Posted in: The Reel World by Brent Lorentson on January 18th, 2013
Sometimes a movie comes along that simply has so much to say that two hours simply isn’t enough to flesh it out to its full potential. Broken City is a film that is filled with many great characters and story threads that needed more than just the 109-minute running time to tie everything all together. Broken City is more than just a film about a private eye trying to take down a corrupt mayor. Every character involved has something to gain from winning an upcoming election and even more to lose depending on the results. The same can be said about any election.
The film opens up with Billy Taggart (Mark Wahlberg) standing over the body of a suspect he’s shot down. Though the charges are dropped, Taggart is asked to leave the force; this is a decision not taken lightly, but Mayor Hostetler (Russell Crowe) insists the resignation needs to happen for the city and that he’ll be in debt to Taggart. Jumping ahead seven years, Taggart is now a private eye and is in debt. Financially, things are not looking good for Billy until he gets a call from the mayor’s office.
Posted in: Disc Reviews by Brent Lorentson on January 17th, 2013
Shout Factory this week releases a Jackie Chan double feature that I can actually stand behind and say, “Yes, buy this.” Chan has been churning out movies since the early 60’s, and with a rumored retirement looming, soon we’ll only have his vast catalog of films to gush and cringe over. Though I think it is safe to say his body could use a break; after all, how many broken bones has this man sacrificed all in the name of cinema?
Crime Story The first on this double bill is the Hong Kong action flick Crime Story. It opens up with a gang of thugs going through a test run for a kidnapping they plan to do. The plan is to take their hostage while on the streets, in the open where anything and everything can go wrong. The test run alone, which ends in a collision, shows the risk the gang is willing to take. The target happens to be a billionaire, Wong (Law Hang Kang) who already suspects there are men out to kill him, thus introducing Inspector Eddie Chan (Jackie Chan).
Posted in: No Huddle Reviews by Brent Lorentson on January 8th, 2013
Coming into the HBO animated series on its third season, I wasn’t sure what to expect from The Life & Times of Tim. Even after a quick search on IMDB to see what else creator Steve Dildarian had worked on, it left me with little to go on concerning what to possibly expect. I got to go into season three with virgin eyes, and overall it was a good time. When we first meet Tim (Dildarian), his life is at a low point, lower than what most twenty-something graduates would be used to. But on the bright side Tim has managed to find a job as the personal assistant to a women’s basketball player (Kym Whitley), though Tim is too ashamed to admit to his girlfriend Amy (M.J. Otto) what he really does. From episode one on we see a common formula take place, Tim decides to do something, and in the end his actions prove his idea was horrible or will simply end with disastrous results. If anything Tim is something of an inspiration; after all, for those who claim to have terrible luck, they can always look to Tim and realize it could always be worse. But Tim is also fictional and animated, so any comfort the show may give will most likely be short-lived.
Each episode consists of two separate stories running about 15 minutes each. Having these mini episodes helps the pacing of each of the episodes, and even when there is a weaker story playing it at least manages enough time to fit in a couple laughs without overstaying its welcome. Also having the 2-story episodes it seemed at least for me there was easily “the good story” and then “the weaker story”. For me there wasn’t a point where I ever found myself hysterically laughing throughout an episode, but there were two that I could say with ease were my favorites.
Posted in: Disc Reviews by Brent Lorentson on January 7th, 2013
When it comes to writer/director Spike Lee, he seems to have a very polarizing effect on the people who watch his films. I’d like to consider myself a fan of most of his work. For me Clockers, Summer of Sam, and The 25 Hour rank at the top of my list of favorites. He’s a director with a very distinct style and voice that sets him apart from most filmmakers. But it’s that voice of his that often times gets him in trouble, whether it is in the message of his films or oftentimes comments he makes (most notably his comments on Tarantino and Django Unchained). As for Red Hook Summer, I wasn’t sure what to think of it, hearing mixed reviews from the festival circuit. For me when I heard this was supposed to be a unofficial follow-up to Do The Right Thing, I was already looking forward to checking this out.
When we first meet Flik Royale (newcomer Jules Brown) he’s in the back of the cab coming into Brooklyn for the first time with his face hidden behind his iPad 2 as he films everything. Flik comes from a middle class family in Atlanta, so of course this move to spend the summer with his religious grandfather is more than just a simple culture shock. At first it’s hard to sympathize with Flik simply because he comes off as nothing more than a spoiled brat, but as the film moves along I found myself warming up to him more and more.
Posted in: Disc Reviews by Brent Lorentson on January 2nd, 2013
It’s hard to not appreciate a film that wastes no time jumping into the action, and with a title like Kill’em All you go in expecting the action to be piled on and non-stop. I have to say I’m a little surprised this little film lived up to the title; after all most straight-to-DVD titles seem to be lackluster if not simply awful. I’m also not saying this is a film that’ll be remembered too long either, but it is a B movie that delivers on the action and has Gordon Liu doing what he does best. After watching several of Bangkok’s elite assassins go about doing their dirty work and leaving a trail of bodies in their wake it is quickly followed by their capture. At first when watching this I had thought they were being killed until we get to see them all gathered together in a massive concrete cell. None of the professional killers seem to know one another; only a handful seem to know of one another which I found strange, after all how many elite assassins can one country have? Well, it doesn’t take long till they discover they are all trapped in “the Killing Chamber”, a place where assassins and other people are brought to die. What’s kind of cool is they are given a chance at freedom, but that chance only comes if they are the sole survivor of their captors’ game.
