing, takes place a while after the characters and the two worlds that exist have been established. So it did take me some time to just figure out what was even going on. But with that in mind, I wanted more by the time I was through the third episode.
Posted in: No Huddle Reviews by Brent Lorentson on May 2nd, 2013
Posted in: No Huddle Reviews by Brent Lorentson on April 30th, 2013
I wasn’t sure what I’d be getting into when picking up this Bollywood animated feature for kids. Though it has an Americanized voice cast, the Bollywood culture is more than evident throughout this feature, not just through the cultural views but the many song and dance numbers peppered throughout. As the film progressed, there was one thing that stuck with me from the beginning; this film has a message, and it’s not subtle about it, it hits the audience square in the jaw with it.
Somewhere deep in the heart of the jungle in India a young leopard cub Yuvi (Tara Strong) is playing with his father when suddenly they are being chased down by a large bulldozer. The chase is relentless until the two leopards are surrounded, and in a move to save Yuvi the father ends up getting shot. The animals of the jungle are devastated by the loss and the prospect of losing their home, so together they make a plan to seek out the help of the government to save the animals and their homes. Problem is none of them know how to speak human, that is of course till they learn about a parrot, Alex (Tom Kenny) who has been captured and lives in a golden cage that can speak for them.
Posted in: Disc Reviews by Brent Lorentson on April 22nd, 2013
Donnie Yen continues to deliver one great martial arts film after the other, easily making him the most entertaining martial arts star for quite some time. Sure, there are those who cling to the idea of Bruce Lee being “the best” or perhaps mentioning Jackie Chan or Jet Li for more modern viewers. But for me it’s Yen, and I have no problem saying he may be the best martial arts star of all time. His work with Ip Man, Seven Swords, and Flash Point are staples in a career that has been going since 1984. With Dragon you can check off another hit for Yen; though it may not be as action-packed as some of his previous releases, what we get instead is a fun detective story that asks the question, can a man that has committed atrocious crimes be capable of change?
Dragon opens up in a small village in 1917 China. The village is quaint; everyone has their place in keeping the village alive and running. For money the village makes paper; it’s not enough to exactly have everyone living the high life, but that isn’t what you’d expect in this village that probably hasn’t changed much in the past hundred years. But everything changes when two thieves come into the village and attempt to rob it. Liu Jin-xi (Yen) reluctantly stops the robbery, and in the process a “fight” breaks out which results in the death of the two thieves. Was it simply luck on Jin-xi’s part, or is his simpleminded act of heroism a ruse, and beneath it all could he possibly be a trained killer? This is left to Xu Bai-jiu (Takeshi Kaneshiro Red Cliff and House of Flying Daggers), an investigator sent to the village to decide if it was all an act of self defense.
Posted in: The Reel World by Brent Lorentson on April 19th, 2013
Ever wonder what would happen if you took all the best or most memorable parts in a sci-fi film and cut them all together? What you get is the hodgepodge mess that is Oblivion, which unless I’m mistaken or blinked a bit too long and missed it, doesn’t have an original bone in its already weak story. Though they say if you’re going to steal, then steal from the best; the problem is that when you play it off as your own, please be able to give us a refreshing twist on a classic scene, not just make it cool. Sure people will say the same about Tarantino, but he owns up to it and puts a spin on it that is undeniably his own. In the case for Joseph Kosinski (the writer and director) I look at Oblivion and feel he gave the entire sci-fi genre the finger and took all the cool great moments to play with at will.
(If you’ve never seen The Matrix, Moon, Blade Runner, Independence Day, 2001 Space Odyssey or numerous others, well, then perhaps you may be in the dark as to what I’m talking about.)
Posted in: Disc Reviews by Brent Lorentson on April 16th, 2013
Sometimes a movie comes along that rises above simple entertainment and actually has something to say. The Big Picture is the kind of movie that has profound ideas about love, family, and the pursuit of your dreams. Is it possible to really have it all? The perfect spouse, the perfect family and live out your lifelong passion and dream? Many who have families, especially when starting young, can understand the idea of sacrifice for their families; it doesn’t mean they just cast their hopes and dreams aside, but once marriage and children are involved the direction your life may take was never the direction you had planned at all. And it’s this life and compromise director Eric Lartigau thrusts us into.
When we first meet Paul (Romain Duris) he is a happy family man with a beautiful wife, Sarah (Marina Fois), and two children. Though he is a successful lawyer, his passion is photography. He continues to snap photos and develop them in his personal lab, but he understands the risk of setting out to be a freelance photographer and simply can’t give up the security of his job with the law firm. Unfortunately, though, Sarah is not so content with her idyllic life and has dreams of her own as well as other desires she wishes to fulfill outside of the marriage. As Paul discovers his wife’s infidelity and that it was with a close friend, he begins to crack, and with good reason. Things only get worse when Paul confronts Greg (the man Sarah is having the affair with); their minor altercation leads to Paul accidently killing him.
Posted in: Disc Reviews by Brent Lorentson on April 11th, 2013
Looking back, it’s amazing how far visual effects have come since 1988. I can remember sitting in the theater watching Willow for the first time and believing everything I saw up on the screen wasn’t the work of movie magic, but I believed it to be reality. Perhaps some far off land where there are swordsmen fighting evil sorcerers and trolls lurk in the shadows of abandoned castles. This is a thought I’d like to believe I’m not the only one that hoped this was a reality, but if I am I’m fine with that. Willow came out at a time when Hollywood was trying to bring large-scale fantasy to the screen with other releases like Excalibur, Legend and Conan. Though these films are their own kind of awesome, the digital effects still hadn’t quite reached the level they needed to be to make these worlds as immersive as the Lord of the Rings films, for instance. Where the film may not have held up over the years with the special effects, it’s the story that manages to captivate this viewer 25 years later.
Willow Ufgood (Warwick Davis) is not your ordinary hero, and for 1988 seeing a little person as the star of a film is even further for ordinary. But Willow isn’t about ordinary; it’s about a journey of fantastic proportions where even the tiniest of men can be the biggest of heroes. When Willow is tasked to return a baby to her people, he must venture away from his village to a land that seems to be on the verge of war, something Willow and his fellow dwarves want nothing to do with. During Willow’s journey to find a proper protector for the baby, he encounters Madmartigan (Val Kilmer), who claims to be the greatest swordsmen that ever lived; unfortunately when he’s found he’s been left for dead in a cage. This is one of the roles that has me wondering what happened to Kilmer; in this role he is simply fun to watch and dripping with charisma; the guy was meant to be a star. And when we do get to see Madmartigan in action, I couldn’t help but wonder what it would be like if Madmartigan and Aragorn were to ever cross paths.
