Posts by Brent Lorentson

Just how much appeal can a show have when it’s about two directionless twenty-something’s who are groundskeepers at a local park; oh yeah, and they happen to be a raccoon and a blue jay?  It came as more than a little surprise how much this show not only had me laughing but I’m certain will have heavy replay value in this household. For those that believe it’s simply a kids’ show, be warned. Though it may not be filled with the raunch one would expect from Family Guy, Regular Show does dip its paw into indecency but never seems to cross the line.

It seems that to survive in today’s world everyone has to be at least a little tech-savvy; even grandma has to learn how to text and download images if she cares to see her grandchildren.  Unfortunately even stalking has evolved with the times; with social media more and more becoming the way we communicate, the days of peeping toms outside the bedroom window are gone and have moved on to webcam.  To some degree I think this should bring a sigh of relief, but then again stalking seems to have gotten easier, allowing more anonymity, and this is what Cyberstalker attempts to delve into.

For years it seems DreamWorks Animation has been living in the shadow of Pixar.  Sure, DreamWorks has had their success with Shrek and Ice Age, but when you stack the films next to Pixar’s library, you see Pixar just seems to be the best at what they do.  That is until The Croods came along; with the new DreamWorks release it would appear the animation studio has stepped up their game and released their best-looking 3D film to date.  My expectations were not too high with this release, but I was at least relieved I wouldn’t be watching Ice Age Ten: The Ice is Still Melting. 

Some movies have a way of simply sneaking up on you and leave you exiting the theater with a multitude of thoughts and emotions.  When a film comes along where you are able to forget your troubles or the stresses of the real world, and long after the final credit has rolled you still can’t shake certain images or lines of dialog from your mind, this is usually the best sign of a good film.  The Call I must confess snuck up on me and managed to suck me into “the hive” of the Los Angeles 911 dispatch center and has kept me in its clutches as I write up this review.

I think it would be safe to say that ever since Edward Stratemeyer penned The Hardy Boys he has garnered a legion of loyal fans of the popular young adult book series.  For many young readers these books are what planted the seeds for them to later become private investigators or join some form of law enforcement.  Then there were the casual readers like myself who became obsessed with the crime genre and would later move on to edgier writers.  Whatever direction readers may have taken, it’s safe to say that the Hardy Boys and Nancy Drew deserve the same respect as other classic characters in fiction like Sherlock Holmes.

In a film the pays its respects to the French soldiers who are participating in the war on terror as well as the journalists that risk their lives to cover the war, Special Forces delivers more of the same in this new release.  Though the default setting has the spoken language in English and has English-speaking stars, don’t let this French release fool you; the dubbing is terrible and the film is better viewed in its original language. Elsa (Diane Krugar) is a French journalist who is in Afghanistan to cover a story about a woman sold as a child.  By now we should all know speaking against the politics in these countries is not just bad, but when you are a woman this could get you killed.

Normally when I see trailers for films about “inspiring true stories” I try to remind myself to avoid that film at all costs.  Sure I’ve seen more than a few of these kinds of films, but that’s the problem with them, once you’ve seen one you’ve seen them all.  When Chasing Mavericks was brought to my attention I was ready to ignore, but then I gave it a quick look at IMDB and to my surprise it had two directing credits, Curtis Hanson (L.A. Confidential, which just so happens to be in my all-time top ten films) and Michael Apted (Gorky Park, Nell, Gorillas of the Mist), and with that my mind was made up. 

When an action title comes along and you see the name Steve Austin headlining it, the expectation level shouldn’t be too high (unless, of course, you’re an obsessed fan of Stone Cold).  I’ve seen more than my fair share of straight-to-video action films, so it takes a lot to deter me from giving a film a chance, and when it also gives Dolph Lundgren billing, well, the film becomes hard to resist. Tommy Wick (Austin) does work for a crime family to help work off the debt of his brother, who is currently serving time in the state penitentiary.

The story about Finn, the human, and Jake, the Dog is something I’ve managed to come into without any knowledge of what is going on.  It’s not as though there is a complex plot built around the characters but I’m somewhat at a loss why the 12-13yrold boy lives with his talking dog with no parental unit to be seen.  I know it’s a cartoon and considering this takes place in the land of Ooo, hoping to find a plot thread that follows any real world logic is asking a bit much.

When I see the claim “inspired by true events” I tend to always take this with a grain of salt, because really just about anything can be inspired by a true event.  It’s a misleading caption that frustrates me when I see it used to promote a film.  Why does it bother me so much?  Its simple; people read those words and begin to think everything is just about entirely true.  In this case the film Snitch was inspired by true events.  It took some time but I did manage to find a video on You Tube about a PBS television show that inspired the film.  This again is an example of what Hollywood does to spin the truth in order to fill seats at the theater.