What follows are a series of duels to the death; as the survivors are whittled down, the desperation to survive becomes more intense. The key three assassins Gabriel (Johnny Messner), Som (Ammara Siripong), and The Kid (Tim Man) are the only memorable survivors as they escape beyond the chamber and into a hellish warehouse filled with ninjas and numerous other bloodthirsty killers. The fight choreography is fairly standard but is still fun, especially for those like me who pretty much get excited any time a ninja shows up.
Posted in: No Huddle Reviews by Brent Lorentson on December 31st, 2012
Back in 1964 a film was released about a reporter who wanted to know what it was like to be black in the deep south during the civil rights movement. When I first heard this my initial reaction had me picturing some white guy in black face strolling the streets and then subsequently being beaten by both sides of the race coin. It turns out this thankfully wasn’t the case, and the reporter, John Howard Griffin, underwent medical treatments, as well as hours under a sunlamp, to change the hue of his skin. From the procedure on, the film explores a dark time in America seen through the eyes of both a white and a black man at the same time.
James Whitmore (The Shawshank Redemption and Them) plays the role of the reporter, whose name has been changed to John Horton for the film. When we see him as a black man for the first time it is on a bus, sitting in the colored section, and standing next to his seat is a middle-aged white woman. He looks up to her and wants to do the gentlemanly thing and offer her his seat, but her response is nothing but repulsion from this “negro” who dares to even look at her. John can’t understand this reaction; after all it was her comfort he was concerned about, but this is only a glimpse into the bigot-filled world John has now opened himself up to, and things are only going to get worse.
Posted in: No Huddle Reviews by Brent Lorentson on December 27th, 2012
The idea of traveling out into the middle of nowhere, surrounded by snow and with no running water or toilet around, is not my idea of a nice vacation. In fact, being a former Eagle Scout, just hearing about camping is enough to recall nights of sleeping on the hard ground, in the cold with rocks and sticks being stabbed into my back while trying to sleep. It’s not that I hate the outdoors; I’ve simply grown to appreciate the niceties of life, and if getting in touch with nature means mosquito bites, I’ll stick with the motel 8 and enjoy the view from my room. This being said, when I see a film like The Frozen where a couple from the city decides to go camping, in the middle of nowhere and in the snow no less, I already suspect this cannot possibly end well.
When we first meet Emma (Brit Morgan), she’s locked away in the bathroom waiting for the results of a pregnancy test to come through. At this point when she discovers she is pregnant, she should have put a stop to this insane trip; with one responsible decision she could have prevented the entire horrible mess that awaits her, but alas, had she been wise, we never would have had much of a film to watch. Her long time boyfriend, Mike (Seth David Mitchell), has been planning this special trip for some time and has picked this frozen tundra over the warm sun, where Emma had hoped their vacation would be. But Emma knows how much this trip means to Mike, so she swallows all common sense, and the two set out for their adventure.
Posted in: The Reel World by Brent Lorentson on December 25th, 2012
There is a difference between calling something the “best” and calling it your “favorite”. For instance when I look back at the films I’ve seen over the course of the year, I can say Django Unchained is my favorite film of the year that I enjoyed immensely, but I don’t believe I can say it is the best film of the year. Will Django be a film to live on for decades and be hailed a classic in the annals of film history? It’s too soon to even suggest such notions, but what I can say is that the film was a hell of a good time.
Taking place in a pre-civil war era Dr. King Shultz (Christoph Waltz), a former dentist turned bounty hunter, is looking for a group of slave traders who have a slave in their possession who can help identify a group of men known as the Brittle brothers. The slave in question is none other than Django (Jamie Foxx). Seeing this slave is the only man who can identify the brothers, Shultz makes the decision to purchase Django from the traders, but this is a Quentin Tarantino film, and you know it can’t be that simple. The scene sets the tone for the rest of the film, delivering crackerjack dialog followed by explosions of intense violence.
Posted in: No Huddle Reviews by Brent Lorentson on December 21st, 2012
This short-lived UK television series from 1995 is something I had never heard of, and after watching it, I consider it one of the best horror anthologies produced. Tales from the Crypt, The Twilight Zone, The Outer Limits all hold their own place in what they brought to the small screen, each with episodes that are given the same reverence we would give a classic film. What Chiller managed in five episodes left me wanting so much more; five episodes simply was not enough.
Prophecy: When a group of friends get together for some drinks and a séance, you just know things are not going to go as planned. During the séance a prophecy is given that seems vague and nothing for the friends to worry about, that is until five years later when the friends begin to die off one by one. Though the story seems familiar, it remains fresh by adding a young boy who has a gift/curse where is able to see how people will die. As the first of the stories, it sets up the tone nicely for the other tales to follow.
Posted in: Disc Reviews by Brent Lorentson on December 18th, 2012
It’s that time of year when the studios enjoy churning out their holiday films to help get people into the holly jolly spirit of things. Thankfully for us bah-humbuggers out there, studios also release films that kick dirt in the face of the holiday season. Silent Night isn’t the film to play after a night of caroling while trimming the tree and listening to the fire crackle. Instead this is the film to watch with a six pack and a group of friends to just blow off some steam.
Imagine if Santa had a list, but instead of it being filled with the names of boys and girls who have been good, it had the names of all those who have been naughty. Sure we would expect Santa to give lumps of coal to those who have misbehaved, but Silent Night delivers a Santa who punishes the bad by taking their lives. The film is a very loose remake of Silent Night,Deadly Night; for me this will always be a holiday classic, and for those who are fans of B cinema but somehow missed this title, it’s one worth hunting down and checking out. As for the current film, I have to say I was surprised that I actually had fun watching it.