Posted in: No Huddle Reviews by J C on January 16th, 2014
Meeting your significant other’s family for the first time can be a terrifying experience. Then again, being introduced to your son/daughter/brother/sister’s new boyfriend or girlfriend can be equally dicey for the family, since we’re talking about a total stranger being thrown into the mix. The best thing about You’re Next is how it takes this sort of recognizable family drama and gleefully twists it into a brutally violent — and brutally funny — horror film.
Posted in: Disc Reviews by J C on January 16th, 2014
“This song of the Man and his Wife is of no place; you might hear it anywhere at any time.”
The aching simplicity of the story in Sunrise is the reason the silent film remains thoroughly watchable almost 90 years after its release. It’s also why the movie will remain thoroughly watchable another 90 years from now. Then again, the reason F.W. Murnau’s 1927 effort goes beyond simply remaining watchable — and enters masterpiece territory — has less to do with what the story is and much more to do with how it’s told.
Posted in: No Huddle Reviews by J C on January 13th, 2014
Within the first few minutes of We Are What We Are, the Parker family suffers an immense loss. The death doesn't exactly come as a shock because the film opens with a series of arresting and foreboding images doused by a torrential rain that fails to wash away the family's worries (or incriminating evidence). This atmospheric, thoroughly creepy horror movie winds up going to a number of grisly places, but, in a lot of ways, it's really just the story of how the reclusive clan deals with that loss.
Posted in: No Huddle Reviews by J C on January 7th, 2014
We all know looks can be deceiving, but Voodoo Possession takes that notion to the extreme. Almost nothing about the film’s DVD cover art correlates to what you’ll actually see on screen. Cult favorite Danny Trejo gets top billing despite playing a largely inconsequential role in the story. (You know a movie’s in trouble when it’s banking on Trejo’s star power; even the Machete movies relied mostly on stunt casting.) The cover is dominated by someone who looks like Samara from The Ring standing in front of Shutter Island. (Naturally, the girl has nothing to do with this movie.) At least there is, in fact, voodoo in this occasionally intriguing, ultimately lousy low-budget horror flick.
Posted in: No Huddle Reviews by J C on January 3rd, 2014
We’ve been conditioned to expect certain things when it comes to movies about love. The genre has become synonymous with chance encounters, kisses in the rain, and last-second declarations of love. (A tragic/downer ending is purely optional.) The most interesting thing about Last Love is how it explores the sort of deep connection between a man and a woman that isn’t necessarily tied to physicality or even romance. It’s such a refreshing change from the love story norm that it made the parts of the film that don’t quite work more palatable.
Posted in: Disc Reviews by J C on December 30th, 2013
“Violence is never the answer.”
That statement is said unironically by a character in Sweetwater, but we know better; in the movies, violence is pretty much always the answer. This is especially true when it comes to the revenge genre which, the films of Quentin Tarantino notwithstanding, is largely a man’s game. (Risk-averse Hollywood studios are much less likely to greenlight WoMan on Fire.) This bloody, straightforward Western from twin filmmakers Logan and Noah Miller is not terribly original, but it does try to put its own spin on the hallowed tradition of cinematic payback.
Posted in: The Reel World by J C on December 25th, 2013
Besides the fact that it stars Leonardo DiCaprio and that it’s essentially a white collar gloss on Goodfellas, you’d be forgiven for thinking somebody other than Martin Scorsese directed The Wolf of Wall Street. I don’t mean to suggest Scorsese has lost his masterful touch or his passion for filmmaking, both of which were on display as recently as two years ago in the wonderful Hugo. It’s more that after spending the better part of the 21st century making strong, serious dramas, I didn’t necessarily expect Scorsese to make his funniest, loosest and most audacious picture in decades.
Posted in: Disc Reviews by J C on December 24th, 2013
“You gotta be grateful for the little things in life, otherwise you’ll never be grateful for nothing.”
I’m not so sure the same fans who made 2007’s The Ultimate Gift a hit on the home video market — and spurred the creation of this sequel — will be very grateful for this tepid follow-up. The Ultimate Life stiffly and earnestly re-iterates the first film’s emphasis on appreciating non-material delights, and sprinkles in a worthwhile message about the importance of leaving a strong legacy behind. Unfortunately, this film’s own legacy places it with the long list of sequels that don’t live up to the original.
Posted in: Disc Reviews by J C on December 23rd, 2013
Cliff Richard’s music stardom predates that of the Beatles. So the fact that I wasn’t at all familiar with the British pop singer’s music before sitting down to review this Blu-ray probably says more about me than it does about him. Lucky for me, this career-spanning concert — which includes music from his time with the Shadows, some solo hits, and even his duet from the movie that partly inspired the creation of the Razzies — also doubles as a lively, CliffsNotes glimpse into Richard’s incredibly prolific and successful career.
Posted in: The Reel World by J C on December 20th, 2013
You already know Mary Poppins is one of the most beloved movie musicals of all time. But did you know it also holds the record for most Oscar nominations (13) and wins (5) for a movie released by Walt Disney Studios? Audiences...critics...everybody loves Mary Poppins, right? Well, unless you follow movie history pretty closely, you may not know the film had a famous, formidable critic in P.L. Travers, the author of the “Mary Poppins” book series.
